Product Details

• Actors: Dexter Gordon, François Cluzet, Gabrielle Haker, Sandra Reaves-Phillips, Lonette McKee
• Directors: Bertrand Tavernier
• Format: Anamorphic, Color, Dolby, DVD, HiFi Sound, Widescreen, NTSC
• Language: French (Unknown), English (Dolby Digital 5.1)
• Subtitles: English, Spanish, French, Portuguese
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rating: R (Restricted)
• Studio: Warner Home Video
• DVD Release Date: January 30, 2001
• Run Time: 131 minutes
• Average Customer Review: 4.3 out of 5 stars See all reviews (54 customer reviews)
• ASIN: B000053V7O
• Amazon.com Sales Rank: #44,873 in Movies & TV (See Bestsellers in Movies & TV)
• For more information about "Round Midnight" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com
Like the music it celebrates, Round Midnight is long on atmosphere, short on formal structure, alert and open to improvisation, making this 1986 drama the most authentic glimpse of jazz yet filmed. Its subject, Dale Turner (played by Dexter Gordon), is a composite of brilliant but bruised jazz warriors who left America behind for self-imposed European exile, finding a more tolerant and appreciative audience while never completely eluding their private demons. Drugs and drink have battered the tall, laconic saxophonist, whose diffident, somewhat distracted manner only partly conceals a deeper exhaustion as he plays a 1959 engagement in a Parisian club and tries to stay sober. His burnished solos drift behind the tempo with a languor that can't be fully explained as a point of style. But when an ardent, impoverished French fan (François Cluzet) intercepts his idol and then offers him simple acts of kindness, the gesture inspires a brief but glowing second wind in the aging musician, reflected in his playing. Even as the film contemplates Turner's return to his homeland as a portent of his own death, his moments on the Parisian bandstand suggest a glimpse of redemption.

If Turner's frail character echoes real-life ex-pats like Bud Powell and Lester Young, director Bertrand Tavernier's insistence upon casting the role with veteran tenor player Dexter Gordon breathes startling authenticity into the figure. Gordon's own drug arrests and an extended idyll abroad give him direct access to Turner's isolation, and Tavernier elicits a natural but compelling performance that earned Gordon (who died in 1990) an Academy Award nomination. Likewise, the director cast his cinematic band with world-class musicians, including Herbie Hancock, Freddie Hubbard, Wayne Shorter, and Ron Carter, and shot these sequences as live performances. Hancock's score deservedly won both British and American Academy Awards, as well as a French César. --Sam Sutherland

Product Description
Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius in director Bertrand Tavernier

Customer Reviews

Most Helpful Customer Reviews

35 of 35 people found the following review helpful:

5.0 out of 5 stars Real emotions from real characters, December 30, 2000

By	William E Donoghue "Fessor Mojo" (Seattle, WA USA) - See all my reviews (REAL NAME)

This touching and realistic movie is quietly dedicated to jazz pianist Bud Powell and saxophonnist Lester Young (both expatiriates who lived in Paris) on whose life the character of "Dale Turner," the saxophonist, is based. The character of Dale Turner, a jazzman in his last days, is played by Dexter Gordon, a jazzman soon to die of throat cancer. Dexter Gordon, a real-life expatriot jazzman who spent much of his playing years in Denmark, deservedly received an academy award nomination for his moving portrayal based on not only a real life story but people and settings with which he was personally familiar. In many ways it is the story of all three musicians, Gordon, Powell and Young. But even more it is based on a fine book on the life of Bud Powell by the young Frenchman who befriended him (which I cannot put my hands on right now). It's as close to truth as you can come. By the way, Dexter played Montreux the next year and while he sounds fragile in the film, he play with great strength.

23 of 23 people found the following review helpful:

5.0 out of 5 stars No middle ground, September 16, 2001

By	Charles Andrews (Fort Worth, TX USA) - See all my reviews (REAL NAME)

I find it curious that in all the reviews of "Round Midnight" that there is virtually no middle ground. People either loved the movie (most) while others hated it. I suspect those that didn't like the movie are devotees of fusion and fail to appreciate the jazz of the 1950's. Gordon while not the "topical" character of the film, lived this story as an expatriated saxphonist. He brings a reality to the picture that is lacking in similar ventures such as "Bird". While I think "Bird" is too an outstanding film, the reality of watching the music being created live is not there.

This film shames efforts like "Lady Sings the Blues" because of its stark reality. There is no glossing over and memorializing Dale Turner in the movie. He's there with all his warts for all the world to see. This wasn't a star vehicle like "Lady..." was for Ross. This may be the most honest film ever made.

17 of 17 people found the following review helpful:

5.0 out of 5 stars Portrait of an Artist as a Jazz Man, November 17, 2005

By	Joe Pierre (Los Angeles, CA United States) - See all my reviews (REAL NAME)

"Round Midnight" is a masterpiece of a film that portrays the life of a jazz musician on an extended residence in Paris in the 1950's whose struggle with alcoholism and abuse by his "handlers" invites the friendship of a young Frenchman who attempts to aid him in sobriety and salvation. The protagonist jazzman, "Dale Turner," was based on a composite of real-life jazz legends Lester Young (tenor sax) and the tortured and enigmatic Bud Powell (piano). In fact, while much of the film is fictionalized, much of it is drawn directly from the memoir/biography "Dance of the Infidels" written by Francis Paudras, who in real life befriended Bud Powell during his Parisian expatriate days and on whom the character "Francis" is based.

The tone of the film is wistful and tragic as it follows Turner's struggle as an artist creating incredible beauty but destroying himself with alcoholism, and the desperate attempts of his friend to save him (if you like happy stories over realism, stick to your standard Hollywood fare). Tavernier defied the movie studio by insisting that real-life jazz tenor sax great Dexter Gordon (who himself played with Bud Powell in Paris in the 50's) play the role of Turner (he also helped to revise and rewrite the script). Gordon has a soft, but gravelly voice that is difficult to understand on first listen, but his acting is top-notch (he is after all, playing someone he knew, as well as himself to some extent) and he nails one scene after another. He captures Turner's struggle with disillusionment, death, loneliness, paternalism, racism, and the constant pressure to create art to a T.

I don't think you need to like jazz to like this film, but it probably wouldn't hurt. There are a lot of extended scenes where Dexter Gordon is playing the music, along with a supporting cast composed of other real jazz legends such as Herbie Hancock, Freddie Hubbard, Bobby Hutcherson, John McLaughlin, Wayner Shorter, and Pierre Michelot. The result is an authentic portrait and tribute that captures the Paris jazz scene of the 50's, along with a stellar soundtrack (released in two parts as the official soundtrack "Round Midnight" and "The Other Side of Round Midnight" under Gordon's name).