Barber: Orchestral Works Vol. 1 - School for Scandal/Symphonies 1 & 2

Samuel Barber (Composer), Marin Alsop (Conductor), Royal Scottish National Orchestra (Orchestra)

Product Details

• Orchestra: Royal Scottish National Orchestra
• Conductor: Marin Alsop
• Composer: Samuel Barber
• Audio CD (June 13, 2000)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Naxos American
• ASIN: B00004T6KQ
• In-Print Editions: MP3 Download
• Average Customer Review: 4.4 out of 5 stars  See all reviews (19 customer reviews)
• Amazon.com Sales Rank: #60,387 in Music (See Bestsellers in Music)

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Editorial Reviews

Amazon.com

As composers go, Samuel Barber's output was rather small, and of that output only a few pieces have any kind of currency. But those few are major orchestral gems. Barber's music does require an adept and sympathetic orchestra (and conductor) to get them just right, however. On this release, the Royal Scottish National Orchestra, with Marin Alsop conducting, handily accomplishes that task. Their rendering of The School for Scandal Overture rivals the famous Schippers version, and Alsop's take on Symphony No. 1 easily demolishes the Järvi (on Chandos) and the Slatkin (on BMG). The underexposed and rarely performed First Essay for Orchestra has no rivals here at all. Of particular merit is Alsop's handling of the mercurial Symphony No. 2, which so troubled Barber that he later disavowed it. Barber completists will relish this sympathetic reading. --Paul Cook

Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

5.0 out of 5 stars What a pleasant surprise!, June 8, 2005

By	Joseph Hubbard (Pflugerville, TX) - See all my reviews

I went into a local bookstore to buy a new Mahler 6 recording, but realized I only had 11 dollars left on my giftcard, so I disappointedly decided to search for something else. I came across this disc and upon seeing the price, I thought it would be worth a listen. This is without a doubt one of the best bargains I have ever come across. The School for Scandal is solid and provides a nice appetizer for the incredible First Symphony. There were several occasions in the First Symphony that I was so speechless, I could do nothing else but laugh. The wild conclusion of the first movement ultimately ending with a swift plunge blew me away. The soloist in the last movement plays beautifully and the conclusion of the piece is plenty powerful. Tempo is perfect throughout, never too brisk of a pace, yet never lethargic. A perfect depth of sound and brilliant playing throughout make this symphony alone worth the price of the disc. The orchestra plays with such warmth, but the players can also take off their gloves and hit you across the face when the music calls for it. I simply can't say enough about this one.

While probably just tossed in as filler material, I was actually blown away by the beauty of the First Essay. This is one of the most underrated pieces I can think of, as I constantly find something new within its deep textures. I can't seem to understand why this is the least famous of Barber's set of Three Essays. I actually much prefer it to the other Essays and would love to see it rise in popularity to get the attention it deserves. It is some of the greatest string writing you will ever come across and the long, sorrowful melody will stick in your head for days. I can't imagine it being played any richer than you will hear on this disc... simply breathtaking.

While not as popular in comparison to the First Symphony, Barber's Second Symphony is also very intriguing. Alsop and the Royal Scottish National Orchestra also do a fine job with this symphony. The strings are wonderfully icy throughout many passages and the brass and the thunderous timpani in the finale of this symphony are also worth mentioning. In one particular instance, it sounds as if the guy gave up on his mallets and is hitting the timpani with a sequoia tree instead. And as many of you out there know, there are very few things in this world better to drive a piece of music home than the sound of powerful brass combined with an explosive timpani. While probably not as good as the First, the Second Symphony still is a great piece of music worthy of a good listening.

Simply stated, this is one of my favorite discs that I own and undoubtedly one of the best discs on the market under 10 bucks.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Lush, September 20, 2004

By	Scott M. Bernard - See all my reviews (REAL NAME)

Since I do not have the formal musical training which would allow me to comment on the technical virtues of this performance, I can say, without regret, that this is your best bet for the price. The First Symphony is a lush, one movement masterpiece. The Second Symphony, sadly disowned by the composer, is also worthy of further performance. And the First Essay for Orchestra and the School for Scandal are more than worthy fillers. The sound quality matches Barber's music for lushness. The price is unbeatable. The performance of the First Symphony, at least, matches that of a full priced version performed by Leonard Slatkin and the St. Louis Symphony and released on RCA. Romantic, elegant, emotional, and tasteful.

11 of 12 people found the following review helpful:

5.0 out of 5 stars Masterfully lush, like an ocean or thunderstorm, April 19, 2005

By	A. Drinkard "Bad Andy" (Atlanta, GA) - See all my reviews (REAL NAME)

This disc is by far the most beloved of my collection. Nothing has ever pushed me to the brink of emotional explosion like the First Symphony has as it is played here. Absolutely gives me chills. The chaconne of the final movement (though the symphony is played as one large movement) is haunting. I only wish I could share it with everybody. Now, that having been said, you'll likely find The School for Scandal Overture to be a little more accessible. It too is fascinating. As are the Essay and the Second Symphony, which is particularly well played. For the price, this is an amazing treat. As others have mentioned, this disc really shows that Barber was much more than a one-hit-wonder (referring to his oft-played 'Adagio for Strings'). He can really pack a punch, so to speak. And that's all I have to say about that.