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15 of 16 people found the following review helpful:
4.0 out of 5 stars
a day in the death of the parsee community, February 28, 2003
it's easier to tell what the movie is not about-the war in bangladesha, it's only the background timing, being a parsee, although there are scenes around the tower of silence complete with sounds of vultures inside.
it is about a quiet parsee bank teller and in the background his wife. Friends die, son leaves home, he's pulled into a dangerous plot, done with great technic and attention to detail and character development. thanks for a window into bombay.
i am sorry that movies like this never seem to get a showing in America, maybe it is that we really are too shallow for thoughtful and sensitive films like this. we desire action, not thought, we desire clear cut issues, not the gentle how do i live each day authentically and true to my convictions that you see in this movie.
i like the painted wall. the images and the devotion they showed them will long remain in my memory, fondly.richard williams
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
One of my most valuable "finds" this year, May 17, 2003
You hear about such movies only as a matter of happenstance because they are commonly shrugged off as "art cinema" amidst India's glam-bam Bollywood cacophony. To anyone even mildly familiar with the dark underbelly of meaningful cinema in India, the star cast is enough to grab a copy of this priceless DVD -- Roshan Seth, Soni Razdan, Om Puri. But that's not half the reason I recommend this movie whole-heartedly. Gunnarsson (an Icelander!) and Taraporewala seem to have done an immaculate job of adapting Mistry's touching eponymous novel to the screen. This is a simple yet subtle story of a middle-aged Parsi bank employee in Bombay in the 70s and the various facets of his interactions with his immediate family, friends/neighbours, professional circle etc, sensitively exploring how these bear upon his life. Despite the period in question, I can assure you that this movie beautifully captures the typical middle-class Bombay life as it is now, in particular the nuances of a minority (Parsi) man. Yet it manages to offer a heart-warming view of our modern condition in almost any urban setting, not just Bombay. And thankfully the characterizations do not pander to a global stereotype of the Indian middle class as normally seen in the movies of Monsoon Wedding genre for instance. All I can say is that if you are genuinely interested in meaningful film, you won't regret watching this hidden marvel of movie making. Highly recommended.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
"What a world of wickedness it has become.", May 22, 2005
Director Sturla Gunnarsson turns a good novel by Rohinton Mistry, into an extraordinary film, capturing the warmth of family life in a crowded apartment house in Bombay, along with its sights, sounds, and smells. Main character Gustad Noble (Roshan Seth) is a devoted father and husband, a believer in the ceremonies of his Parsi religion, a conscientious worker as a bank supervisor, and a friend who believes in loyalty to those who have helped him.
Gustad and his wife Dilnavaz are trying to lead good lives during the political and social turmoil of Indira Gandhi's rule in the 1970s. India is on the verge of war with the Muslims of Pakistan, and though Gustad is aware of political corruption, he is far more pre-occupied with having his son accepted at a school of technology, doing his job as a bank supervisor, and supporting his family. Constant blackouts and continually deteriorating conditions on the street add to the frustrations of Gustad's life. When an old friend, asks Gustad for help on behalf of the Indian government, Gustad reluctantly agrees to deposit money to a secret account at the bank. He soon finds himself enmeshed in a spiral from which he cannot break out.
Seth is a fine Gustad, showing with a raised eyebrow or a casual glance a range of emotions which makes Gustad come alive. Rasdan, as his wife, is both loving and frustrated, fearful of what Gustad may have committed himself to, and worried about her son, who does not want to got to a technical college, and their small daughter, who is extremely ill. Little Shazneed Damania, as the sick child, is extraordinary, and when she has tremors and convulsions as a result of her fever, she wrings the heart of the audience.
The wall outside Gustad's apartment building, symbolizing the larger world of Bombay, is a far more dramatic and significant element in the film than in the novel. When Gustad persuades a sidewalk artist to paint the wall so that it will no longer be used as a latrine, the artist (Ranjit Chowdhry) depicts scenes from all the religions of India. The wall becomes a shrine--until the government decides to tear it down, paralleling in some ways the life of Gustad..
Though major scenes are depicted in intimate interior settings, effectively photographed (Jan Kiesser) to show visually the characters' relationships, the panoramic outdoor shots of the roiling life of Bombay dramatically intensify the turmoil within Gustad's life. Sensitively acted and directed, with a screenplay written by the book's author, the film is the visual embodiment of everything Mistry achieves in the novel. Outstanding! Mary Whipple
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