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Gesualdo: Tenebrae Responses for Good Friday
 
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Gesualdo: Tenebrae Responses for Good Friday

Gregorian Chant (Composer), Carlo Gesualdo (Composer), Andrew Parrott (Conductor), Taverner Consort & Choir (Performer)
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Samples
Song TitleArtist Time Price
listen  1. in I. nocturno/Antiphon - Astiterunt reges terrae/Psalm - Quare fremuerunt gentes (Ps 2)/Antiphon - Astiterunt reges terrae (Voice)Andrew Parrott;Taverner Consort & Choir 3:08$0.99 Buy Track
listen  2. in I. nocturno/Lectio I - De Lamentatione... Heth (Voice)Andrew Parrott;Taverner Consort & Choir 1:45$0.99 Buy Track
listen  3. in I. nocturno/Resp. i - Omnes amici mei (Voice)Andrew Parrott;Taverner Consort & Choir 4:11$0.99 Buy Track
listen  4. in I. nocturno/Lectio II - Lamed (Voice)Andrew Parrott;Taverner Consort & Choir 1:36$0.99 Buy Track
listen  5. in I. nocturno/Resp. ii - Velum templi (Voice)Andrew Parrott;Taverner Consort & Choir 3:25$0.99 Buy Track
listen  6. in I. nocturno/Lectio III - Aleph (Voice)Andrew Parrott;Taverner Consort & Choir 2:02$0.99 Buy Track
listen  7. in I. nocturno/Resp. iii - Vinea mea electa (Voice)Andrew Parrott;Taverner Consort & Choir 4:47$0.99 Buy Track
listen  8. in II. nocturno/Antiphon - Alieni insurrexerunt/Psalm - Deus in nomine tuo (Ps 53)/Antiphon - Alieni insurrexerunt (Voice)Andrew Parrott;Taverner Consort & Choir 2:42$0.99 Buy Track
listen  9. in II. nocturno/Lectio IV - Ex Tractatu ... Protexisti me (Voice)Andrew Parrott;Taverner Consort & Choir 2:15$0.99 Buy Track
listen10. in II. nocturno/Resp. iv - Tamquam ad latronem (Voice)Andrew Parrott;Taverner Consort & Choir 3:11$0.99 Buy Track
listen11. in II. nocturno/Lectio V - Tanta opera bona (Voice)Andrew Parrott;Taverner Consort & Choir 1:37$0.99 Buy Track
listen12. in II. nocturno/Resp. v - Tenebrae factae sunt (Voice)Andrew Parrott;Taverner Consort & Choir 4:32$0.99 Buy Track
listen13. in II. nocturno/Lectio VI - Exacuerunt tamquam (Voice)Andrew Parrott;Taverner Consort & Choir 2:19$0.99 Buy Track
listen14. in II. nocturno/Resp. vi - Animam meam dilectam (Voice)Andrew Parrott;Taverner Consort & Choir 6:58$1.98 Buy Track
listen15. in III. nocturno/Antiphon - Captabunt in animam justi/Psalm - Deus ultionum Dominus (Ps 93)/Antiphon - Captabunt in animam justi (Voice)Andrew Parrott;Taverner Consort & Choir 3:03$0.99 Buy Track
listen16. in III. nocturno/Lectio VII - De Epistola ... Festinemus (Voice)Andrew Parrott;Taverner Consort & Choir 1:45$0.99 Buy Track
listen17. in III. nocturno/Resp. vii - Tradiderunt me (Voice)Andrew Parrott;Taverner Consort & Choir 2:44$0.99 Buy Track
listen18. In III. Nocturno/Lectio VIII - Adeamus Ergo (Voice)Andrew Parrott;Taverner Consort & Choir 1:09$0.99 Buy Track
listen19. in III. nocturno/Resp. viii - Jesum tradidit impius (Voice)Andrew Parrott;Taverner Consort & Choir 3:56$0.99 Buy Track
listen20. in III. nocturno/Lectio IX - Nec quisquam (Voice)Andrew Parrott;Taverner Consort & Choir 1:49$0.99 Buy Track
listen21. in III. nocturno/Resp. ix - Caligaverunt oculi mei (Voice)Andrew Parrott;Taverner Consort & Choir 6:40$0.99 Buy Track


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Product Details


On this CD:
  1. Tenebrae of Good Friday--First Nocturne: Astitérunt & Psalm 2, antiphon (mode 8)
    Composed by Gregorian Chant

  2. Unspecified chant De Lamentatione...Heth (lectio 1)
    Composed by Gregorian Chant

  3. Omnes amici miei, responsory for 6 voices, W. 7/40
    Composed by Carlo Gesualdo

  4. Unspecified chant Lamed (lectio 2)
    Composed by Gregorian Chant

  5. Velum templi, responsory for 6 voices, W. 7/44
    Composed by Carlo Gesualdo

  6. Unspecified chant Aleph (lectio 3)
    Composed by Gregorian Chant

  7. Vinea mea electa, responsory for 6 voices, W. 7/47
    Composed by Carlo Gesualdo

  8. Aliéni & Ps. 53, antiphon in Mode 2
    Composed by Gregorian Chant

  9. Unspecified chant Ex Tractatu...Protexisti me (lectio 4)
    Composed by Gregorian Chant

  10. Tamquam ad latronem existis, responsory for 6 voices, W. 7/49
    Composed by Carlo Gesualdo

  11. Unspecified chant Tanta opera bona (lectio 5)
    Composed by Gregorian Chant

  12. Tenebrae factae sunt, responsory for Good Friday for 6 voices, W. 7/51
    Composed by Carlo Gesualdo

  13. Unspecified chant Exacuerunt tamquam (lectio 6)
    Composed by Gregorian Chant

  14. Animam meam dilectam, responsory for 6 voices, W. 7/54
    Composed by Carlo Gesualdo

  15. Captabunt & Psalm 93, antiphon in mode 8
    Composed by Gregorian Chant

  16. Unspecified chant De Epistola...Festinemus (lectio 7)
    Composed by Gregorian Chant

  17. Tradiderunt me, responsory for 6 voices, W. 7/59
    Composed by Carlo Gesualdo

  18. Unspecified chant Adeamus ergo (lectio 8)
    Composed by Gregorian Chant

  19. Jesum tradidit impius, responsory for 6 voices, W. 7/61
    Composed by Carlo Gesualdo

  20. Unspecified chant Nec quisquam (lectio 9)
    Composed by Gregorian Chant

  21. Caligaverunt, responsory in mode 5 for Good Friday
    Composed by Gregorian Chant


Editorial Reviews

Amazon.com

The Neapolitan nobleman Don Carlo Gesualdo achieved modern-day fame decades before other Renaissance composers; the combination of a lurid life story and sensationally strange music proved irresistible to the likes of Nadia Boulanger and Igor Stravinsky. Gesualdo's madrigals, crammed full of sudden, disorienting changes in harmony (and dissonance), can seem to induce vertigo all by themselves, and much of his liturgical music is only marginally more stable. The Taverner Consort and Choir perform here several of Gesualdo's Tenebrae Responsories from the liturgy for Good Friday. Andrew Parrott's practice of performing sacred music in the context of at least a partial service works especially well here. After 70 uninterrupted minutes of Gesualdo's high-flying weirdness, a listener's sense of dislocation can wear off; hearing chant and even intoned readings between Gesualdo's music (as Gesualdo would have done in his own chapel) helps keep the ears oriented. Each time the Consort sings one of Gesualdo's pieces after some chant, you're reminded anew just how willfully bizarre that music is. The performance itself is problematic. The Taverners are certainly more engaged than the Hilliard Ensemble, but not engaged enough. Granted, these aren't madrigals, but the writing isn't that different. God knows there's breathless anguish in the music. We need to hear a bit more of it from the singers. Nevertheless, accurate execution and tuning in Gesualdo are an achievement in themselves; so is the way this program is organized. Flaws notwithstanding, Andrew Parrott and his singers show Gesualdo's sacred music to better advantage than has anyone else so far. --Matthew Westphal

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