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DVD ~ Bruce Harwood
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![The X-Files - Fight the Future [Blu-ray]](http://ecx.images-amazon.com/images/I/51b8xc2gUsL._SL500_SS90_.jpg)
DVD ~ David Duchovny
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DVD ~ David Duchovny
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Product Description
Editorial Review
The truth is out there. And this game, based on one of the best sci-fi TV series in history, is way, way "out there." Despite performances by original cast members David Duchovny, Gillian Anderson, Mitch Pileggi, and a few other favorites, The X-Files puts the "normal" back into paranormal.
GameSpot Review
X-Files is a pretty direct port of the PC version, though a few of the game's more annoying puzzles have been removed. The series creator, Chris Carter, wrote an original story for the game and shot original footage exclusive for the game with some of the show's cast, namely David Duchovny, Gillian Anderson, Mitch Pileggi, and a few other regulars, as well. For fans of the series, the story will seem quite typical of an X-Files episode. Players who aren't fans of the series will find the constant references to the series trivial and unnecessary. The game starts off with the typical X-Files opening, where it shows something mysterious happening and then leads into the show's standard introduction. The game then starts you out as agent Craig Willmore, who gets a case involving two missing FBI agents - who, of course, happen to be Dana Scully and Fox Mulder. From there, you hook up with assistant director Walter Skinner and visit various locations, like the last place the missing agents were seen, their hotel, and so on. Along the way, you find clues and information that lead you to other locations, with other clues, and other people to interact with. The interaction is limited to asking them various questions that you select from a topic window. While the characters certainly respond with appropriate answers, it's not really an interactive conversation, since, in most cases, you simply ask them about everything that's listed on the topic window. The same is true when searching environments for clues, you basically check everything you possibly can, take everything you can, and go everywhere the game lets you go. The only skill, other than finding everything and asking all of the questions, that's involved while playing is during the game's "action" sequences. These sections mostly involve you placing crosshairs over FMV bad guys and shooting them before they shoot you. Very reminiscent in look and style to the old Sega CD classics, the shooting sequences involve a bad guy who steps out from behind a suspicious-looking pile of boxes. You shoot him, and then another bad guy steps out from behind a pole. You also shoot him. Other action sequences aren't as obvious - for some you must you use your head and your inventory at the appropriate time, like taking a picture of a fleeing car to get its license plate number. The game can be rather fun when you're playing through these action sequences, figuring out what to do next, and moving the story along. Unfortunately, it's horribly frustrating when you're not moving along briskly, mostly because you know exactly what you need to do but can't find a way to do it. The constant problem that X-Files suffers from is the way it hides objects. For instance, you'll be standing in a bedroom, looking at the bed. If you look to the right, you'll see the dresser. If you look to the left, you'll see the nightstand. If you spin around in a circle, all you can see are those three screens. But if you walk forward while looking at the bed and then turn around, you can see there is something on the dresser behind you. Why couldn't you see that when you turned around before? This happens throughout the game. Even with the game's sixth sense help icon turned on (which gives you visual clues about where you're supposed to go next), it's occasionally very frustrating. One other major problem occurs toward the end. During most of the action sequences, you can put the crosshairs anywhere on the bad guy's body and shoot him. But there's one generic guard near the end of the game whom you must shoot - before he shoots you. We tried to accomplish this simple task ten times. We tried shooting the guard in the face, the legs, torso, everywhere. It just simply wouldn't work. Then, finally, we shot right at the center of the guard's chest, a place we all swore we had attempted to shoot several times before. This time, for whatever magical reason, he went down. It's this kind of random behavior that really cripples the game. Visually, the game looks very sharp. Half of the game is composed of FMV sequences that look surprisingly nice, and the other half of the game is Myst-style stills of the environments you are in. The camera angles and lighting give the game a striking resemblance to the series. The game also does a nice job of recreating the atmosphere of the series with ominous music and sound effects. The quality of the voices and music is also very good. In the end, if you're a fan of the series, the game's worth renting. If you find that the game's storyline hooks you, and you don't mind the interface, keep it for a couple of extra days and beat it, since the game only takes about ten hours to complete. However, if you're not a fan of the series, you shouldn't even really bother.--Ryan Mac Donald--Copyright © 1998 GameSpot Inc. All rights reserved. Reproduction in whole or in part in any form or medium without express written permission of GameSpot is prohibited.
The truth is out there. And this game, based on one of the best sci-fi TV series in history, is way, way "out there." Despite performances by original cast members David Duchovny, Gillian Anderson, Mitch Pileggi, and a few other favorites, The X-Files puts the "normal" back into paranormal.
Collaboration with the TV show's creator, Chris Carter, ensures that the game attains the eerie visual quality of the show, but the lack of any tension or pacing makes one wonder why the game is spread across an unusually voluminous four PlayStation discs.
Mulder and Scully have gone missing, and as the poorly acted Craig Willmore, a local FBI agent, you must find the clues that lead to their whereabouts. Most of the game is spent aimlessly wandering from location to location, hoping to find screen hotspots that may possibly give players a clue as to what they are supposed to do next.
Conversations with others seem strangely stilted, and often the script offers up red herrings that will frustrate players who try to play the game as if it were logically designed. In a number of instances, even though you know what course of action you should take, you're forced to wait for the game to catch up with you before taking it. Unless you are a die-hard X-Files collector, there is little reason to own this game. --Jeff Young
Pros:
- Lots of well-produced video
Cons:
- No sense of pacing
- Limited interaction
- Poor documentation
- Illogical design
- Scully and Mulder's appearances no more than cameos
GameSpot Review
X-Files is a pretty direct port of the PC version, though a few of the game's more annoying puzzles have been removed. The series creator, Chris Carter, wrote an original story for the game and shot original footage exclusive for the game with some of the show's cast, namely David Duchovny, Gillian Anderson, Mitch Pileggi, and a few other regulars, as well. For fans of the series, the story will seem quite typical of an X-Files episode. Players who aren't fans of the series will find the constant references to the series trivial and unnecessary. The game starts off with the typical X-Files opening, where it shows something mysterious happening and then leads into the show's standard introduction. The game then starts you out as agent Craig Willmore, who gets a case involving two missing FBI agents - who, of course, happen to be Dana Scully and Fox Mulder. From there, you hook up with assistant director Walter Skinner and visit various locations, like the last place the missing agents were seen, their hotel, and so on. Along the way, you find clues and information that lead you to other locations, with other clues, and other people to interact with. The interaction is limited to asking them various questions that you select from a topic window. While the characters certainly respond with appropriate answers, it's not really an interactive conversation, since, in most cases, you simply ask them about everything that's listed on the topic window. The same is true when searching environments for clues, you basically check everything you possibly can, take everything you can, and go everywhere the game lets you go. The only skill, other than finding everything and asking all of the questions, that's involved while playing is during the game's "action" sequences. These sections mostly involve you placing crosshairs over FMV bad guys and shooting them before they shoot you. Very reminiscent in look and style to the old Sega CD classics, the shooting sequences involve a bad guy who steps out from behind a suspicious-looking pile of boxes. You shoot him, and then another bad guy steps out from behind a pole. You also shoot him. Other action sequences aren't as obvious - for some you must you use your head and your inventory at the appropriate time, like taking a picture of a fleeing car to get its license plate number. The game can be rather fun when you're playing through these action sequences, figuring out what to do next, and moving the story along. Unfortunately, it's horribly frustrating when you're not moving along briskly, mostly because you know exactly what you need to do but can't find a way to do it. The constant problem that X-Files suffers from is the way it hides objects. For instance, you'll be standing in a bedroom, looking at the bed. If you look to the right, you'll see the dresser. If you look to the left, you'll see the nightstand. If you spin around in a circle, all you can see are those three screens. But if you walk forward while looking at the bed and then turn around, you can see there is something on the dresser behind you. Why couldn't you see that when you turned around before? This happens throughout the game. Even with the game's sixth sense help icon turned on (which gives you visual clues about where you're supposed to go next), it's occasionally very frustrating. One other major problem occurs toward the end. During most of the action sequences, you can put the crosshairs anywhere on the bad guy's body and shoot him. But there's one generic guard near the end of the game whom you must shoot - before he shoots you. We tried to accomplish this simple task ten times. We tried shooting the guard in the face, the legs, torso, everywhere. It just simply wouldn't work. Then, finally, we shot right at the center of the guard's chest, a place we all swore we had attempted to shoot several times before. This time, for whatever magical reason, he went down. It's this kind of random behavior that really cripples the game. Visually, the game looks very sharp. Half of the game is composed of FMV sequences that look surprisingly nice, and the other half of the game is Myst-style stills of the environments you are in. The camera angles and lighting give the game a striking resemblance to the series. The game also does a nice job of recreating the atmosphere of the series with ominous music and sound effects. The quality of the voices and music is also very good. In the end, if you're a fan of the series, the game's worth renting. If you find that the game's storyline hooks you, and you don't mind the interface, keep it for a couple of extra days and beat it, since the game only takes about ten hours to complete. However, if you're not a fan of the series, you shouldn't even really bother.--Ryan Mac Donald--Copyright © 1998 GameSpot Inc. All rights reserved. Reproduction in whole or in part in any form or medium without express written permission of GameSpot is prohibited.
What Do Customers Ultimately Buy After Viewing This Item?
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64% buy the item featured on this page: The X-Files |
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27% buy X-Files: Resist or Serve |
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6% buy The X-Files Game $57.99 |
 |
4% buy The X-Files: Fight the Future $9.98 |
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