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37 of 41 people found the following review helpful:
4.0 out of 5 stars
The album that defined John Lennon, April 23, 2002
When the name "John Lennon" is mentioned today, an image of the proto-dreamer sitting at his piano calmly asserting his starry-eyed ideals over a serene melody immediately comes to mind. When Mr. Lennon first strayed from The Beatles, however, his character was much harder to pinpoint. While his former songwriter partner, Paul McCartney, established early-on that he intended to remain a baby-faced poprocker, Mr. Lennon threw a few curveballs before fully developing the personality that is now his mythos. His first projects outside The Beatles were three LPs, released from 1968 to 1969, on which he collaborated with unconventional, Japanese "performance artist" and his soon-to-be wife, Yoko Ono on a series of experimental tracks, consisting of freeform instrumental noodling, sound effects and spoken or screamed voices (The first of which, the infamous Two Virgins, featured a nude photograph of the somewhat unkempt duo on its cover). Meanwhile a series of the couple's unusual, low-budget films, including a 40-minute video starring Mr. Lennon's penis, appeared at modish art exhibits and film festivals. As projects such as these surfaced and the two became inseparable, it appeared that Mr. Lennon's post-Beatles career would be incorporated into Ms. Ono's aura of avant-gardism and uncompromising weirdness. Then, in December of 1970, he released the album, John Lennon/Plastic Ono Band, which, despite its title, was his first non-Beatles project not to feature his spouse's equal creative footing. Although it was stunning display of lyrical sophistication and bare-boned emotional outpouring, the album would hardly be the typical John Lennon album, with its sheer bleakness and seething antipathy. Still, Mr. Lennon was writing structured songs and producing something cohesive, a sign that he would not forever be a rugged, tripped-out specter. His next release, Imagine, issued in September 1971, however, would forever define his solo career. The fact that Mr. Lennon wrote the title track, an absolutely perfect mantra that summed-up his idealist values in a single morning and recorded it in only two takes demonstrated that, excluding "How Do You Sleep?," his absolutely scathing attack on Mr. McCartney, all the hostility and weirdness had been expunged from his system and his gift for beautiful, tuneful, poignant songs had resurfaced. The rest of Imagine is full of similar forthright and simply stated, yet utterly inspiring social and spiritual inquiries ("Crippled Inside," "Give Me Some Truth," "I Don't Wanna Be a Solider Mama, I Don't Wanna Die") and sweet, sensitive odes of love ("Jealous Guy," "Oh My Love"). Mr. Lennon's songwriting talent is astounding. His ability to place the most immense and poignant emotions and principles into the most enchanting and subtly beautiful songs is absolutely uncanny. Still, Imagine is not perfect. "Oh Yoko" is as annoying as being seated next to playful newlyweds on a subway and it was somewhat unnecessary that Mr. Lennon add every pun and insult he could think of to "How Do You Sleep?" for listeners to grasp his opinion of his former bandmate. The majority of Imagine's songs, however, are examples of the rarest type of pop music, the sort that effortlessly makes a listener think broadly and feel specially moved. This is what immediately comes to mind when the name "John Lennon" is spoken today, an intelligent and assertive icon of love, peace and the utopian dream.
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