Barbara Cook Sings Mostly Sondheim (Live at Carnegie Hall 2001) [Live]

Barbara Cook (Performer)

Product Details

• Performer: Barbara Cook
• Audio CD (May 8, 2001)
• Number of Discs: 2
• Format: Live
• Label: Drg
• ASIN: B000059LFF
• Average Customer Review: 4.6 out of 5 stars  See all reviews (25 customer reviews)
• Amazon.com Sales Rank: #92,830 in Music (See Bestsellers in Music)

Track Listings

Disc: 1

1. Everybody Says Don't

2. I Wonder What Became of Me?

3. The Eagle and Me

4. I Had Myself a True Love

5. Into the Woods / Giants in the Sky (Malcolm Gets)

6. Another Hundred People / So Many People (Malcolm Gets)

7. Let's Face the Music and Dance / The Song Is You (duet with Malcolm Gets)

8. Happiness

9. Loving You

10. You Could Drive a Person Crazy

See all 11 tracks on this disc

Disc: 2

1. Buds Won't Bud

2. I Got Lost in His Arms

3. West Side Story Segment: Something's Coming / Tonight (Malcolm Gets)

4. Move On (duet with Malcolm Gets)

5. Medley: Hard Hearted Hannah / Waiting for the Robert E. Lee / San Francisco

6. Ice Cream

7. Send in the Clowns

8. The Trolley Song

9. Not While I'm Around (duet with Malcolm Gets)

10. Anyone Can Whistle

See all 20 tracks on this disc

Editorial Reviews

Amazon.com's Best of 2001

Barbara Cook is one of today's most accomplished song stylists, and if you don't believe us, just listen to this live album. It's a master class in the art of singing. It documents an evening at Carnegie Hall during which Cook proved that she can dissect and extract the substance out of the simplest of lyrics. One of the best surprises is "You Could Drive a Person Crazy" (from Company), which is taken at an amiable trot and allows the singer to display its humor. Cook is not a swinging singer and uptempo is not her pace; give her a ballad, though, and she'll wring the last drop of emotion out of it. Her version of "Losing My Mind" (here paired with "Not a Day Goes By") is simply astonishing. The singer also performs songs that Sondheim has said he wished he had written, an awful lot of them by Harold Arlen. No complaints here. Guest Malcolm Gets solos on a few songs and duets with Cook on others, including "Let's Face the Music and Dance." This is classic material done masterfully by a classic singer. --Elisabeth Vincentelli

Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful:

5.0 out of 5 stars One for the history books, May 11, 2001

By	Bruce Aguilar (Hollywood, CA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

What an inspired idea to have Barbara Cook sing Sondheim! The songs come alive in ways you wouldn't have imagined. Her voice pulls out every last drop of emotion and splays it all over the stage in all it's raw power. Simply incredible! I was unable to attend the actual concert, but this recording made me feel like I was right there. The power and truth of her preformance shines through, bringing you front and center in a most personal experience. Perhaps my favorite moments are Hard Hearted Hannah, which she milks for all it's comic intent, Happiness, a preformance that hits you right in the gut, and Send In The Clowns which has never sounded so tragic. Starting now, there are two definitive renditions of The Trolly Song. You thought only Garland could sing it? Well Barbara makes it sound as if it was written especially for her. Simply put, this is one for the history books.

On a side note, the packaging for the set is elegant, the best she's been given yet. I'm a stickler for presentation and it's just great to see this concert presented in such a top notch way. Malcom Gets guest stars and even duets on a few songs, but there is no questioning who is the star of this concert. Barbara Cook.

24 of 25 people found the following review helpful:

5.0 out of 5 stars A musical treasure, November 23, 2001

By	Reviewer123 "cj123" - See all my reviews

There are a few, very few, singers who really know how to get the core of the meaning of a song and communicate it to you as if they were imparting a new discovery. Barbara Cook is one of these chosen few. She has always had (and to an astonishing degree she has maintained, at age 70) one of the finest and loveliest voices on Broadway and in popular music. She's also communicated depths of feeling even from her earliest recordings. As she has grown older her interpretative powers have deepened to the point where there is no other singer today who can communicate the truth of a song the way she does. Every song on this CD is choice. There is nothing one ever wants to skip, and plenty that one wants to linger over and come back to again and again. Cook's relaxed but confident version of "Everybody says don't" (more about the lady in the song and less about the singer than the excellent but egocentric Streisand version), her ambling "Eagle and me" and her touching "I wonder what became of me" are all gems. She especially excels on complicated Sondheim songs that are often reduced by less gifted singers to something unsubstantial: "Happiness", "Not a day goes by", "Loving you". She gives her own subtle, wry touch to "You could drive a person crazy". She does a surprising medley of three turn of the century songs, "Hard hearted Hanna", "Waiting for the Robert E. Lee", and "San Francisco". They are all marvelous, different as can be. "San Francisco" is a particular revelation: she sings it slowly and brings out all the longing in the words. As the melody shimmers, you can almost see the Golden Gate bridge.

Throughout the concert , Cook is beautifully supported by Wally Harper and John Beall. She and Harper are a treasure of a team, and the concert must be considered a triumph of their partnership, for Harper's accompaniment and musical vision have been an essential part of the magic of a Barbara Cook concert for her entire popular music career. Her vocal guest, Malcolm Gets, is for the most part a welcome addition: his "Giants in the Sky" and "Another hundred people/So many people" are warm and well-delivered, and his duet with Cook in "Move on" is touching. "Something's coming", with its slightly awkward spoken break and "Lets face the music and dance", which has some off-pitch moments, are not quite as successful.

The concert ending is utterly remarkable and illustrates not only Cook's versatility and willingness (still) to take emotional and musical risks, but also her complete command of the music she sings. First she teases the audience with the introduction to "Glitter and be gay", which she lets them know she is *not* going to sing. But then she follows by singing her trademark song, "Vanilla ice cream", fearlessly soaring to and sustaining the high B flat at the climax of the song, and sounding throughout like the dazzled, lovestruck shopgirl she played forty years earlier. She follows this with a version of "Send in the clowns" that could only be sung by a woman with her depth of experience - not a false note or emotion in the entire song, though the woman who is singing it is a world away from the "She loves me" shopgirl. For all the great versions that preceded it, you think to yourself, "I never heard it - all of it - until now." The combination of emotional nakedness and musical intelligence leaves you floored. As if the transition from "Vanilla ice cream" to "Send in the clowns" weren't challenge enough, Cook ends the main concert with a song completely identified (for good reason) with one of the greatest popular singers ever, Judy Garland. The song is written for a young girl who is falling in love for the first time and is so excited she can barely contain herself. Barbara Cook, at 70, sings "The Trolley Song" with a brio and effervescence a whole chorus of twenty year olds couldn't match. You feel the same giddiness and excitement you felt when you first heard the classic Garland version, and it's magic all over again. For encores, Cook gives us two beautiful and very mellow Sondheim songs, "Not while I'm around" (with Malcolm Gets) and a divine "Anyone can whistle", that allow us to exhale after the excitement of "The Trolley Song" and appreciate her again as the consummate interpreter she is. The disc is sprinkled throughout with her verbal wit and warmth, which are an integral part of the concert. For those who were fortunate enough to attend, this must have been the concert of a lifetime. The rest of us can be grateful to DRG for recording the concert, packaging it so beautifully and including every song and most of the between-song talking. We can also be grateful to Barbara Cook and Wally Harper for their generosity with their musical gifts and hope that they will keep making music for another 25 years.

14 of 14 people found the following review helpful:

5.0 out of 5 stars Absolutely Amazing, May 13, 2001

By	RICHARD THOMAS "An eclectic pleasure seeker" (Cotuit, Cape Cod, MA USA) - See all my reviews (REAL NAME)

Bernstein considered Barbara Cook to be the premiere interpreter of American song, and that opinion is only re-affirmed after listening to this CD-set of songs from America's premiere song writer (along with some of his favorites). Brilliant! As Cook matures, she adds layers of nuance to songs that other singers can't begin to come close to, while retaining all the technical skill of her earlier days. Listen to her version of "Ice Cream" here and then from her first Carnegie Hall recital and you'll weep for joy...she nails that ending with all the gusto and perfection that she hit it with 25 years ago!!! Absolutely amazing...you can hear the audience leaping to their feet with joy, shouting "We love you Barbara,"...we sure do...all of us! I would have killed to have been at this concert, but the CD-set offers plenty of consolation and captures the spirit of the evening. Beautiful and interesting programming, perfect accompaniament, as expected from her veteran partner Wally Harper, it's all so good it just leaves you wanting more, more, more. Ms. Cook is perhaps the brightest star to illuminate a stage, and a song (any song she sings) in our lifetime.

Kudos also to Malcolm Gets for some stunning song-styling of his own...how come this guy isn't starring in a Broadway show??? Barbara chose him for a reason...TALENT! Their duets are wonderful..."Move On" from "Sunday in the Park With George" is breathtaking and far more captivating than the original cast recording.

Buy this album and enjoy it over and over again. For Cook fans the joy will be overwhelming. If this is your first taste, then thank your lucky stars...it doesn't get better than this.