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Someone is killing the supermodel clients of Hollywood plastic surgeon Albert Finney, and because this is a Michael Crichton movie, there has to be a pop-techno-scientific reason for it. Welcome to the daffy world of
Looker, a 1981 film that manages to blend one or two interesting cultural ideas with a dismal storyline and a wonderfully cheesy early-Reagan-era look. The trail of murders leads to a corporation called Digital Matrix (Crichton always was prophetic about naming things), where head honcho James Coburn has launched a nonsensical plan involving TV commercials and mind control. Accused of the model deaths, Finney must track down the real culprit, aided by client Susan Dey (in her most appealing non-TV role). There's also a crazy "light gun" that causes victims to black out, a device that leads to some very strange shoot-outs. All of this might have been fun if the movie had any kind of suspense or distinctive characters. Albert Finney made this the same year he did
Wolfen, after a hiatus from movie acting--a pair of eccentric choices, to be sure. Adding to the silliness is a truly wretched theme song, made the way they made 'em in the early '80s.
--Robert Horton
Product Description
A plastic surgeon (Albert Finney) gets suspicious when models he has operated on begin to die in mysterious ways. With the help of Cindy (Susan Dey), the next in line to be killed, he traces the deaths to a mysterious corporation which develops new technologies. Directed and written by Michael Crichton (Westworld, Coma).