Most Helpful Customer Reviews
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44 of 46 people found the following review helpful:
5.0 out of 5 stars
likely the best recording, April 22, 2001
The story of Allegri's "Miserere" Mass has been told time and again, but warrants one more telling. Allegri was commissioned by then Pope Urban VIII to write this piece to be sung exclusively in the Sistine Shapel during Holy Week. This has been the case every year since 1638. The piece itself was written between 1630-38. On Wednesday and Good Friday during Holy Week, this Mass would be sung after 26 candles were extinguished, leaving a solitary one burning. This tradition holds true to this day.The Mass was to be performed only in the Sistine Chapel, and up until Mozart's famous visit to the Chapel in 1770, only 3 written copies of the Mass were known to exist. Anyone else who copied it was either excommunicated, killed, or both. Mozart heard the Mass on that Wednesday, would write the Mass from momory that evening, then hear it again on Good Friday to correct a few errors. He was done at that point, and the piece was returned to Vienna, where it could be shared with the world. (This is a very abbreviated version of a fascinating story) Thanks to Mozart, we can relish in the brilliance of Allegri's Mass, and this 1963 version is arguably the finest recording of it. The solo is maturely handled by treble Roy Goodman, and is central to the success of the recording. The re-mastering of this classic recording only enhances its beauty, wonderfully bringing out its delicate intricaces. This recording, paired with several pieces by Palestrina, is well worth the mere $... asking price. It is worth much more, in my book, so give this classic Mass a listen, and be amazed.
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20 of 20 people found the following review helpful:
4.0 out of 5 stars
A brilliantly clear recording - you can hear the echos., October 26, 2001
I love Palestrina, but most of all I love the Allegri Miserere.
I bought the CD to replace an earlier version (performed by the St.John's College Choir)and I was really quite delighted.
The first surprise was to hear the Allegri piece in English. It's good; very good. Not as good as it is in Latin, but still fits the music well. The quality of this recording is breathtaking. You can genuinely sense the atmosphere of the recording space ... the voices simply fade away to nothing in the heights of the building. And the voices you hear seem like the voices of angels.
Similarly, the Palestrina pieces are exceptionally well performed and produce.
However, the real gem (and it's a diamond) is the Allegri. If ever there was a piece of music that can soothe ruffled brows it's this. Let the boys' voices life you to heaven like the soft, gentle wings of angels. Come home stressed, make a cup of hot chocolate, close the curtains, dim the lights and let the sound soothe you.
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13 of 13 people found the following review helpful:
5.0 out of 5 stars
Great Performance, December 14, 1999
For those of you not familiar with Gregorio Allegri's: Miserere, it is an acapella vocal work that was jealously guarded by the Papal choir until Mozart heard of it and attended a performance. At the age of 14, and hearing it only twice, he went home and wrote it out. It is becuase of him that we have this beautiful piece in writing. This recording is excellent and I am sure any music lover would enjoy it. The treble solo is done by a young boy, Roy Goodman. Mr. Willcocks wanted the recording to be exactly how it was in the performance, therefore no editing was done, which is most impressive. Aside from the Miserere, there are several works by Palestrina, also performed beautifully and are worth a listen.
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~ Gregorio Allegri
~ Colin Scott Mason
~ Gregorio Allegri
~ Giovanni Pierluigi da Palestrina
~ Thomas Tallis
is mainly Opera and quite Classical”
