Gilbert & Sullivan - Operettas / Pro Arte Orchestra · Sir Malcolm Sargent [BOX SET]

Gilbert & Sullivan (Artist), Sir Malcolm Sargent (Artist), George Baker, Heather Harper, Elizabeth Harwood Owen Brannigan Monica Sinclair (Artist)

Product Details

• Audio CD (November 20, 2001)
• SPARS Code: ADD
• Number of Discs: 16
• Format: Box set
• Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
• Label: EMI Classics
• ASIN: B00005MIZS
• Average Customer Review: 4.4 out of 5 stars See all reviews (11 customer reviews)
• Amazon.com Sales Rank: #143,336 in Music (See Bestsellers in Music)

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Editorial Reviews

Amazon.com
The advent of stereo brought forth two competing Gilbert and Sullivan cycles that retain their classic status in divergent ways. Seasoned Savoyards lean towards Decca's D'Oyly Carte recordings, where the use of singing actors and inclusion of dialogue add up to a palpable theatrical experience. By contrast, EMI's competing cycle featured some of Britain's finest operatic singers of the 1950s and '60s, who largely command both music and text on equal terms. The nine operettas in this series conducted by Sir Malcolm Sargent--Trial by Jury, HMS Pinafore, The Pirates of Penzance, Patience, Iolanthe, The Mikado, Ruddigore, The Yeomen of the Guard, and The Gondoliers--are repackaged in a budget-priced, space-saving box. True, some might contend that Sargent's stoutly moderate tempos downplay the authors' irreverent bite, but at least you can make out every blasted word. And that's important, since EMI includes no librettos, just a synopsis of each work. As a bonus, Sullivan's orchestral forays outside comic opera fill out the discs, including incidental music to The Tempest and The Merchant of Venice, the touching Overture in C ("In Memoriam"), an attractively tuneful Symphony in E, and a fascinating reconstruction of a Cello Concerto, whose autograph and parts perished in a 1964 fire. You simply cannot find a more comprehensive Gilbert and Sullivan bargain than this highly enticing set. Grab it while you can. --Jed Distler

Customer Reviews

Most Helpful Customer Reviews

18 of 18 people found the following review helpful:

5.0 out of 5 stars "still sufficiently dignified", May 20, 2003

By	John Austin "[e-mail]" (Kangaroo Ground, Australia) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

The Duke of Plaza-Toro's instruction to the heirs to the throne of Barataria to preserve a demeanor "still sufficiently dignified" fits a criticism levelled at this series of Savoy Operas recorded under the direction of Sir Malcolm Sargent. Lacking dialogue, and using major British singers who never actually performed on stage in Gilbert and Sullivan, the presentation, especially of the first two of the series to appear, was considered too sedate. A great improvement was made when veteran singer George Baker was invited to participate in the remainder of the series. Although never a member of the D'Oyle Carte Opera company that regularly staged these works until 1961, he had featured in an earlier recorded series, also conducted by Sir Malcolm Sargent, and could still in his 70s deliver the patter songs with inimitable clarity and snap. His work as the learned judge in "Trial By Jury" and Sir Ruthven Murgatroyd in "Ruddigore" is especially fine, making these two recordings top recommendations.

These recordings have been my preferred G & S listening ever since they first appeared. Sullivan's music deserves the attention of the major singers such as Richard Lewis in most of the leading tenor roles, and the Australian Elsie Morison in all the leading soprano roles. I prefer to reserve Gilbert's dialogue, not included in these recordings, for appreciating in live stage productions.

This boxed set must be the ultimate representation of the word "compact". It occupies no more than one quarter of the space on my shelves that the separate CD sets occupied. As with them, no librettos are provided. The CDs comprise exactly the same contents as before, providing here and there some additional Sullivan music as well as the nine operettas.

16 of 16 people found the following review helpful:

4.0 out of 5 stars An operatic approach to G&S, January 31, 2004

By	F. Behrens "Frank Behrens" (Keene, NH USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

In the late 1950s and early 1960s, as soon as the copyright on Gilbert's lyrics expired, EMI began to issue what could have been the complete series of Gilbert & Sullivan collaborations but never quite finished. Of the 14 operettas from "Thespis" to "The Grand Duke," only 9 found their way into the EMI series. In order of composition rather than recordings, they were "Trial by Jury," "HMS Pinafore," "The Pirates of Penzance," "Patience," "Iolanthe," "The Mikado," "Ruddigore," "The Yeomen of the Guard," and "The Gondoliers."

They are all played by the Pro Arte Orchestra under the baton of veteran G&S conductor Sir Malcolm Sargent (who conducted most of the RCA Victor/HMV electric recordings) and feature the soloists and chorus of the Glyndebourne Festival. The only voice familiar to devotees of the earlier recordings is that of George Baker, who had assumed most of the comic roles on many an acoustic and electric recording, although he himself had never appeared in any of those roles on a stage.

Once the days of the mono LP were over, the Decca (overseas) and London (over here) labels were busily issuing stereo versions with D'Oyly Carte casts while EMI was giving them stiff competition with their Glyndebourne people. While the D'Oyly Carte singers were not quite up to their rivals vocally, several of their recordings included the dialogue, which was a bane to some, a blessing to others. However, now that both companies have reissued their complete Gilbert & Sullivan sets in a budget format, you can judge for yourselves which is superior. But it is of the EMI set that I wish to comment here.

It comes in a box of 16 CDs, arranged in the order of composition, except for "Trial by Jury" which follows rather than precedes "Pinafore" as part of the same set. My only quarrel with the series as a whole is the lack of a good basso profundo, especially for the role of Pooh-Bah. Using opera star Geraint Evans as Ko-Ko, Jack Point, and the Duke of Plaza-Toro was not a good idea, since he does not have that lightness of voice and sparkle the roles require. But George Baker takes over in the other comic leads; and it is difficult to believe that this man had made a "Mikado" recording back in 1917 and was still going strong. Oh, of course, now and then the patter songs take their toll. But Baker is a G&S legend and I am one of the thousands who love him.

The leading tenor (in 7 of the 9 recordings) is Richard Lewis, whose voice may not be as characterful as some of the D'Oyly Carte tenors of old but is beautiful to hear. The leading soprano is Elsie Morison, who can tackle the coloratura of Josephine ("Pinafore") and Mabel ("Pirates") with no trouble. Sounding a little too mature, perhaps, for some of the other roles, her vocalizing more than makes up for it. Now remember that most of these singers have long operatic backgrounds and approach Sullivan's music in that mode.

When the EMI LPs were transferred to CDs, the extra time each disc could carry called for several "fillers" or what is now called "bonus" tracks. So as an added inducement to purchase this set, you will also hear Sullivan's symphonic alone in his overtures to three of the works not included, "Overture in C," "Symphony in E," "Overture di Ballo," incidental music to "The Tempest" and to "The Merchant of Venice," and the "Cello Concerto in D." They are taken from more recent recordings with different orchestras and conductors.

The booklet gives all the casts and tracking, along with synopses cued to the tracks. However, newcomers are advised to find a good edition of the plays so they can follow the words and perhaps pause between songs to read the equally clever dialogue as a group entertainment.

So even if you own other recordings of these immensely popular works, I am sure you will enjoy this EMI set very much indeed. And yes, some of the sets are still available separately in their individual jewel cases.

11 of 12 people found the following review helpful:

4.0 out of 5 stars The complete Sargent G&S, July 7, 2005

By	Paul A. Gerard (Australia) - See all my reviews (REAL NAME)

Actually, its not! But it is a complete edition of the last recordings he ever made of the operettas in question.

The evidence of pre-war Sargent recordings (for instance his earlier "Princess Ida") shows that when he was a little younger he appoached these works with vigour and a stong sense of musical humour. As he mellowed (or got older, anyway) his interpretation of G&S definitely became more personal and reverent (or, if you like, slower). Whether you like this or not is absolutely a matter of taste. There are times when those of us more used to other productions may find a mellow geniality in the music rather than the razor sharp wit we are used to. On balance it has to be said that Sullivan comes off better than Gilbert when you slow things down a bit.

My own personal opinion is that if you only want one performance of each operetta I would look elsewhere. If you love G&S enough to want several recordings of each one - then get these - if only to enjoy a "different" slant on the music.