Violin Concertos of John Adams & Philip Glass

John [composer] Adams (Composer), Philip Glass (Composer), Christoph Eschenbach (Conductor), Houston Symphony Orchestra (Orchestra), Robert McDuffie (Performer)

Product Details

• Performer: Robert McDuffie
• Orchestra: Houston Symphony Orchestra
• Conductor: Christoph Eschenbach
• Composer: John [composer] Adams, Philip Glass
• Audio CD (August 24, 1999)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Telarc
• ASIN: B00000JXZT
• Average Customer Review: 4.5 out of 5 stars See all reviews (13 customer reviews)
• Amazon.com Sales Rank: #100,931 in Music (See Bestsellers in Music)

  Popular in these categories: (What's this?)

  #3 in	Music > Classical > Featured Performers, A-Z > ( M ) > McDuffie, Robert
  #16 in	Music > Classical > Historical Periods > Modern, 20th, & 21st Century > Composers > Glass, Philip
  #16 in	Music > Classical > Featured Performers, A-Z > ( H ) > Houston Symphony Orchestra

Editorial Reviews

Amazon.com
Leave it to Christoph Eschenbach and the Houston Symphony to deliver one of the more impressive classical discs of 1999: a pairing of the violin concertos of John Adams and Philip Glass. Hearing the works of these two American music mavericks side-by-side is a study in contrasts: Adams's postmodernist composition from 1993 is filled with spooky overtones, as the violin threads its way through the piece, always at the forefront. It doubles as a ballet (the NYC Ballet cocommissioned the piece), yet never forgets the traditional violin-concerto form. Glass's composition from the late '80s is less complex. It, too, is based around a traditional structure of three movements, but these are passages we've heard from the composer for the last decade, though never quite so well assembled.

Gidon Kremer has recorded two earlier discs featuring both the Adams and Glass concertos, but the sonics (especially on his Glass disc) are less impressive than they are here. Robert McDuffie's violin isn't as piercing as Kremer's--a shame during the eerily gorgeous second movement of Adams's piece--but there's a pleasant balance to this new disc, and the Houston Symphony sounds fantastic. All in all, it's a great package of two contemporary classical-music compositions everyone should hear. --Jason Verlinde

Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

5.0 out of 5 stars Ah, the Luxury of this Pairing of Concerti, December 8, 2004

By	Grady Harp (Los Angeles, CA United States) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

John Adams and Philip Glass continue to be two of the more important composers of our time and how appropriate it is to have the luxury of both composers on one disc and with each composer's view of the violin concerto!

For some the Glass may be more immediately accessible, but for those who have yet to discover the glorious beauties contained in the mind of John Adams, just begin listening to this disc with the second movement of his concerto (Chaconne: Body through which the dream flows) and odds are you'll be hooked.

Robert McDuffie has a fine affinity to both these concerti and is technique is superb, his dexterity amazing! The other version of the Adams is a fine one by Gidon Kremer but in this case the orchestral collaboration with Christoph Eschenbach and the Houston Symphony is superior. In the Glass the orchestra plays with that signature pulsating glow that suits Glass' work. After the success of Glass' score for the film THE HOURS this concerto will doubtless become a concert favorite.

The sonics are excellent and the overall impact of this fine disc is as good as it gets for contemporary music. Highly Recommended. Grady Harp, December 2004

25 of 32 people found the following review helpful:

5.0 out of 5 stars Glass is eerily compelling, September 20, 2002

By	R. Kelly Wagner "[e-mail]" (MD, United States) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

Let's start right off by saying that I grew up listening to, and loving, the traditional violin concerti. Give me Beethoven, give me Mendelssohn. (Spare me Tschaikovsky, please, I have heard that in performance so many times I'm finally tired of it.) I am not a huge fan of 20th century music, outside the popular Russians, film music, and band music. In fact, I come prepared to dislike Philip Glass. In fact, I DO dislike much of Philip Glass. The usual words I use when trying to describe Glass's music to those not familiar with it are "repetitive, monotonous, irritating, annoying." So when I found myself online at midnight ordering the album I had just heard on my local classical radio station, it was as much a shock to me as to anyone. But there I was - I couldn't stop myself. This violin concerto is - well, compelling. I couldn't stop listening. I found myself putting down my book and listening CLOSELY. It's difficult for me to pinpoint WHAT I liked about it - all I can do is keep repeating, it's compelling. It made me listen. It will do the same for you.

6 of 7 people found the following review helpful:

5.0 out of 5 stars Adams and Glass at their best, March 18, 2005

By	Todd Ebert (Long Beach California) - See all my reviews

Give me music that has creativity, virtuosity, originality, and passion, and I will promise to listen, regardless of how someone decides to label the music (including my above labels). Both of these violin concertos possess all of the above, and for someone who has always had problems appreciating the violin concerto, I find myself listening to this recording quite often. I tend to view Glass's works as seeming rather dark, brooding, and subjective/emotional. So it makes alot of sense that his music would work well within the context of a violin concerto where the soloist can step in an interpret this subjective world through his playing. And Adams' concerto seems just as interesting if not more sublime. I found the second movement both haunting and beautiful at the same time. In total I find this to be a wonderful CD, and am glad I took the risk of buying something I knew almost nothing about. Indeed, it is quite rare for me to hear either Adams or Glass even on a classical music station. Too bad because their music speaks more of the world we live in today, which is one reason why humanity at any given time chooses to listen to music in the first place.