Beethoven - The Complete String Quartets / Alban Berg Quartet

Ludwig van Beethoven (Artist), Alban Berg Quartet (Artist), Hatto Beyerle, Thomas Kakuska, Valentin Erben Günther Pichler Gerhard Schulz (Artist)

Product Details

• Audio CD (November 16, 1999)
• SPARS Code: ADD
• Number of Discs: 7
• Label: EMI Classics
• ASIN: B000026D4J
• Average Customer Review: 4.2 out of 5 stars See all reviews (35 customer reviews)
• Amazon.com Sales Rank: #9,204 in Music (See Bestsellers in Music)

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  #1 in	Music > Classical > Featured Performers, A-Z > ( A ) > Alban Berg String Quartet
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Customer Reviews

Most Helpful Customer Reviews

51 of 53 people found the following review helpful:

5.0 out of 5 stars Just beautiful, March 29, 2005

By	Roger S. Gottlieb "Classical music lover" (Jamaica Plain,, MA USA) - See all my reviews (REAL NAME)

What a splendid set. I'm familiar with a number of other recordings--Cleveland, Takacs, Emerson, Budapest, Kodaly, etc.--but this is the best overall to my taste. The tone and sound are just beautiful. There is plenty of passion but no harshness. Plenty of gentleness and simply beauty when they are called for. Lots of dynamic range and varied tempi. On almost every movement (except for me Op 59 #1 second movement) they make the music come across in a fresh way that one can return to over and over.
Also, beautifully recorded.
Can't imagine anything better (though the Auryn quartet is wonderful, as well.)

71 of 76 people found the following review helpful:

5.0 out of 5 stars Two Beethoven cycles from the Alban Berg--which one is better?, March 13, 2006

By	Santa Fe listener - See all my reviews (TOP 100 REVIEWER)

Founded in 1971, the Alban Berg Quartet of Vienna was the dominant ensemble in the quartets of Mozart and Beethoven for two decades. Such was their pre-eminence that EMI recorded two complete Beethoven cycles with them over the span of less than five years. The first was made in the studio in 1985, the second was recorded live at the Mozart Saal in Vienna in 1989--since the latter contains applause, it's obvious which is which upon hearing htem. But online stores like Amazon, Tower, and Crotchet do not distinguish between the two. The one pictured herer is the studio cycle.

By general consensus the live recordings are warmer and freer in interpretation, the studio ones being noticeably more tightly controlled and polished. Virtually every critic prefers the 1989 cycle, which indeed is probably the best from the post-Budapest Quartet era (even surpassing the virtuosic Takacs and Emerson cycles of the last decade by combining intensity, genuine Viennese style, and sheer technical ease). I've bought both cycles and can attest that EMI's digital sound from 1985 is edgy and over-bright, making it impossible to listen comoftably at real-life volume levels, while the 1989 concert readings are in excellent sound, adding yet another reason to acquire the later set.

The orange-jacket Red Line series, offered a sisngle CD at a time, is from 1985 and should be avoided. The "Great Recordings of the Century" set of the late quartets, with a photo of the four members of the Alban Berg on the cover, is from the live 1989 cycle. the only missing link is the possibility that the pictured box set here has been remastered, which the 1985 cyle certainly deserves.

P.S. - A commenter offers a correction: Only the Late Quartets from this cycle were digitally recorded, and first appeared on LP in 1984. The Early and Middle Quartets were made in 1981 and 1979, respectively, and are analogue recordings, as I remember first buying them in "Seraphim" boxed sets on LP. The first CD remastering appears to have been in 1985, however, unfortunately, the entire cycle was not recorded "in the studio in 1985," as you suggest.

62 of 69 people found the following review helpful:

5.0 out of 5 stars The Best Overall, December 9, 2004

By	Robert Thomas "thomastoons" (Los Angeles, CA) - See all my reviews (REAL NAME)

This quartet made a deep impression on me. I have listened to performances by Quartetto Italiano, Emerson, Amadeus, Cleveland, Lindsey, Vegh, Budapest and others and although each quartet has it's strengths, I believe the Berg Quartet gives the best overall performance of these works.

This remarkable ensemble seems to propel the music forward with a jet-engine thrust, while at the same time paying the greatest attention to detail, without getting lost in the minutia. By comparison, other quartets tend to sound rather square.

If you want depth of feeling, hair raising excitement, and a positively authoritative performance of Beethoven's greatest works, you honestly can't do better than the ABQ.

By the way, did I mention the tone? The tone, the tone, Oh God the tone.

Enjoy.