From The New Yorker
An eerie comedy written and directed by Michael Almereyda (and produced by David Lynch), based on the Dracula legend but updated and filmed in New York City; the splendid black-and-white cinematography, by Jim DeNault, evokes the old Universal horror pictures. The story, which begins after Dr. Van Helsing (played with goofy charm by Peter Fonda) has killed Dracula, concerns his efforts to track down the vampire's twin children. It's intended as a flippant take on the monsters that hide inside dysfunctional families, but the uneven mix of eroticism and one-liners doesn't always work, and Nadja, Dracula's daughter, though she is well played by Elina Löwensohn, comes off like some druggy East Village chick looking to score. -Bruce Diones
Copyright © 2006
The New Yorker
Product Description
Twin brother and sister vampires struggle against each other - and the ancient curse that binds them - in this stylish, erotic thriller set against the concrete canyons of modern-day Manhattan. Fiendishly seductive Nadja (Elina Lowensohn), and brother Edgar (Jared Harris), spend their days entombed in darkness, and their nights hiding in the heart of the New York afterhours scene. But Edgar is haunted by the painful duality of life lived in the shadows - and troubled by his twin's relentlessly evil nature. Nadja weaves her sensual spell around the niece and nephew of famed vampire hunter Dr. Van Helsing (Peter Fonda), Edgar joins forces with his would-be-assassin, plotting to bring down his sister in an all-out orgy of sex, blood, danger and death that the L.A. Weekly calls "Truly hot! Sex and moviemaking of the unsafest sort." Suzy Amis, Peter Fonda, Jared Harris