~ Various Artists
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~ Alan Lomax
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~ James Brown
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~ Various Artists
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~ Various Artists
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Product Details
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| Disc: 1 | |||
|---|---|---|---|
| 1. Ose Yie (Ashanti War Chant) - Asafoiatse Nettey | |||
| 2. Sakadougou (Maninka Ballad) - Kandia | |||
| 3. Ake (Yoruba Work Chant) | |||
| 4. Kufidi M'Pala Bituta (Baluba) - Toko Mzobe | |||
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| Disc: 2 | |||
| 1. Tombeau, Tombeau | |||
| 2. Je M'en Vais Finir Mes Jours ("Madelaine" song) | |||
| 3. Dans Un Brigatoire | |||
| 4. Pour la Belle Layotte - William "Billy" Eaton | |||
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| Disc: 3 | |||
| 1. Ol' Lady From Brewster (Children's Song) | |||
| 2. Hallie, Come On! (Woman's Field Holler) - Miriam Burton | |||
| 3. Run Squirrel, Whoa Mule (Game Song) - Thelma Drayton | |||
| 4. Fox Chase (Mouth Organ) - Sonny Terry, Brownie McGee | |||
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| Disc: 4 | |||
| 1. Let The Deal Go Down - Godfrey Cambridge, Joe Crofford, Brownie McGee | |||
| 2. Betty and Dupree - Joe Williams | |||
| 3. Eas' Man - Leon Bibb | |||
| 4. John Henry - Valentine Pringle | |||
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| Disc: 5 | |||
| 1. Ho Boys Cancha Line 'Em? - Valentine Pringle | |||
| 2. Good Ir'n - Harry Belafonte | |||
| 3. Go On Ol' Gator | |||
| 4. Doncha Hear Yo' Po' Mother Callin'? | |||
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Disc 1 offers tribal chants, shouts, and spirituals while the second disc explores the slavery era through the Civil War. Disc 3 looks at postwar sounds both urban and rural while the fourth disc crosses into the next century as the street cries and mountain hollers morph into folk ballads, gritty blues, and minstrel shows--the roots of popular music as we know it today. The final disc includes songs of work and songs of worship, the practical tools of survival for African Americans in troubled times. The sounds found across these discs are faithful re-creations featuring a large cast that includes the likes of Belafonte, Bessie Jones, Sonny Terry and Brownie McGhee, and Joe Williams. The lovely 140-page hardbound book includes extensive notes and provocative essays, as well as stunning photos plus artwork by Charles White. To be sure, this is not easy listening and those looking for your basic "roots music" collection will be disappointed. Rather, this is really a fascinating exploration of the roots of roots music. --Marc Greilsamer
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