Sounds of Silence [EXTRA TRACKS] [ORIGINAL RECORDING REMASTERED]

Simon & Garfunkel

Product Details

• Audio CD (August 21, 2001)
• Original Release Date: August 21, 2001
• Number of Discs: 1
• Format: Extra tracks, Original recording remastered
• Label: Sony
• ASIN: B00005NKKV
• In-Print Editions: MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (28 customer reviews)
• Amazon.com Sales Rank: #8,928 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com

One suspects that Paul Simon cringes a bit when he listens to Simon & Garfunkel's 1966 breakthrough release. Lines from "I Am a Rock" ("For a rock feels no pain / And an island never cries") and the title track ("Fools, said I, you do not know / Silence like a cancer grows") are the essence of sophomoric poetry. And who but a couple of self-serious young men would sequence the suicide odes "Richard Cory" and "A Most Peculiar Man" back to back? That said, every callow couplet found here is counterbalanced by words that are disarmingly guileless. The unabashed romanticism of "Kathy's Song" is truly poignant; it ranks with "For Emily" and "The Only Living Boy in New York" among the duo's most resplendent performances. "April Come She Will" has a similar innocent appeal, while the title track, despite its overwrought moments and Tom Wilson's tacked-on production, is a folk-rock landmark. It's not hard to find fault with The Sounds of Silence, but it's easier still to bask in its inchoate splendor. (The 2001 reissue adds the bonus track "The Blues Run the Game" plus three unreleased 1970 demos.) --Steven Stolder

Customer Reviews

Most Helpful Customer Reviews

29 of 32 people found the following review helpful:

5.0 out of 5 stars The Best Of Simon And Garfunkel, September 5, 2006

By	Eli Josephs (New York) - See all my reviews

Next to a greatest hits album, this has to be the best offering Simon and Garfunkel ever gave the world of music? Forty years old and it still stands strong!

I love great harmonies (Don and Phil of The Everly Brothers, John and Paul of The Beatles, Gram Parsons and Emmylou Harris, Teresa and Mark of The Echoes, etc.) but S&G take the cake here!

Like Dylan's "Freewheeling" album, Simon and Garfunkel's second album beats its predecessor effortlessly for the beauty and strength of the original material. The instrumentation is perfect and the songs are songs for all times--not just the 1960's!

My favorite release by my favorite New York group.

17 of 18 people found the following review helpful:

5.0 out of 5 stars Still a green leaf, July 5, 2002

By	kennedy19 "kennedy19" (wakefield, ma USA) - See all my reviews

Simon and Garfunkel's first "folk rock" album from early 1966 is an essential purchase. This does not mean that the duo didn't improve considerably during the rest of the sixties. Still, the moody excitement is here, starting with the classic hit rocked-up version of "Sounds of Silence" and the catchy "I Am a Rock." Simon's guitar playing is excellent throughout, as are Garfunkel's evocative tenor harmonies. True, some of the lyrics on this album seem immature and self-conscious compared to Simon's later work; often they are depressing and lonely. But darnit, these are some *good songs* - "Kathy's Song" and "April Come She Will" remain achingly poignant after all these years, and the hurried tempo and bright harpsichord of "Leaves That Are Green" drive home its message of youth and loss memorably. "Blues Run the Game" is a superb lost classic that had been added as a bonus track. (You will also find this track on the box set "Old Friends.") The other bonus tracks on this CD version are from a later time (1970), and mostly consist of sloppy run-throughs of folk standards. They are none too memorable, but the album itself is.

17 of 19 people found the following review helpful:

3.0 out of 5 stars Hey, Darkness, old buddy..., October 13, 2003

By	Gregor von Kallahann - See all my reviews (TOP 500 REVIEWER)

When "Sounds of Silence" came out as a single in late 1965, I was already becoming a thirteen year old devotee of folk-rock--the Byrds, the newly gone electric Dylan. It somehow took hold of my adolescent brain. The lyrics seemed intelligent and poetic, and the Beatles themselves had taken a few cues from Dylan and had started penning "meaningful" lyrics.

Into this mix came two sensitive NYC boys with "funny" names. I remember thinking that like most duos of the era--Peter and Gordon, Chad and Jeremy, Sonny and Cher--that "Simon" and "Garfunkel" were their FIRST names. Oh, well, what do you really know when you're thirteen? I also thought that "Sounds of Silence" must surely be a masterpiece. And when my college aged brother used to stick his head in my room when I was playing it and say, "What a stupid song! 'Sounds of silence'! That doesn't mean anything." Sigh! If only I had the vocabulary then to say, "It's an oxymoron, you moron." (He was no dummy actually, he probably knew that and was just trying to get my goat.)

A few years later, I was past Simon and Garfunkel and into more avant-gardesy kind of stuff like the Velvet Underground. I started to believe that "poetic" songs like "Sounds of Silence" were pretty darn pretentious and sophomoric, after all. Sort of like the poetry my friends and I were all writing at the time (yes, we knew it was bad, but we weren't commiting it to vinyl either).

Of course, Paul Simon was all of 21 or 22 (maybe younger) when he penned these songs. I should have been more generous. I mean, look at that cover shot--just a couple of kids! Besides, melodically, the songs all held up. And despite its pretentions, "Silence" still holds a spell over me that almost no other Simon composition does to this day. Something about that misterioso inserted bassline, the "neon lights" and "people talking without speaking"--very science-fiction, even if it wasn't meant to be.

The song "Sounds of Silence" was probably about as Dylanesque as Paul Simon ever got lyrically. The imagery of an "I Am a Rock" or "Homeward Bound" (not included here) never got so deliciously contorted, the conceits behind those songs much more obvious. "Blessed" tries for a folk rock toughness a la Dylan circa '65 and does an OK job of it, but already Simon's strong suit was turning out to be narrative songs ("Most Peculiar Man") and richly textured love songs like "Kathy's Song." All in all, much more straightforward stuff than the title song.

Listening to it now, some 38 years later, it seems pretty clear that Paul Simon was off to a darn good start. Now the question arises, am I turning out to be enough of a fan to take in their reunion concert at those outrageous prices I've been hearing about. Landsakes...