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11 of 11 people found the following review helpful:
5.0 out of 5 stars
From Heartbreak to Hope, October 14, 2001
"Skin," Melissa Etheridge's seventh CD, like all her music, comes from deep within and is the refashioning of failed love into songs that will touch everyone who has wondered if it really is "better to have loved and lost than never to have loved at all." For any still wondering, Melissa's answer is a life affirming "Yes." I admit that I am a maniacal, ballistic Melissa Etheridge fan. Five of her albums, including this one, give me decidophobia each time I must choose one to play; they're all that good. If there's divine providence, Melissa Etheridge is God's gift to blues/rock after Janis Joplin left us thirty years ago. The woman sings her heart and soul out with American abandon and French "love hurts" pathos. "Skin" is an apt title for an album so emotionally naked as this one. Melissa says it's "about shedding old skin. It's about new skin. It's about life." At first hearing, "Skin" seems downright embarrassing, an act of masochistic exhibitionism springing from the heartbreak of her failed long-term relationship with filmmaker Julie Cipher. Her fans are used to the scratching and crawling and screaming, the longing and aching and pleading ("To hell with the consequence"), but this recording is so personal that it would be depressing if it didn't turn its heartbreak into hope with a triumph of spirit and a determination that saves it from being maudlin. All the stages of failed romance are here. The shock ("Lover Please"), grief ("The Prison"), guilt ("Walking on Water"), withdrawal ("Down to One"), and denial ("It's Only Me") give way to sheer will born of need to love again ("I Want to be in Love"), and by the albums end we know that there is life-even love-after love, and that like Janis ("Honey, ain't nobody gonna dog me down"), Melissa's "Heal Me" moves from "For a moment there I just gave up trying" to "I am a witness to my resurrection" and finally to "My battered heart will make a new start/Let everyone know I'll be coming home again." As Rolling Stone observed, "Skin" is cathartic and redemptive. "Skin" is Etheridge's most technically innovative release to date. Not only is she an extraordinarily gifted singer and writer (she wrote all the songs), but on this studio album she played all the keyboards, harmonicas, and guitars. On "Lover Please," the opening track, her electric guitar articulates "This one's gonna hurt like hell," almost as clearly as a human voice. Six drum cuts by Kenny Arnoff and nine bass tracks featuring Mark Browne were laid down and mixed after her solo performance. There was no band, but you'd swear otherwise. Buy this album and be amazed by the music and humanity of her hurting, haunting, hunting, and healing. Then, like me, try to decide what to play next time-"Melissa Etheridge"? Or "Yes, I Am"? Or "Your Little Secret"? Or "Breakdown"? Or "Skin"? Decisions, decisions, decisions.
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