Product Details

• Actors: Emilio Echevarría, Gael García Bernal, Goya Toledo, Álvaro Guerrero, Vanessa Bauche
• Directors: Alejandro González Iñárritu
• Writers: Guillermo Arriaga
• Producers: Alejandro González Iñárritu, Francisco González Compeán, Guillermo Arriaga, Martha Sosa Elizondo, Monica Lozano Serrano
• Format: Anamorphic, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
• Language: French (Dolby Digital 2.0), Spanish (Dolby Digital 5.1)
• Subtitles: English, French
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rating: R (Restricted)
• Studio: Lions Gate
• DVD Release Date: September 25, 2001
• Run Time: 154 minutes
• Average Customer Review: 4.4 out of 5 stars See all reviews (203 customer reviews)
• ASIN: B00005N8A9
• Amazon.com Sales Rank: #4,028 in Movies & TV (See Bestsellers in Movies & TV)

  Popular in these categories: (What's this?)

  #6 in	Movies & TV > Art House & International > Latin American Cinema > Mexico
  #7 in	Movies & TV > Drama > Love & Romance > Unrequited Love
  #11 in	Movies & TV > Art House & International > By Original Language > Spanish

• For more information about "Amores Perros" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com
Amores Perros roughly translates to "Love's a bitch," and it's an apt summation of this remarkable film's exploration of passion, loss, and the fragility of our lives. In telling three stories connected by one traumatic incident, Mexican director Alejandro Gonzalez Inarritu uses an intricate screenplay by novelist Guillermo Arriaga to make three movies in close orbit, expressing the notion that we are defined by what we lose--from our loves to our family, our innocence, or even our lives. These interwoven tales--about a young man in love with his brother's pregnant wife, a perfume spokeswoman and her married lover, and a scruffy vagrant who sidelines as a paid killer--are united by a devastating car crash that provides the film's narrative nexus, and by the many dogs that the characters own or care for. There is graphic violence, prompting a disclaimer that controversial dog-fight scenes were harmless and carefully supervised, but what emerges from Amores Perros is a uniquely conceptual portrait of people whom we come to know through their relationship with dogs. The film is simultaneously bleak, cynical, insightful, and compassionate, with layers of meaning that are sure to reward multiple viewings. --Jeff Shannon

Product Description
THREE DIFFERENT PEOPLE ARE CATAPULTED INTO DRAMATIC AND UNFORSEEN CIRCUMSTANCES IN THE WAKE OF A TERRIBLE CAR CRASH, A YOUNG PUNK STUMBLES INTO THE SINISTER UNDERGROUND WORLD OF DOG FIGHTING, AN INJURED SUPERMODEL'S DESIGNER POOCH DISAPPEARS INTO THE APARTMENT'S FLOORBOARDS AND AN EX-RADICAL SAVES A DOG.

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Customer Reviews

Most Helpful Customer Reviews

84 of 101 people found the following review helpful:

4.0 out of 5 stars Mexico Unvarnished, May 24, 2001

By	John Cardenas "opera nut" (Ontario, CA United States) - See all my reviews (REAL NAME)

Any of those who would dismiss this movie for its allegedly senseless violence or because they feel it's a pale imitation of Pulp Fiction simply do not understand Mexican culture. Violence, verbal or physical, proliferates in Mexican culture; I think many of the reviewers (mostly overly sensitive gringos, I would gather) who are uncomfortable with this movie would probably be equally uncomfortable with the Mexican view of life inherited from the Spaniards--i.e., the fatalism, the grim resignation to the frequent ugliness and brutality of life, and a sort of crude vivacity. Pienso que estas personas que no les gusta México no tienen cojones. But then again, most people want illusion not reality at the movies, which brings up the next point.

As for the Pulp Fiction charge, this movie bears about as much relation to that movie as Picasso, in his early, rough stage, does to Andy Warhol's soup cans. In Amores Perros, the violence, and, hence, the feeling, is real; in Pulp Fiction, it's trendy posing. We cringe at the gore and we giggle at the jokes, then we forget the whole pop culture soufflé Tarantino has served up. The people in Amores Perros are blood and guts--crude, yes, and occassionally ugly, but there's no doubt they're the real thing. Quentin Tarantino has never delved this deeply.

I give this movie four stars instead of five because it's still at times subject to a youthful impetuousness that fits the first story beautifully but not the other two. It's not quite great, but it's still mighty impressive. And the middle story about the model losing her leg and enduring a romantic crisis with her lover is in the end rather tiresome--it's undeniably felt by the actors, but it seems like tawdry bourgeois angst or an episode from a melodramatic telenovela next to the urban blight and horrors of the first and third stories.

15 of 16 people found the following review helpful:

5.0 out of 5 stars LOVE IS A BITCH, SO IS THE ACADEMY, June 6, 2001

By	Alberto Esenaro "aesenaro" (mexico city) - See all my reviews (REAL NAME)

If you are bored with high-budget holywood crap and you are looking for a fine urban tale with real people in a real city, then you should see Amores Perros. This is the first masterpiece of Alejandro Gonzalez Iñarritu, but this film has its seal from previous productions for radio and other media work. Definetely it is worth the ticket and of course the DVD when the time comes. I believe that el Chivo's Tale is the best one because it is about get even with the past. If after you have seen amores perros you are not convinced that the Academy owes it an Oscar, then watch Crouching Tiger for a poor imitation of matrix where pseudo-art movies meet old chinese martial arts movies. Anyway love is a bitch and so is the Academy.

14 of 15 people found the following review helpful:

4.0 out of 5 stars 4.5, Excellent Movie, July 30, 2002

By	Big Erik (USA) - See all my reviews

I've recently gone on a foreign language film binge, and this one settles with the cream, near the very top. Plot wise, there are three stories that interconnect on the basis of a big car accident, and each revolves around dogs and their owners. The first piece is about a guy who lusts after his older brother's wife while also making big money in dog fights. The older brother gets more and more angry while at the same time the younger brother has made an enemy at his side job. The second story is about a middle aged man in the magazine industry who leaves his family and moves in with a beautiful model. Things get hectic when her lovable ball of fluff disappears beneath a hole in the floor and won't come out. The final tale is about an ex-professor turned radical turned nearly pennyless hitman who wanders the streets with his group of trustworthy dogs. Things change for him when he unknowgly nurses a very dangerous mutt back to health. Now, these stories may not sound intrigiuing at first, but the strengths lie in the tone, cinematography, acting, and atmosphere. Give it a chance, and I think everyone can take something positive from the experience. Of course, this takes us to the WARNING: THIS FILM CONTAINS BLOODY IMAGES OF DOG FIGHTING. The question is, can you handle this sort of thing? I was prepared, and it wasn't as bad as I thought, but if you go in expecting Fido and Lassie frolicking in the hills at sunset, you may be in for an unpleasant surprise. In the form of mauled carcasses. Yep, quite nasty. But consider the fact that the animals were trained and not harmed, and that the rest of the movie is excellent, and you should be able to bear it. Also, this film has many levels, and warrants repeated viewing, thus making it a quality purchase. BUT--because of the dog fights, I can't just flat out recommend that everyone buys it on a whim. If you're not sure, RENT IT FIRST. Otherwise, it's a guranteed positive experience.