Amazon.com's Best of 2000
Looking for a little adventure, electronica style? Try British duo Magnetophone's
I Guess Sometimes I Need to Be Reminded of How Much You Love Me--a twisted, symphony of distorted bleeps, hypnotic drones, and melodic bloops. Matt Saunders and John Hanson have previously released seven-inches on the esteemed Earworm label; their music is atmospheric and textural, but made with a definite (if deeply submerged) pop sensibility.
--Mike McGonigal
Amazon.com
With washes of noise, arrhythmic programs, and otherworldly invention of all sorts, the debut record from Magnetophone cuts through the creative heart of electronic music with intelligence and a belief in chaos. Unlike the melodic minimalism of other beat-driven headphone anarchists like
Aphex Twin or newer contemporaries like
Kid 606 and
Nobukazu Takemura, Magnetophone also indulge themselves in pretty refrains of keyboard and strains of light trance music. Still, the overwhelming emphasis is unquestionably placed on wild, wandering arcs of songs and sound, thrown together and torn apart either purposefully or sometimes just for the hell of it. When it does, in the usual sense of the expression, "make sense," it's a fleeting moment, like the two-minute opener "Oh Darlin'." In this musical landscape, the song sounds like a single. The driving, building pulse of "Air Methods" might also make its way onto a radio somewhere if the world were to spasm and twist just a little bit. Other pieces would require a more drastic shift in the cosmos to find airtime, as compositions like "Temporary Lid/Georgia" stretch out in their sonic dreamlands with unhurried passages, ghostly recurring structures, and jazz-inflected, D&B rhythms. The entire proceeding sounds like either an ode to disarray or a love letter to the art of relinquishing control, or perhaps it's just a well-done burst of creative juice, the kind that electronic music can never have enough of.
--Matthew Cooke