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Fletcher Henderson and his arranger-saxophonist
Don Redman laid the groundwork for the big bands of the swing era, creating a style that matched propulsive call-and-response tunes with potent soloists. While Henderson's influence on bandleaders from
Duke Ellington to
Benny Goodman is regularly noted, his own work remains relatively neglected. This CD spans his most creative years, from 1924 to 1940, charting the creative explosion that took place when Redman's orchestral vision first encountered
Louis Armstrong's spontaneous creativity. While Armstrong's trumpet sparkles on "Shanghai Shuffle," "Copenhagen," and "Sugar Foot Stomp" from 1924-25, Henderson's ear for talent kept the ranks of the band filled with the most accomplished and promising talent of the era. Tenor saxophonist
Coleman Hawkins was present until 1934. And saxophonists
Benny Carter,
Ben Webster, and
Chu Berry; clarinetist
Barney Bigard; and trumpeters
Red Allen and
Rex Stewart all add flashes of individual brilliance to the tunes. Ranging from Henderson's charging adaptation of
Jelly Roll Morton's "King Porter Stomp" to the futurist harmonies of Hawkins's "Queer Notions," this is an excellent introduction to a remarkable body of work.
--Stuart Broomer