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Robert De Niro gets top billing, but young Leonardo DiCaprio is the revelation of
This Boy's Life, an astute, often painful drama of growing up in the 1950s Pacific Northwest, based on the
autobiographical novel by Tobias Woolf. DiCaprio plays Tobias, a good kid with a bad boy streak but an unwavering love for his divorced mother (Ellen Barkin). "I want to be a better boy," he promises from under a greasy pompadour, and tries to prove it when she marries single father Dwight (DeNiro), a bully who parents through intimidation and humiliation. DiCaprio is magnetic in his first starring role, full of anger, hope, and confusion as he drifts back to juvenile delinquency, and his intensity gives the true story of survival and triumph its charge. DeNiro is frightening and pathetic as Dwight, and Dwight's youngest daughter is played by future star and vampire slayer Eliza Dushku.
--Sean Axmaker
From The New Yorker
Michael Caton-Jones' absorbing film is based on Tobias Wolff's 1989 memoir of growing up in the fifties. The screenplay, by Robert Getchell (who also wrote "Alice Doesn't Live Here Anymore"), initially presents teen-age Toby (Leonardo DiCaprio) and his mother, Caroline (Ellen Barkin), as a pair of cheerful road-movie nomads, wandering from town to town and picking their destinations almost randomly. Their troubles start when Caroline, thinking that Toby needs a father, marries a small-town clod named Dwight (Robert De Niro), who proves to be a bully-the sort of guy who fancies himself king of the castle and takes pleasure in making his subjects bend to his will. Dwight is one-dimensional; we learn everything we need to know about him early on. Fortunately, the movie doesn't stay cooped up in his gloomy castle. And Barkin and DiCaprio are sensational. Every time De Niro threatens to take over the picture, they snatch our attention right back, and always with something casual: a look or a gesture that conveys how thoroughly this mother and son understand each other. Also with Jonah Blechman. Wonderful cinematography by David Watkin. -Terrence Rafferty
Copyright © 2006
The New Yorker