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11 of 11 people found the following review helpful:
4.0 out of 5 stars
A Soulful Expression Done Well, June 7, 2002
On Common's fourth record, 'Like Water For Chocolate' he shines thoroughly through the fabric of Soul, Jazz, and Funk-inspired Hip-Hop. The native Chicago lyricist shares his deep experiences and opinions, but at the same time personafies the meaning of Mic Skills on tracks like 'Heat' and 'Thelonious'.The first two singles, 'The Sixth Sense' (a college radio single) and 'The Light' (the Grammy-nominated love song-turned radio hit) landed Common in the top rankings of spiritually inclined, mic skilled, Jazzy styled-and somewhat concious leauge of Hip-Hop MCs. While the album gives an inspiring tribute to the late African musician and revolutionairy Fela Kuti ('Time Travelin'), redenfined the definition of laidback smooth Hip-Hop ('Nag Champa') and attacks the utter mindlessness of current mainstream Hip-Hop ('Dooinit'), it still has its flaws. Common's super-spiritual content often contradicts his every now-and-then sprinklings of homophobic, sexually charged, and occasionally politically INcorrect content on 'race' in America in the words of his lyrics. His 'One Day' found maturity hardly leaves room for a balance between mature, progressive music and fun-loving, laidback sounds within the same song. Not to mention the presense of Soul singer Bilal on way too many songs. Another fact is the Grammy nominee's stance on respect for women is sometimes overshadowed by male chauvinism and questionable themes. 'A Film Called (Pimp)' is a satrical ode to the hussle of "pimps N hoes". A duet with MC Lyte that may leave a bad taste in one's mouth after the first listen. However, in essense, The Artist Formerly Known As Sense is merely channeling his different moods and attitudes towards life through various different tunes, showing he's as much human as anyone else (hence the name "Common"). Perhaps his less mature songs are merely meant to both stay connected with fans not on his level of spirituality and poeticism, and to serve purpose that there is a loose-skinned side of him which is not meant to be taken seriously (or at least not as much as his other material). For all it's worth, Like Water For Chocolate is an excellent album. A witty, musical, and thoughful record full of compassion and unity with guest spots from everyone from contempoary Jazz trumpetor Roy Hargrove, to Jill Scott, Slum Village (who's lead member Jay Dee produced the majority of the album), DJ Premier, The Roots and Hip-Hop's beatboxing and soundeffect extradionare Rahzel. 'The Questions', 'Funky For You', 'Payback Is A Grandmother', and a couple others are rather lackluster, but after hearing all the Interludes and soulful vibes of songs such as 'Geto Heaven Part Two' (the original version), and 'A Song For Assata' (a tribute to black panther Assata Shakur who is in political assulyum in Cuba) it's all worth it. In some ways, 'Like Water For Chocolate' could be the musical equalvilant to a typical day. Funky joyfilled moments ('Coldblooded') to times of receiving and benefiting from knowledge from elders ('Pops Rap III'), to a moment of response and reaction to situations ('Payback Is A Grandmother') which is trully a factor for determining what is or isn't true art--an imitation of life.
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