Product Details

• Actors: Richard Bohringer, Michael Gambon, Helen Mirren, Alan Howard, Tim Roth
• Directors: Peter Greenaway
• Writers: Peter Greenaway
• Producers: Daniel Toscan du Plantier, Denis Wigman, Kees Kasander, Pascale Dauman
• Format: Color, DVD, Letterboxed, Widescreen, NTSC
• Language: English (Dolby Digital 2.0 Stereo)
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rating: R (Restricted)
• Studio: Starz / Anchor Bay
• DVD Release Date: March 13, 2001
• Run Time: 124 minutes
• Average Customer Review: 3.9 out of 5 stars See all reviews (117 customer reviews)
• ASIN: B000059LGL
• Amazon.com Sales Rank: #50,718 in Movies & TV (See Bestsellers in Movies & TV)

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• For more information about "The Cook, the Thief, His Wife and Her Lover" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com essential video
Few directors polarize audiences like Peter Greenaway, a filmmaker as influenced by Jacobean revenge tragedy and 17th century painting as by the French New Wave. The Cook, the Thief, His Wife and Her Lover is both adored and detested for its combination of sumptuous beauty and revolting decadence. A vile, gluttonous thief (Michael Gambon, The Singing Detective) spews hate and abuse at a restaurant run by a stoic French cook (Richard Bohringer, Diva), but under the thief's nose his wife (the ever-sensuous Helen Mirren, Prime Suspect) conducts an affair with a bookish lover (Alan Howard, Strapless). Clothing (by avant-garde designer Jean-Paul Gaultier) changes color as the characters move from room to room. Nudity, torture, rotting meat, and Tim Roth (Reservoir Dogs) at his sleaziest all contribute the atmosphere of decay and excess. Not for everyone, but for some, essential. --Bret Fetzer

From The New Yorker
A movie about a crude British thug, Albert Spica (Michael Gambon), whose favorite method of terrorizing people is ramming things down their throats. Albert himself eats only haute cuisine; he and his wife (Helen Mirren) dine every night at a posh restaurant called Le Hollandais. This is an Art Movie, refined and terribly formal; the director, Peter Greenaway (who also wrote the script), places this barbarian smack in the middle of "painterly" compositions and encourages us to see him as a steaming hunk of offal desecrating the beauty of an artist's creation. He looks at Albert with the disdainful stare that the pukka sahib directs at a servant who has inconvenienced him. Greenaway, however, has a lot more in common with his loutish protagonist than he thinks. He obviously regards himself as an aesthetic virtuoso, but he's just a cultural omnivore. (He chews with his mouth open-we can identify almost every piece of art that has fed his imagination.) The only thing in this movie's tidy, hermetic universe that Greenaway is unable to control, or disguise with fancy brushwork, is his loathing of the body. The movie features several gross-out scenes, including a climactic act of cannibalism; the Motion Picture Association of America gave it an X rating. (The distributors released it unrated.) What's offensive about the picture, though, isn't its violence or its visceral shocks but the patrician arrogance, the smug aestheticism, the snobbishness that suffuse every frame. Greenaway is an intellectual bully: he pushes us to the ground and kicks art in our faces. Also with Alan Howard (the Lover) and Richard Bohringer (the Cook). Cinematography by Sacha Vierny. -Terrence Rafferty
Copyright © 2006 The New Yorker

Customer Reviews

Most Helpful Customer Reviews

67 of 70 people found the following review helpful:

5.0 out of 5 stars Oh my goodness!, June 15, 2004

By	Jeffrey Leach (Omaha, NE USA) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

I went into Peter Greenaway's "The Cook, the Thief, His Wife, and Her Lover" with blinders on. I had absolutely no idea what to expect as the movie started, none whatsoever. I slightly suspected the director made "art" films due to a faint recollection of a discussion I saw on a bulletin board years ago, but that was all I could remember. Heck, I thought Uma Thurman was in this film for some reason! Obviously, this was my first experience with Greenaway, a director I have since learned is noted for creating disturbing films designed to upset audiences. I'll bet this masterpiece had arty types fleeing for the doors! Boy, I wish I'd seen this in an art house when it came out. I'm used to seeing films dealing with subject matter far worse than this one, but viewers who spend their time watching pictures about relationships and strolls through a park on a sunny day aren't. Yes, Greenaway's film deals with abhorrent themes expressed in undeniably grotesque forms. Yes, the picture has ugly scenes of violence. Yes, relationships of a decidedly revealing nature play a big part in the plot. What did you expect from a NC-17 rated picture? Don't worry-you can handle it. Actually, you'll probably be glad that you sat through it because this is a marvelous movie.

"The Cook, the Thief, His Wife, and Her Lover" starts on a particularly memorable note. Big time gangster and thief Albert Spica (Michael Gambon), his wife Georgina (Helen Mirren), and his entourage pull up to the back door of a fancy restaurant run by the fabulous French chef Richard Borst (Richard Bohringer), ready for a night of fine dining and obnoxious behavior. Spica is a notorious brute, a beefy, sadistic thug who enjoys tormenting everyone around him, especially his wife Georgina. Greenaway sets the tone immediately by having a pack of dogs snap and snarl outside the restaurant as Spica presides over the humiliation of an underling. The bad behavior continues inside as Spica and his miscreants throw food, insult the staff and fellow customers, and generally make fools out of themselves. Night after night, Spica and his band of dangerous ruffians return to the restaurant, tormenting Borst and his staff as the restaurant's business drains away. No one, it seems, wants to spend an evening eating next to a guy like Spica.

One gentleman seems relatively unbothered by the ruckus a couple of tables over. Michael (Alan Howard), a scholarly looking librarian who always reads a book while he eats, simply ignores Spica's loud theatrics. When he makes eye contact with the gorgeous Georgina, however, sparks fly. Within minutes the two are in the bathroom madly pawing away at each other. The clandestine affair continues night after night, with both Michael and Georgina continually aware that Albert Spica or one of his goons could discover the tryst at any moment. Eventually, the staff of the restaurant plays a part in helping the two lovebirds meet, allowing them to use the nooks and crannies in the cavernous kitchen and deflecting any suspicions posed by Albert. Georgina uses Michael as a respite from her vicious husband, a chance to escape his obnoxious behaviors if even for a few precious minutes. Spica's wife soon finds the strength to flee from Albert, moving in with Michael in his library. The thuggish Albert flies into a rage over his wife's disappearance. It's not that he cares for her in any way (he definitely doesn't), but his massive ego cannot stand the idea of her being with another man. Spica tracks down Michael and has him murdered by stuffing pages from a book about the French Revolution down his throat. The conclusion to the film is one of the most memorable in recent film history.

After I watched Greenaway's film, I looked a few things up. Some bright film critics in England see this picture as a critique of the Thatcher years, with Spica standing in for the right wing, Georgina as England, and her lover as the hapless political left. Maybe, but I didn't see any of that in the film. I spent too much time chuckling over the coarse behavior of Spica and his goons-one played by Tim Roth in an early role, by the way-and enjoying the stunning Helen Mirren. She's so beautiful here that your heart aches over the indignities she suffers at the hands of Albert. She's also not afraid to do some daring scenes, a lesson she probably learned from her role in the Tinto Brass and Bob Guccione classic "Caligula," made some ten years before this film. If you still need to a reason to watch the movie, if the political symbolism and charged situations leave you cold, check out the great musical score by Michael Nyman and the sumptuous atmosphere of the restaurant. The colors and décor of the dining establishment take your breath away, and Greenaway further uses color by having people's outfits change hue as they walk from room to room. What does it all mean? Who knows, but it's fun to watch.

The DVD version of the film I saw didn't have much in the way of extras besides a trailer and a widescreen picture transfer. No matter, though. The movie is challenging enough to make you forget all about commentaries, stills, and any other of the usual extras. After watching "The Cook, the Thief, His Wife, and Her Lover," I would like to see other Peter Greenaway films. Unfortunately, most of them have not received a reissue on DVD. If the subject matter is as disturbing as this film, no wonder! I recommend renting this movie and then inviting some friends over to watch it. Don't tell them anything about it beforehand, though. Just sit back and watch the jaws drop.

91 of 106 people found the following review helpful:

5.0 out of 5 stars This demands a widescreen DVD version, December 22, 1999

By	alaska (New York, NY USA) - See all my reviews

This review is from: The Cook, the Thief, His Wife and Her Lover [VHS] (VHS Tape)

I don't get it. Leprechaun 2 is available on DVD, and this isn't.

I remember when this was released, it had just gotten a very positive review in the NY Times, and the theater was packed. Well, by the end of the film, there were plenty of empty seats. I've never seen so many people walk out on a movie, or in such a steady flow. It was as though the people who found it distasteful had very different levels of tolerance, or perhaps that the film offered an unusually broad selection of potentially offensive subjects. There were actually people who walked out during the last 10 minutes. Still, there were plenty of viewers who were transfixed by this exquisite film, including me. In fact, I had to go see it again the very next day. I can't remember being quite so affected by any movie.

Helen Mirren and Michael Gambon are both very good here, but what really sets this film apart are the stunning, painterly compositions and the lush cinematography (by Sacha Vierny). The brutal violence, the dialogue, the characters and plot all serve as a background to the film's dazzling visual spectacle. This inversion is somewhat typical of Peter Greenaway's films in general, but this is perhaps his masterpiece. In short, I can't imagine a more necessary addition to the DVD canon.

11 of 11 people found the following review helpful:

5.0 out of 5 stars Deliciously grotesque, June 13, 2000

By	Kali "bengaligirl" (United Kingdom) - See all my reviews (TOP 1000 REVIEWER)

This review is from: The Cook, the Thief, His Wife and Her Lover [VHS] (VHS Tape)

If you want a film that will churn your stomach, make your eyes water and have you flinching in a way you never thought possible then this film is DEFINATELY for you. I didn't think I would like it at all, but it is one of the best offbeat films I have ever watched. Helen Mirren is superb as the down trodden wife of a vicious gangster played to perfection by Michael Gambon. Set in a restaurant we are treated to a visual feast of decadence galore as each night Gambon and his cohorts meet in the same restaurant to enjoy the culinary delights of Richard Bohringer who plays the restaurant's cook. It's not long before Helen Mirren finds comfort in the arms of a fellow diner, and their first encounter is in the ladies toilet where they succumb to their passion. It's not long before they enjoying more than just the food in the restaurant each night, and the Cook and his staff discreetly ignore their illicit meetings. However the deception cannot last and Gambon finds out that his wife is being unfaithful and extracts a horrific revenge on Helen's lover. But Helen has found in herself a strength she never knew she had and with the aid of the Cook, she organizes a counter revenge that is shockingly outrageous but totally appropriate. Peter Greenaway has created a masterpiece in "The Cook, the Thief, his Wife and her Lover," it is visually stunning, utterly grotesque, totally disgusting in parts and so outrageous it is no wonder that people walked out of the cinema before the film had ended. However, if you want something that shocks the socks off you then get buy or rent this film. It's deliciously grotesque and it is a shame this film is not yet available on DVD.