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47 of 52 people found the following review helpful:
4.0 out of 5 stars
Increases emotion and suspense inch by careful inch., December 15, 2001
Alejandro Amenabar's "Open Your Eyes (Abre Los Ojos)" operates on the notion that dreams and reality walk hand-in-hand down the path of life. It deals with elements of psychological bliss and disturbance in ways reminiscent of Hitchcock and "The Twilight Zone," evoking a tone of constant underlying dread that remains in the mind long after the movie's earth-shattering climax. This isn't a thriller in the traditional sense, but its thought-provoking plot is a testament to Amenabar's superb storytelling capability. The film begins normally enough by introducing us to César (played by Eduardo Noriega), a wealthy man with popularity and good looks tucked under his sleeve. He's got a best friend, Pelayo (Fele Martínez), who takes pleasure in chiding him about his involvement with the persistent Nuria (Najwa Nimri), who simply won't take no for an answer when it appears that César has lost interest in her. His birthday party marks the start of a new relationship with the lovely and high-spirited Sofia (Penélope Cruz), yet his reservations about moving too fast with her further infuriate Nuria, who offers him a ride back to his apartment the following morning only to run the both of them down a hillside into a wall. The accident leaves Nuria dead and César badly injured, with facial scars untreatable by his physicians, who try to convince him of the risks involved in attempting to return his face to its former state. His disfigurement is a burden to him, as well as to Sofia and Pelayo, who find discomfort not in his looks, but in his downtrodden attitude and outlook on his future. Noriega captures this lapse in emotion quite wonderfully, while also sharing a great chemistry with Cruz which keeps us involved with the romantic aspect of the story as well as the forthcoming mystery. The movie soon reaches a point where everything seems to change... César finds himself in the arms of Sofia, sharing a love he never thought possible; his doctors have come up with a solution to his facial scars, restoring his face back to its handsome look. Everything seems to be going quite well for him, until one night he finds Nuria in his bed and his happy life turned upside down by his friends, who persist in telling him that this woman he clearly despises is Sofia. The story is good at keeping its audience at bay for information and twists, casting us into a darkness so that César's confusion and delirium soon becomes our own as well. His struggle to recover the clues that will solve the mystery behind his life's sudden downfall is intriguing and effectively induces thought among viewers, who will no doubt find themselves recalling clues, piecing together scenes and characters, lines of dialogue and different objects César has come in contact with. It's all a sense of mystifying wonderment, and Amenabar is able to lay on plot twist after plot twist at just the right pace so that we hunger for more. Your acceptance of the movie's final resolution ultimately depends on your willingness to suspend disbelief, as well as your scrutiny. It begs its audience to question its intentions, to ask why certain events have come to pass, why certain characters thought to be dead have come back to haunt César; I think most people will be inclined to ask one question (SPOILER ALERT): If César has been creating his own world, then why does he torture himself with his past? This is a question the movie doesn't answer forthright; perhaps it is better left unanswered, as it most likely will take away from the impact the final twist will have. As I finish this review, I still find myself perplexed by the complex nature and stunning array of twists and surprises that Amenabar supplies his film with. As I watched the film, I found myself straying away from its conclusion, but upon further thought, I realize that it serves the purpose of tying the film together in a manner that does justice to the story that leads up to it. I still have my reservations about the nature of César's final state of mind, but the effectiveness of the overall film easily makes it a minor flaw.
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