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Kirsten Flagstad in Concerto [Strauss Concert 1950]
 
 

Kirsten Flagstad in Concerto [Strauss Concert 1950] [IMPORT]

Richard Strauss (Composer), Richard Wagner (Composer), Wilhelm Furtwängler (Conductor), Philharmonia Orchestra (Orchestra), Philharmonia Orchestra of London (Orchestra), Kirsten Flagstad (Performer), Set Svanholm (Performer)
4.5 out of 5 stars See all reviews (2 customer reviews) More about this product

List Price: $19.98
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Customers buy this album with The Very Best of Kirsten Flagstad ~ Christoph Willibald Gluck

Kirsten Flagstad in Concerto [Strauss Concert 1950] + The Very Best of Kirsten Flagstad
  • This item: Kirsten Flagstad in Concerto [Strauss Concert 1950] ~ Richard Strauss

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    Ships from and sold by Amazon.com.
    Eligible for FREE Super Saver Shipping on orders over $25. Details

  • The Very Best of Kirsten Flagstad ~ Christoph Willibald Gluck

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Product Details


Listen to Samples

To hear a song sample, click on "Listen" by that sample. Visit our audio help page for more information.
 
1. Frühling
2. September
3. Beim Schlafengehn
4. Im Abendrot
5. Trafft ihr das Schiff
6. In fernem Land
7. O' sink hernieder
8. Preislied
9. Liebestod

On this CD:
  1. Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150)
    Composed by Richard Strauss
    Performed by London Philharmonia Orchestra
    with Kirsten Flagstad
    Conducted by Wilhelm Furtwangler

  2. Befreit ("Du wirst nicht weinen"), song for voice & piano (or orchestra), Op. 39/4 (TrV 189/4)
    Composed by Richard Strauss
    with Kirsten Flagstad

  3. Allerseelen ("Stell' auf den Tisch die duftenden Reseden"), song for voice & piano, Op. 10/8 (TrV 141/8)
    Composed by Richard Strauss
    with Kirsten Flagstad

  4. Cäcilie ("Wenn du es wüsstest"), song for voice & piano (or orchestra), Op. 27/2 (TrV 170/2)
    Composed by Richard Strauss
    with Kirsten Flagstad

  5. Der fliegende Holländer (The Flying Dutchman), opera, WWV 63 Trafft ihr das Schiff
    Composed by Richard Wagner
    with Kirsten Flagstad

  6. Lohengrin, opera, WWV 75 In fernem Land
    Composed by Richard Wagner
    with Set Svanholm

  7. Tristan und Isolde, opera, WWV 90 O' sink hernieder
    Composed by Richard Wagner
    with Set Svanholm, Kirsten Flagstad

  8. Die Meistersinger von Nürnberg, opera, WWV 96 Preislied
    Composed by Richard Wagner
    with Set Svanholm

  9. Tristan und Isolde, opera, WWV 90 Liebestod
    Composed by Richard Wagner
    with Kirsten Flagstad


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Customer Reviews

2 Reviews
5 star:
 (1)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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36 of 39 people found the following review helpful:
5.0 out of 5 stars An important recording for the dedicated collector, March 6, 2001
The great sopranos Kirsten Flagstad and Elisabeth Schwarzkopf circle Strauss's Four Last Songs forever like twin planets around the sun. As is well known Strauss had a lifelong love of the soprano voice (he was married to the soprano Pauline de Ahna) and it is fitting that his valedictory composition is for soprano accompanied by large orchestra. Schwarzkopf was the foremost Strauss interpreter of her time and made the first commercial recording of the songs in 1953. Strauss was not a part of Flagstad's usual repertoire yet the honor of the very first performance went to her. The great Wagnerian performed it at the Albert Hall in London in 1950 accompanied by Wilhelm Furtwaengler leading the Philharmonia Orchestra, which was founded by Schwarzkopf's husband Walter Legge. Unfortunately, as is explained in the sparse notes which accompany the CD, the only 2 known tapes of the performance are badly worn and scratched, and the sound is very bad, well below the level that should be allowed for a CD sold to the public. Yet somehow Flagstad's radiance and the beauty of her voice come through. I suspect that we possess an inner ear which is capable of reconstructing most of a whole from broken parts. It was thrilling to hear Flagstad's rendition for the first time, and I do have a sense of what it was like to have been in the audience at that first performance. Her totally unforced power and glorious tone manage to come through. It is a pity that the orchestral accompaniment cannot really be heard. Furtwaengler was for many the greatest interpreter of the late romantics, and the orchestral scoring of the Four Last Songs is made for this conductor who was unexcelled as conjuror of the the mystical. The music on the CD is rounded out with Flagstad in solo recital of 3 Wagner songs, and solo and duet performances of a radio concert in 1949 with Set Svanholm. The last track on the CD is a marvelous 1952 BBC interview with Flagstad from their Desert Isle series. Famous people are asked to name the 8 musical selections they would choose to have with them if stranded on an island. The interview is charming, and in it Flagstad says that the most beautiful sounds she ever heard uttered from a human throat were 4 words set by Beethoven sung by Elisabeth Schwarzkopf. My own selection for this honor is also Schwarzkopf. It is her "O weiter, stiller Friede!" in Im Abendrot, in her first 1953 mono recording of the Four Last Songs with Otto Ackermann and the Philharmonia. It gives me that chill up my spine every time I hear it. This recording surpasses her also beautiful stereo recording of the Songs from the 1960's with Szell and the Berlin Radio Symphony. For the listener new to this music Gundula Janowicz's performace with von Karajan and the Berlin Philharmonic offers a radiant voice and a radiant orchestra. I shall however always return to the 1953 Schwarzkopf, and at times the Flagstad debut, when I want to be moved by this music. Please note that the 5 star award is due to the historical importance of this release, and not for the musical quality, as described above. This CD is not recommended as a listeners first introduction to the Four Last Songs.
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4.0 out of 5 stars Four last lieder by Furtwänglet & Flagstad, January 3, 2007
4 stars only because the sound is far for being good but the emotion is present and it is an exceptional recording
Thnak you
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