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6 of 6 people found the following review helpful:
4.0 out of 5 stars
Unfairly obscure country spinoff of TV's Mary Hartman, June 10, 2003
Raven's 2-fer reissue collects both of actress-singer Mary Kay Place's mid-70s country albums. Place's singing career was a spinoff from the singing career of her character Loretta Haggers on the late-night television soap-opera "Mary Hartman, Mary Hartman," and much like earlier TV creations, such as The Monkees, her music greatly transcended the novelty of its origins. This was due, in part, to her incredible musical team h (Brian Ahern, who'd produced numerous hit albums by both Anne Murray and Emmylou Harris, together with the cast of musicians -- including Harris -- who populated his works), but, even more, the success of these records is a reflection of just how good Place could sing.The debut album, "Tonite! At the Capri Lounge, Loretta Haggers," spun directly from the series, is descended from Place's eccentric TV character, and is tilted towards kitsch. Peaking at #6, the album spun off the #3 single, "Baby Boy," written by Place as a lovesong to her TV alter-ego's older husband, Charlie. Place ramps up her Okie accent for the hicks-night-out "Settin' the Woods on Fire," blending smoothly with the tight harmony backing, fiddle and pedal steel. Her cover of The Louvins' "Get Acquainted Waltz" moves away from the schmaltz, and adds a fine fiddle line from former Dillard, Byron Berline. Loretta Haggers' reputed role model, Dolly Parton, turns up to sing harmony on her own "All I Can Do." For her second album, Ahern gathered a more stable group of players, including legendary guitarists James Burton and Albert Lee, fiddler Richard Greene and pianist Glen D. Hardin. Place struck up a songwriting relationship with session ace (and Hot Band member, and eventual Patty Loveless producer and husband) Emory Gordy Jr., which resulted in three original songs. Combined with a trio of songs by Rodney Crowell, the sophomore release wasn't as tightly bound to Place's trailer-trash TV character. Highlights include a gospel-tinged take on Crowell's "You Can't Go to Heaven (If You Don't Have a Good Time)", a duet with Willie Nelson on "Something to Brag About," and a delicate, slow take of "Save the Last Dance For Me." Sadly, Place's second album peaked at #40, and her singing career folded along with it. Still, two solid albums are more than most people produce in a lifetime, and Raven's reissue, with fine liner notes from Glenn A. Baker, provides everyone the chance to keep spinning these impressive sides.
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