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4 of 4 people found the following review helpful:
4.0 out of 5 stars
A DAMNED SHAME THAT MORE PEOPLE DON'T KNOW THEM, May 3, 2004
Wow-ee is this a great album or what??? The Damned absolutely refuse to die, and God bless `em for it. In my opinion, the truly great artists never stop writing and recording, and these guys must be in it for the love of music, because they have never matched the commercial success of the Clash or the Sex Pistols. However, I personally prefer the Damned to both of those bands, and Grave Disorder is a prime example of why. It's a near-perfect blend of punk, rock, pop, and psychedelia, with a touch of goth attitude thrown in. The Damned are very serious about their music, but they never make the mistake of trying to SOUND serious in an effort to prove it. Sure, they have political and social concerns, but it never overpowers the music or threatens to weigh things down. There is a sense of theatrical fun and experimentation that runs through the album, and while they incorporate many different elements into their sound, their style is uniquely their own. "Democracy" starts things off with explosive drumming by Pinch and ferocious guitar work by Captain Sensible, while Dave Vanian tells us that "Revolution changes nothing, and voting changes even less". This is followed up by "Song.com" a punk/Beach Boys hybrid which salutes the internet. After that comes "Thrill Kill" a first-person account of a serial killer's illicit fantasies intoned over an ominous minor key bass line. It's one of the best tracks on the album, and despite its (apparently) gruesome subject matter, Vanian's theatrical tongue-in-cheek approach makes it less horrific and more horror-movie-like (which was undoubtedly the idea). "She" is a stomping psychedelic number, with a decidedly Sisters-of-Mercy-esque vocal at the end. "Looking for Action" is the closest thing to pure punk on the album, and it sounds like it could have easily fit in on the first Damned album (Damned Damned Damned). "Would You Be So Hot" examines the positive effects of death on one's level of popularity, and "Amen" is a scathing attack on organized religion, propelled by a throbbing two-chord riff and frantic drumming by Pinch. "Absinthe", a moody minor key tune, features some odd but appealing chord changes and atmospheric theremin work by Vanian. I have to ask, when was the last time you heard theremin on a punk record? Hell, when was the last time you heard theremin on anything??? That fact alone should intrigue people enough to check out this innovative and diverse CD. "Neverland" is a timely parody of Michael Jackson that originally appeared on a Captain Sensible solo CD, but the chorus and the bridge are just so bloody magnificent he decided to redo it with the Damned. "The End of Time" is another goth-flavored number with obsessive lyrics, and "Obscene", one of my personal favorites on Grave Disorder, has a lilting little melody which is offset by nightmarish keyboard effects. "W" has an almost techno feel and should be of particular interest to Bush-baiters, while the album closer, "Beauty of the Beast" features a gorgeous performance by Monty, the Damned's resident keyboard player. The Damned are truly one of the most under-appreciated and undervalued bands out there, and this CD is proof of it. Don't remain in the dark about these creative geniuses. Pick this one up and find out for yourself.
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