Rated R [IMPORT]

Queens Of The Stone Age

Product Details

• Audio CD (June 6, 2000)
• Original Release Date: June 6, 2000
• Number of Discs: 1
• Format: Import
• Label: Interscope Records
• ASIN: B00004TH6O
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.3 out of 5 stars See all reviews (122 customer reviews)
• Amazon.com Sales Rank: #6,766 in Music (See Bestsellers in Music)

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Editorial Reviews

Amazon.com's Best of 2000
Call it "stoner rock" if you must, but the sophomore release from the Queens of the Stone Age moves mosh music into a woozier realm. Which isn't to say it isn't plenty crunchy, but former Kyuss kingpin Josh Homme and company (including guests Mark Lanegan and Barrett Martin of the Screaming Trees) create an intoxicating brew by mixing metal, alt, and garage-rock elements together and making it smoke! --Steven Stolder

Product Description
Exclusive UK version of their 2000 album includes a bonus disc featuring 4 tracks, 'Never Say Never', 'You're So Vague', 'Who'll Be The Next In Line' and the controversial cd-rom video for the track 'Feel Good Hit Of The Summer' that's been banned. Slimline double jewel case. 2000 release. --This text refers to the Audio CD edition.

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Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

5.0 out of 5 stars Stoner rock with a brain., September 11, 2003

By	Shotgun Method (NY... No, not *that* NY) - See all my reviews

Although the latest Queens Of The Stone Age release Songs For The Deaf seems to be getting all the press these days, the previous album Rated R, in my opinion, ranks as their best release. And I hold Songs For The Deaf in pretty high regard, so that's saying something.

This album is way more experimental than your run-of-the-mill stoner rock. Pianos, horns, and electronic effects are pulled out for effect while Josh Homme digs deep into his bag of guitar riffs and comes up with a memorable, headbangable one for each track. The lyrics are typical QOTSA--ironic, intelligent, funny, and drug-induced. Most of the songs are kept short and to the point, and never lose their punch.

And my, what diversity. Loud Olivieri screamers (Tension Head), straightahead yet left-of-center rock (Leg Of Lamb, Autopilot), a floaty little instrumental (Lightning Song), a brilliant number featuring Mark Lanegan on vocals (In The Fade), Sabbath-esque lumbering rock (I Think I Lost My Headache), and just all-out trippiness (Better Living Through Chemistry, Monsters In The Parasol), it's amazing what this band can do with just a 42-minute run time.

While there is one weak song (the aptly titled Quick And To The Pointless), it's not enough to keep me from giving Rated R 5 stars. Whether you're a QOTSA fan, a Kyuss fan, or just love alternative or stoner rock, this is one of the best-executed albums I've heard lately. Highly reccommended.

8 of 8 people found the following review helpful:

4.0 out of 5 stars A great follow up to a great debut. 4.5 stars, February 10, 2002

By	Wheelchair Assassin (The Great Concavity) - See all my reviews (TOP 500 REVIEWER)

Eclectic, creative, and addictive, "Rated R" sees Queens of the Stone Age expanding on the riff-driven stoner rock found on their classic self-titled debut. Whereas their prior album found the band using grinding, repetitive riffs for the most part, with "Rated R" the band uses a much greater variety of sounds and song structures. "Feel Good Hit of the Summer" is fast and catchy ode to drug use, while the single "The Lost Art of Keeping a Secret" places Josh Homme's laid-back wail over a driving guitar riff. Other highlights include the trippy "Leg of Lamb," the slow and atmosperic "Auto Pilot" and "In the Fade," and the propulsive "Monsters in the Parasol" (how much pot did Homme smoke before he came up with that lyric?). The use of multiple singers is a plus, as Nick Oliveri's gritty voice powers "Auto Pilot" and Mark Lanegan lends "In the Fade" its relaxed air. Throughout the album, QOTSA maintain the garage edge that characterizes stoner rock, without it sounding like it was tape-recorded in a garage. Like its predecessor, "Rated R" is a great album for cruising around with the windows open and the stereo blasting, or just sitting around mellowing out.

8 of 9 people found the following review helpful:

5.0 out of 5 stars Not 17? We'll need some ID please..., April 26, 2005

By	himeigma (Washington D.C.) - See all my reviews

I have to admit, I found out about Queens of the Stone Age after Songs for the Deaf was released so I naturally went for the latest release. With the new album coming up (review coming soon!), I decided to go back to Queens' Rated R album. While different from Songs for the Deaf, this album still has the epic nature of its successor.

The album starts off with "Feel Good Hit of the Summer" with pulsating bass and drums and crunchy guitars that are the background of Homme's voice repeating intoxicants. The occasional guitar solos and background voices make this song one of the best Queens songs; a good way to start the album.

Next comes "Lost Art of Keeping a Secret." With a more mysterious yet upbeat tone, this song is very catchy. Homme's souring voice flouts over Oliveri's jumpy riffs. With the crunchy distorted guitars in the chorus makes this song great and original.

"Leg of Lamb" comes with a repeated guitar riff that changes during the chorus. Overall, a decent song but not able to compete with the first two hits.

"Auto Pilot" has souring (pardon the pun) guitars and Oliveri's voice is calm and soothing. A relaxing rock song. Some would consider it a first. Great song that's very catchy.

"Better Living Through Chemistry" is back to mysterious guitar riffs. Homme smooth singing tells some stuff that seems like Matrix movie references in the lyrics. With occasional pauses, humming voices, and guitar solos keep you on your feet and enables to pay attention to the whole song. A great song and matches it up with the first two songs to become a hit.

"Monsters in the Parasol" starts off promising with a crunchy guitar riff and upbeat drums. However, the guitar and Homme's voice in the chorus crashes and burns and sounds like music that would be on the background of a circus.

"Quick and to the Pointless" is exactly what the title says. It's a Oliveri scream session. There's some German (?) in the lyrics that makes is slightly more interesting. The kids' screaming "Yeah yeah yeah yeah" and the guitar riffs are catchy and you can't help but randomly start singing the song in conversations.

"In The Fade" begins to start like another mysterious song but turns out to be...should I say...happy? The bass and guitar riffs seem one that would be used a mainstream love song. The most mainstream-like on this album, its not bad and its catchy but it doesn't seem like the same Queens. However, at the very end it seems that the band felt nostalgic and gave us about a 30 second clip of "Feel Good Hit of the Summer" which gives off a meaning to their audience: Don't do drugs, kids!!

"Tension Head" gives a mainstream-like guitar riff that accompanies another Oliveri scream session. Like "Quick" its still a good song and fits into the flow of the CD.
As if to make up for the loud guitar riffs that blow off your ears, "Lightning Song" is an instrumental song that has a piano, soothing acoustic guitars, and a nice beat that makes you think of hot girls on the beach. Great song! It's going on my calm music playlist.

To go out with a bang "I Think I Lost My Headache" sounds like "Better Living" but with a slightly syncopated beat in the beginning and Homme's voice is not filtered. This over-eight-minute-long epic is a great way to end the song. Curiosly enough, it even has a brass section to the song where trumpets and French horns take on the guitar riff. Along with that is a trumpet solo in which you can't help but smile.

Better than Song for the Deaf? Hard to say. Less poppy and more pure rock, "R" is one of the best albums around. How do they do it? I guess it doesn't matter, as long as they keep doing it. So I highly suggest this CD. Well that's the end of the review. And remember kids, don't do drugs.