Amazon.com
Freely adapted from Robert Ludlum's 1980 bestseller,
The Bourne Identity starts fast and never slows down. The twisting plot revs up in Zurich, where amnesiac CIA assassin Jason Bourne (Matt Damon), with no memory of his name, profession, or recent activities, recruits a penniless German traveler (
Run Lola Run's Franka Potente) to assist in solving the puzzle of his missing identity. While his CIA superior (Chris Cooper) dispatches assassins to kill Bourne and thus cover up his failed mission, Bourne exercises his lethal training to leave a trail of bodies from Switzerland to Paris. Director Doug Liman (
Go) infuses Ludlum's intricate plotting with a maverick's eye for character detail, matching breathtaking action with the humorous, thrill-seeking chemistry of Damon and Potente. Previously made as a 1988 TV movie starring Richard Chamberlain,
The Bourne Identity benefits from the sharp talent of rising stars, offering intelligent, crowd-pleasing excitement from start to finish.
--Jeff Shannon
From The New Yorker
In this latest iteration of the international thriller, two young people-an amnesiac American who possesses mysterious violent skills (Matt Damon), and a beautiful European vagabond with a taste for adventure (Franka Potente)-race across Europe to escape powerful forces eager to kill them both. Adapted by Tony Gilroy and William Blake Herron from a 1980 novel by Robert Ludlum, the picture has tons of up-to-date surveillance equipment, and it features an unfamiliar Filipino martial art called
kali, a kind of stuttered karate (block, block, slash, kick). But the movie is still a relic of the bipolar Cold War, and suffers from a fatal lack of purpose. Great actors like Brian Cox and Clive Owen are wasted in tiny roles, and Julia Stiles, as an operative lucky enough to be assigned to Paris, is stuck in a closed room wearing headphones all the time. Directed by Doug Liman, who used to make nifty little movies like "Swingers" and "Go." -David Denby
Copyright © 2006
The New Yorker