Canon XL1S MiniDV Digital Camcorder

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Product Details

Product Manual [3.98mb PDF]

• Item Weight: 13.4 pounds
• Shipping Weight: 13 pounds
• Shipping: This item can only be shipped to the 48 contiguous states. We regret it cannot be shipped to APO/FPO, Hawaii, Alaska, or Puerto Rico.
• ASIN: B00005NKXS
• Item model number: S
• Average Customer Review: 4.2 out of 5 stars  See all reviews (20 customer reviews)
• Amazon.com Sales Rank: #2,035 in Camera & Photo (See Bestsellers in Camera & Photo)

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  Camera & Photo > Camcorders > Digital MiniDV

• Discontinued by manufacturer: Yes
• Date first available at Amazon.com: August 1, 2001

Product Description

Amazon.com Product Description

Amazon.com Product Description Small enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such high-quality results that it is sure to be the top choice for many independent filmmakers who demand full features and controls. Like its predecessor, the XL1, this camera uses three separate 270,000 pixel CCDs (one for each primary color) for the best picture quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz sound or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-alloy frame for maximum durability. It ships with a 16x optical zoom lens with optical image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also feature optical image stabilization.

The electronics of the XL1S have many advanced features, including a number of programmed AE modes, as well as both shutter and aperture priority modes. There are two different auto modes, one of which allows you to adjust any setting manually, if you want, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight mode automatically compensates for difficulties when shooting a subject bathed in a spotlight. The computer-shooting mode gets rid of monitor flicker that happens when shooting a computer screen. There are also three different shooting modes: normal movie, digital photo, and frame movie. Normal movie mode is for any time you want to shoot video footage. Digital-photo mode records a still image for six seconds on the MiniDV tape and also captures any accompanying audio for a commentary track. The frame movie mode records 30 noninterlaced still images per second, instead of capturing 60 fps interlaced images. This mode isn't intended to be used for shooting video (playback may not look completely smooth). Rather, frame movie mode should be used as a burst, or continuous, shooting mode, like you'd find on a still camera.

The XL1S offers many new and updated features over the XL1. There is a 16:9 shooting mode where electronic lines draw are displayed through the viewfinder so you can compose your shots flexibly for later conversion to HDTV, where 16:9 is the standard. SMPTE color bars help establish a proper color reference for shooting and editing. Interval recording lets you shoot time-elapsed motion video with intervals from 30 seconds to 10 minutes. Zebra patterns help you determine overexposed areas in your shot so you can adjust the aperture and shutter accordingly.

Digital Video Format and IEEE 1394

The XL1S is a consummate professional creation tool that supports the established industry standards, MiniDV and IEEE 1394. Support of these standards make the XL1S a flexible video creation tool that interoperates with standard DV equipment and computer editing systems as accorded by engineering, scientific and broadcast communities.

DV Format Technology and Its Advantages

The MiniDV format supported by the XL1S delivers more than 500 lines of horizontal resolution -- a 25% improvement over analog systems. The DV format allows for near lossless transfer within digital editing environments for faster creation, increased productivity and improved production quality of final prints.

IEEE 1394 (DV Terminal)

The XL1S comes standard with a DV terminal that conforms to IEEE 1394 for digital transfer of video and sound, in addition to regular video and audio outputs. The IEEE 1394 (also known as FireWire®) standard allows editing, copying and recording of digital video over a single cable. This transfer format affords improved image and sound quality and is virtually free from generation loss.

The 3 CCD System

The XL1S maximizes the capability of the DV format by using a 3 CCD (charge-coupled device) system with a separate CCD for each primary color (red, green, blue). A beam-splitting prism separates light passing through the lens into individual color components and each is sent to its own CCD. Compared to a single CCD, the 3 CCD system achieves outstanding detail with highly accurate color reproduction suitable for the demands of high-end video production - wide dynamic range, low color noise, high-contrast detail, natural color resolution and low-aliasing. The 3 CCD system also makes advanced Pixel Shift (for increased image quality) and Low Light Recording (for increased flexibility) possible.

The three CCD image sensors in the XL1S, each with 270,000 pixels, were specifically designed to capture as much image detail as possible and for shooting under extremely low light conditions. The size of each pixel is 72 square microns - 150% larger than the pixel-size on comparable DV models. The result is an approximate 4 dB improvement in sensitivity. This improved sensitivity means that each CCD can capture more information at all light ranges. In super low light, the XL1S still captures crisp and clear digital data. Under extremely bright conditions, the Pixel Shift capabilities of the XL1S greatly reduces vertical white streaks and smears, making it a consummate field recording device for all conditions.

Because human eyes see green more clearly and readily, the green component of a video signal contains 60% of the picture detail whereas the red and blue components together comprise the remaining 40%. With the advanced Pixel Shift on the XL1S, the green CCD is physically shifted the equivalent distance of 1/2 pixel horizontally from the red and blue CCD, and the green signal is electronically shifted 1/2 pixel vertically. This shifting of the green CCD increases the sampling points, resulting in a system that is comparable to 410,000 pixel CCD systems in terms of resolution. With a larger pixel size and the process of Pixel Shift, the Canon XL1S gives wider dynamic range, better low light recording, reduced vertical smears, and high quality still images without sacrificing the highest resolution DV available.

Audio and Video Inputs and Outputs

The XL1S offers a plethora of means by which to get audio and video in and out of the camcorder. The XL1S is designed to handle two types of analog video input and output: using audio/video cables (composite) or S-video. There are four audio inputs and outputs. All connections are on the camera body.

What's in the Box

• XL1S Camera
• Zoom Lens 16x XL 5.5-88 mm IS
• BP-930 Battery Pack
• CA-910 Compact Power Adapter
• DC-900 DC Coupler
• SS-1000 Shoulder Strap
• WL-D32000 Wireless Controller
• SP-100 Shoulder Pad
• S-150 S-video Cable
• STV-150 Stereo Video Cable
• Lens Hood

Product Description

Canon pursued imaging greatness resulting in the ultimate digital camcorder system, the XL1S. It starts with a highly intelligent "open architecture" design, which allows you to customize your XL1S with the widest variety of optional accessories available. Plus you have extensive control over picture and sound adjustments to tailor the "look and feel" of each recording to your preference or even your clients'. Whether you define yourself as an imaging enthusiast, professional videographer or digital filmmaker there is a Canon XL1S digital camcorder configuration that's just right. Which one is right for you?The Canon XL1S is not one, but many different cameras. Interchangeable lenses and viewfinders allow the XL1S to be tailored for optimal performance in any shooting condition. Incorporating high-precision optics and features found only previously on top-end professional gear, the XL1S raises the standard for others to follow.

Customer Reviews

Most Helpful Customer Reviews

128 of 131 people found the following review helpful:

5.0 out of 5 stars Best DV Camcorder If You Are Serious, December 19, 2001

By A Customer

The picture quality of the XL1s is outstanding and it is known to be the industry's leading pro-sumer camcorder. It is also an extremely versatile camera, allowing you to change lenses, vary your audio options (such as connecting to professional audio sound systems), and film in both frame and wide-screen formats. The only drawbacks are that it is quite a leap in complexity and it doesn't have a pop-out viewfinder, which means you're stuck looking throught the eye-piece or have to buy an attachable view-finder.

It isn't for your average videographer who wants to just take video of family and vacations. It is actually being used to film documentaries and for professional services such as filming events such as weddings (which is what I use it for).

Due to its size, weight, complexity, and cost (especially when you add the optional accessories such as filters, additional lenses and microphones, etc.), you had better be very serious about videography before you invest in the XL1s. If you are, you will be thrilled with this camera.

77 of 80 people found the following review helpful:

5.0 out of 5 stars High quality DV for those who know, June 5, 2002

By	D. Chang "evild37" (DC) - See all my reviews (REAL NAME)

Just short of a top-of-the-line broadcast DV camera, the XL1S is an extremely high quality DV camcorder. It's affordable and relatively easy to operate. Granted, my parents wouldn't have the slightest clue on where to start, and for most people this is WAY too much camera for general applications. But for semi-pros and amateurs alike you cannot go wrong with this piece of equipment. All the features you could want or expect are included, and transferrance to analog or to a DV editor isn't more than a button push away. I'm a freelance videographer, and I'm starting a production house and this is the base piece of equipment I use. Too much camera for weddings and picnics, but for any type of video project this is all you need.

24 of 24 people found the following review helpful:

5.0 out of 5 stars Owned my XL1 s for about a year now and nothing but great !, September 20, 2003

By A Customer

My camera has been down to Key West for a short film shoot.
Not a problem it produced the most vivid clearity one could imagine.Also shot footage for The Discovery channel with this camera last month with pro-qaulity.

DVD burns complement this camera this camera looses not one bit of qaulity when editing.
Esspecially if you have a good enhancement program youll love the results the Xl1s produces bump up the saturation and the colors jump out....

I have shot with about every camera out there and the Xl1s beat em all hands down on weight and ease of use.Picture qaulity is by far the best .500+ hours on my Xl1s and it works better than new.
You know, you have to read the manual to adjust for lighting conditions other than that I can produce a great film feel to my work with this DV camera.
A must for the person looking to make his mark in the business.
Dont settle for a gl2 or a panasonic, you'll know what Im talking about once you shoot with this unbelieveable camera.

One thing this camera is very stable,and with practice youll throw away your tripod.....
You,Gotta practice camera technique people....
If you have the cash this is your camera..