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116 of 126 people found the following review helpful:
3.0 out of 5 stars
C'mon! It's not that difficult!, December 20, 2003
My rating is not for the music contained in this package; it's for the inconsideration shown to casual fans of this group. Incidentally, I am anything BUT a casual fan of JT. Outside of a live B-side version of "Jump Start", I've got everything Tull has ever put out. Obviously, though, I'm not representative of Tull's fan base. Most of them have four or five discs and a "best of" set. Jethro Tull has had more greatest-hits albums than most bands have had regular releases. And STILL they haven't gotten it right! This set is missing some of JT's best & most well-known tunes, like "Skating Away", "Cross-eyed Mary", "Black Sunday", "Teacher", "Farm On The Freeway", "Budapest", "Dun Ringill" and "Nothing Is Easy". There is really no excuse for the exclusion of "Skating Away", "Teacher", and "Cross-eyed Mary". These songs are infinitely preferable to tunes like "Broadsword" & "Steel Monkey". A "best of" Tull collection really needs to be two discs. In addition, unlike the approach used for the 25th Anniversary Best Of collection, there is no real necessity in including songs from every album. For a Tull greatest hits package, you've really got to concentrate on the classic 70's period of the band. There's definitely a lot of worthy music on Crest Of A Knave and Roots To Branches, and tracks from each should be included, but 70's era Tull is by far the biggest draw for the casual fan. In my humble opinion, the almost-perfect Tull compilation would look something like this: Aqualung Bouree Locomotive Breath Thick As A Brick (multiple sections edited together) Teacher Skating Away Budapest Too Old To Rock 'N Roll, Too Young To Die Bungle In The Jungle Roots To Branches Heavy Horses Songs From The Wood Black Sunday Farm On The Freeway Witches Promise Minstrel In The Gallery Ring Out, Solstice Bells A Passion Play (multiple sections edited together) Life Is A Long Song Cold Wind To Valhalla Valley Cross-eyed Mary Dun Ringill Moths Nothing Is Easy Dangerous Veils Living In The Past Due to the immense clout I wield with both the band and EMI/Chrysalis, I'm sure my suggestions will be implemented immediately. Seriously though... I think with a song list like this you can satisfy the most casual fans and still show the many musical & lyrical facets of the band to potential hardcore fans. Who knows? When The Best Of Jethro Tull Volume XXVII comes out, they might have gotten it right. Until that time, M.U. (the original Tull hits collection) and Repeat (volume two of M.U.) should be remastered and combined for re-release pronto!
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45 of 48 people found the following review helpful:
4.0 out of 5 stars
As close to definitive as you'll get in one disc!, July 5, 2001
Lovingly assembled and carefully remastered, this collection stands head and shoulders above other Tull collections. It's a mix of older and newer material, sequenced for listening rather than archiving (i.e. the songs aren't arrenged chronologically). From Ian Anderson's brief but insightful liner notes: "Mixing up the tempos, key and time signatures made, I think, for a more interesting programme." Right he is!I'll leave selection debates to future customers, saying only that the major hits are all here and this listener at least is delighted with the album tracks, including "Broadsword," "Sweet Dream," "The Witch's Promise," and "Heavy Horses" (the latter has been cropped to roughly one third its original length, but tastefully so). The mastering is by and large excellent, despite some overly judicious applications of treble equalization, most prominently on "Thick as a Brick" (which, by the way, was trimmed from 45 minutes to 3). For most of the album, timbres are natural, bass is taut, and the tracks haven't had the life squeezed from them by heavy dynamic compression (which keeps everything LOUD, all them time, robbing music of its natural swells and cadences). To my ears, it sounds like the music may have been de-hissed and subsequently re-equalized to compensate for now-missing high frequencies. I regard this as a Bad Thing, but even still I must concede that the producers did a fine job (no producers or engineers are credited!). The music on this disc sounds better than any other Tull CD I've heard, excepting the amazing and now out of print Mobile Fidelity gold discs. The booklet includes small pictures of the 23 contributing Tull members from across the years. The only things missing are track-by-track annotations giving us date, album, and musician and production credits. For the most part, though, the music speaks very nicely for itself! Whether you're seeking an introduction to the band or a refresher course in its peculiar brand of folky, English "Ba Roque" progressive rock, *The Very Best Of* is the disc you want.
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16 of 17 people found the following review helpful:
4.0 out of 5 stars
Not definitive, but a (mostly) strong collection, August 31, 2001
Jethro Tull have created such a vast collection of material over the last 33 years that it is difficult to condense highlights of their career onto one CD. As group leader/flutist/composer Ian Anderson even says in his liner notes, if one were to ask Tull fans to compile a "Best Of" CD then there would be as many different selections as there are fans. It is to Tull's credit that their music is so wide-ranging, from rock to folk to blues with jazz and classical influences et al. thrown in for good measure. But, when it comes to "Best Of" albums...This is not the first Tull compilation, but it is one of the better ones. Okay, Tull "standards" (i.e. those that get regular FM radio play to this day) are included, but they are not among my favorite Tull songs. Still, less-than-dedicated fans who want to own one Tull CD would probably desire "Locomotive Breath," "Living In The Past," and "Aqualung." Thankfully, some more esoteric, recent, and higher quality Tull material is also included here (the majestic "Broadsword" and the bamboo-flute driven "Roots To Branches" - misspelled on the CD cover as "Root To Branches," but one can't have everything!). This balance of "the hits" and some decent album cuts make this an overall pleasing collection. One major criticism is the cruel editing suffered by "Heavy Horses;" a multi-movement gem in its original form, here it has the guts taken out of it and all that is left is the verses and the choruses. A final thought: on a recent national call-in radio show, a listener asked Tull members Ian Anderson, Martin Barre, and Andrew Giddings to name their favorite Tull songs. Their choices were, respectively, "Budapest," "Under Wraps #2," and "Dun Ringill." None of these are present on this album. That ought to tell someone something...
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