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16 of 19 people found the following review helpful:
5.0 out of 5 stars
On the brink of disaster..., October 22, 2000
"The Edge of Destruction" is probably my favorite Doctor Who story, and is definately a classic from the so-called Monster Era of the 1960s, though often underrated. Thrown together quickly because "Marco Polo" wasn't ready, "The Edge of Destruction" has the distinction of being the only Doctor Who story set entirely inside the TARDIS with only the main characters.The real hero of the story is the TARDIS herself. Through strange clues--melting numbers on a clock-face, the bliking light on the fault locator, the food machine, and mysterious images from journeys past on the scanner--she tries to lead her passengers to the solution. "The Edge of Destruction" is Doctor Who at its finest. SYNOPSIS: After leaving the planet Skaro, the Doctor attempts to return Ian and Barbara to England, 1963. Things are going well until the TARDIS console explodes, rendering the time travelers unconscious and the Ship dead in space. What's worse, the TARDIS doors are open--something that should be impossible. When Ian suggests a mechanical failure, the Doctor agrees and together they try to discover the fault. Susan, the Doctor's granddaughter, has a different theory. What if something has invaded the TARDIS? Barbara is worried by Susan's line of thinking. Besides, she asks, where would something like that hide? "In one of us," Susan responds grimly. Soon, however, the Doctor suspects an entirely different cause: sabotage. He lays the blame squarely on Ian and Barbara, and is determined to expel them from the TARDIS. Only when a second explosion rocks the Ship, does the Doctor piece together the mysterious clues the TARDIS has been giving them all along. With seconds to spare, the Doctor repairs the malfunction, and the time travelers arrive on a snowy mountain pass. "Look at this, Grandfather," Susan calls from outside. On the scanner screen, Ian and the Doctor see a giant footstep in the snow...NEXT EPISODE: MARCO POLO.
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