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Christopher Guest, the man behind
Waiting for Guffman, turns his comic eye on another little world that takes itself a bit too seriously: the world of competitive dog shows.
Best in Show follows a clutch of dog owners as they prepare and preen their dogs to win a national competition. They include the yuppie pair (Parker Posey and Michael Hitchcock) who fear they've traumatized their Weimaraner by having sex in front of him; a suburban husband and wife (Eugene Levy and Catherine O'Hara) with a terrier and a long history of previous lovers on the wife's part; the Southern owner of a bloodhound (Guest himself) with aspirations as a ventriloquist; and many more. Following the same "mockumentary" format of
Spinal Tap and
Guffman,
Best in Show takes in some of the dog show officials, the manager of a nearby hotel that allows dogs to stay there, and the commentators of the competition (a particularly knockout comic turn by Fred Willard as an oafish announcer). The movie manages to paint an affectionate portrait of its quirky characters without ever losing sight of the ridiculousness of their obsessive world. Almost all of the scenes were created through improvisation. While lacking the overall focus of a written script,
Best in Show captures hilarious and absurd aspects of human behavior that could never be written down. The movie's success is a testament to both the talent of the actors and Guest's discerning eye.
--Bret Fetzer
From The New Yorker
Christopher Guest reunites much of the cast of "Waiting for Guffman" for another mock documentary; the target this time around is the cloistered world of championship-dog breeding. Guest directs and scripts with a loose, improvisational style (no dialogue was written down), and while some of the scenes glide along with a quick-witted tempo, others are awkward. The dogs themselves are splendid, and when the satire works the laughs are plentiful. Best-in-group awards go to Parker Posey and Michael Hitchcock as an uptight suburban couple whose courtship involved adjacent Starbucks franchises, John Michael Higgins as a preening owner who outshines his shih tzu, and Fred Willard as a chipper commentator who showers ASINine comments on the proceedings. If Guest has a trademark style, it's the airtight earnestness he demands of his cast-there's not one wink in the entire film. -Michael Agger
Copyright © 2006
The New Yorker