Drawn From Life [IMPORT]

Brian Eno (Artist), J. Peter Schwalm (Artist)

Product Details

• Audio CD (June 12, 2001)
• SPARS Code: DDD
• Number of Discs: 1
• Format: Import
• Label: EMI Europe Generic
• ASIN: B00005AKNC
• Also Available in: Audio CD  |  MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (34 customer reviews)
• Amazon.com Sales Rank: #40,014 in Music (See Bestsellers in Music)

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  #19 in	Music > Indie Music > Dance & DJ > Ambient
  #26 in	Music > Classical > Instruments > Electronic

Editorial Reviews

Amazon.com

Picking up where such seminal Eno recordings as Music for Airports and Another Green World left off, the inveterate innovator-producer's first recording in four years is a surreal tableau of loping beats and eerie sounds enveloped in dark yet serene atmospherics. With German percussionist Schwalm contributing softly swinging drumming, Eno is free to dabble in sounds ranging from Middle Eastern string quartets to crying machines and Vocoders to happy, babbling babies. One of Life's many highlights is Laurie Anderson's cameo on "Like Pictures Part #2," as she enunciates her words above the song's spooky, soothing ambiance. "Bloom" contrasts happy baby chatter against distorted heartbeats and sinister samples; "Night Traffic" paints an empty urban center at dusk with shifting shapes and '70s jazz percussion and piano. Throughout Drawn from Life, Eno and Schwalm cast a spell of spectral dislocation and foreboding. It's like what dying prostrate in the snow must be like--slow, sleepy, beautiful, and chilling. --Ken Micallef

Product Description

'Drawn from Life' sees Brian Eno collaborating with German DJ J. Peter Schwalm. This collaboration produced soundscapes of jazzy, shuffling rhythms and strings that sway from cutting to sighing lay the foundation of most of the tracks. Laurie Anderson lends her voice, on 'Like Pictures Part #2,' This Astralwerks release has 10 tracks.

Customer Reviews

Most Helpful Customer Reviews

22 of 23 people found the following review helpful:

5.0 out of 5 stars Eno takes us outside the box once again., June 23, 2001

By	Steven Yates "free your mind" (Greenville, South Carolina USA) - See all my reviews (REAL NAME)

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First things first: this is not an "ambient" CD. As Brian Eno himself might say, it's "too busy." At the same time, *Drawn From Life* is as different from all other Eno projects as 1997's *The Drop* was from its predecessors. Eno keeps moving forward, trying new things, and working with the previously almost unknown J. Peter Schwalm is undoubtedly part of that. The result is a something more fluid and organic sounding than *The Drop*. While the mood on certain tracks may recall that of the Jah Wobble collaboration *Spinner*, this CD is warmer and more accessible than that was. I found myself thinking more of Patrick O'Hearn's vision-inducing sound paintings for Peter Baumann's Private Music label, especially *Ancient Dreams* and *Indigo*. There is, however, more musical diversity here than on those, as evidenced by the guest cast: Laurie Anderson (vocals on "Like Pictures II"), Holger Czukay (ex-Can), Nell Catchpole (strings throughout, and some vocals), Leo Abrahams (guitar), etc.

Of course, there are plenty of indications that we are listening to an Eno project: the non-unison handclaps on "Like Pictures II" (probably the clappers were only given instructions but couldn't see or hear one another), the medley of guitar and voice on "Rising Dust," the found voices (of Eno's two daughters Iriel and Darla) and sounds of kitchen activity on "Bloom," and those two mysterious stretches of silence after this track and the follow-up "Two Voices." I suspect that while you are listening intently to find out if something is going on at very low volume and you pay attention to what you are doing, you will discover that you are hearing everything in your surroundings more intensely (intenser?)-the hum of the air conditioner, a bird chirping outside, a neighbor's wind chimes, the sound of breeze-blown leaves outside the window. Try to enhance such listening experiences, and you are having an Eno moment.

The one thing we can count on Brian Eno not to do is let us put him in the kind of musical straitjacket supplied by our expectations and labels; he and his collaborators are always "thinking outside the box." I mention this because I've encountered some negative reaction to this CD. Eno's wiser devotees will recognize his need to transcend all that came before, respect it, and look forward to whatever aural adventure is offered next time around. In the meantime, these tracks can be savored over and over again, the musical equivalent of taking a pause and just experiencing all the fascinating things going on around us on a lazy, breezy summer day. Enjoy!

13 of 14 people found the following review helpful:

4.0 out of 5 stars More fine, intriguing instrumental themes from Eno, July 1, 2001

By	William Merrill "eclecticist" (San Antonio, TX United States) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

Most of the Ambient King's music in recent years has been for art installations, and only released in limited quantities. I'm pleased to have a regular "album" to listen to by Eno, and even more pleased it turned out so well. He has collaborated before with Peter Schwalm (on the Japanese "Music For On Myo Ji" release), and Drawn From Life follows along similar lines of the pair's previous work together. On the new songs, the atmospheres they created are magnificently resonant and evocative (sorry for the critic word), moving from rather abstract themes to more direct and personal melodies. With the exception of spoken word participation (Laurie Anderson on "Like Pictures 2," Nell Catchpole on "Intenser") and a vocorder on "Rising Dust," voices play a background role. These are mostly instrumentals, using the familiar synth/keyboard settings Mr. Eno is known for, but also mixing in very tasteful strings and percussion. The overall feeling is like the soundtrack for some Far Eastern documentary about architecture or industry, with a hint of mystery and intrigue thrown in. Perfect for late night contemplative listening.

9 of 9 people found the following review helpful:

4.0 out of 5 stars (With)drawn from life.. cold, numb, yet organic., June 21, 2002

By	spiral_mind (Pennsylvania) - See all my reviews (TOP 1000 REVIEWER)

I say 'cold' because that's the impression I get from Eno's work throughout this masterful recording; it starts with the chilly haze of "From This Moment" and though numerous sounds and tones are used, the overall impression doesn't fade. I have to say that an equal collaboration was the best idea for this album. Brian's work alone here would have ended up as Ambient 5: Frozen in Ice. Schwalm's light fleeting percussion, however, lends a wealth of shapes and textures to the music, giving it an organic edge and a pulse.

While this album is still quiet enough to serve as background wallpaper for reading or working, it's just busy enough to keep your attention if you sit down with a good pair of headphones. It's like a dream of floating in an endless white cloud while various images and sounds come into focus, clear for a moment, then vanish. City streets, Laurie Anderson talking about pictures, kitchen dishes clinking, swirling snow, and the occasional lapse of silence. Eno and Schwalm use no real melodies and only random fragmented words, but nevertheless draw the listener into their own web as convincingly as any fine lyricist I could name.

I just looked over those previous comments and realized they sound a little ridiculous - fanciful, maybe. That's the effect this album has. It's calming, subtle and tends to stimulate the imagination. It doesn't merely blend with the room or the background as most of Eno's other work does, but blends with your own thoughts as well. This is some of the best chill-out music I've ever heard.