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18 of 18 people found the following review helpful:
5.0 out of 5 stars
Blows your mind and then puts it all back together again, September 3, 2001
One of the most purely entertaining and recommendable movies I have ever seen, "Black Cat White Cat" is a sensory overload.Start with the stunning visuals. The ramshackle, anarchic sets are as exotic as have ever been captured on film, somewhere in the same neighborhood as the bar in "Star Wars," the villages in the Mad Max films, and the town from "Welcome to Woop Woop" (that last reference is probably more obscure that "Black Cat White Cat"). The relentless story set against that backdrop is as multifaceted, kinetic, and darkly comic as anything Quentin Tarantino has been associated with, albeit here everything is linear and easy to follow. Not getting into the details -- although it would be fair to call this some sort of a gangster movie -- this film is loaded with storytelling cliches which thankfully breathe new life when set among the gypsies. The plotlines weave together in a logical, satisfying way, although you probably won't catch onto just what all those plots are until late in the game. And the whole time, Kusturica and company move things along with a sense of slapstick comic timing that harks back to the Marx Brothers. The knockout punch -- indeed, the soul of "Black Cat White Cat" -- is the music. The manic gypsy soundtrack shifts from sweet and melodic to crazed and bombastic, but always with enough of a smirking streak to maintain the film's air of goofy mischief. This is a movie which stays coherent due to the sheer force of its own whimsy. [A side note, since everybody who sees the movie will walk away humming this song: "Pit Bull," the soundtrack's only detour off of gypsy music, is an unlikely pop hit (it was huge in Europe, where people actually SAW this movie) but taken with the film's hilarious and memorable context, it works perfectly. Not so on just the CD soundtrack, however; I found myself needing the disco gangster visual, letting me know that it was Kusturica's synthesis and not just the song that made the moment.] Anyway, this is an excellent soundtrack that begs to be bought, but to the best of my knowledge and experience, it is impossible to find in the US (remember that next time you travel to Europe, and don't forget to look under "Chat Noir Chat Blanc"). All in all, this is a true gift of a movie, and for my money, a better introduction to Emir Kusturica than the more serious (but very good) "Underground." Here, you're pretty much guaranteed a smile on your face -- and maybe the beginning of a beautiful friendship (with the film).
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