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Vocal sextet Take 6 bring their tight jazz harmonies and Christian message to their first live recording, from Tokyo's Blue Note in October 1999. The distinctive a cappella style they established early in their career is preserved in the swingers "If We Ever Needed the Lord Before" and "Mary" from their
groundbreaking first album and the luscious "I'm on My Way" and the lickety-split "So Much 2 Say" from their
1990 follow-up.
To spotlight individual members of the band, the Miles Davis classic "All Blues" finds Cedric Dent on piano accompanying the five voices imitating instruments, including Joey Kibble's dead-on rendition of Miles's Harmon mute. Fans of the band's more commercial sound, which debuted when they added instrumental support with 1994's Join the Band, will enjoy hearing Dent stay at the piano for Charlie Chaplin's classic "Smile" (though with a lot of jazzy filigree) and "Over the Hill Is Home," a brand-new song by Dent and Alvin Chea that offers a reassuring message of hope though less of a musical challenge. Not everyone enjoys both faces of the band, but the song list has enough variety to please almost any fan. In addition, the 12-minute final track, "I've Got Life/Spread Love," allows the group room to stretch out and get in some interplay with the audience. --David Horiuchi
From Jazziz
One of the great joys of this largely a capella sextet is that, while their spiritual message is at the center of everything they do, their presentation never comes across as heavy-handed. The group's recordings and live shows are invitations to share its joy. This exquisite live date (recorded at Tokyo's Blue Note in October 1999) features the well-planned balance of the R&B, jazz, and gospel that made Take 6 famous, combining tunes that are all vocal texture (like the buoyant "If We Ever Needed The Lord Before") with pop tunes redirected towards their faith ("Smile" and "How Sweet It Is") that feature gentle accompanying instrumentation.
Most impressive amidst the joyful, churchy grooves is the break into a tribute to a lesser god, chief influence Miles Davis. The cover of "All Blues" features a vocal bassline and gentle vocalese over intimate piano work by Take 6 member Cedric Dent, before breaking for a wailing trombone solo by Claude McKnight. The tune then explodes vocally as various members of the band scat trombone and muted trumpet parts. Another clever moment comes on the lengthy closer medley "I've Got Life/Spread Love," when the six split into a vocal trio and a percussive trio to create what sounds like a full-blown, hip-hop drum-machine track.
--- Jonathan Widran, JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc.