Rock in the Weary Land [EXTRA TRACKS]

The Waterboys

Product Details

• Audio CD (August 21, 2001)
• Original Release Date: August 21, 2001
• Number of Discs: 1
• Format: Extra tracks
• Label: Razor & Tie
• ASIN: B00005NNF5
• In-Print Editions: MP3 Download
• Average Customer Review: 3.4 out of 5 stars See all reviews (14 customer reviews)
• Amazon.com Sales Rank: #150,659 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com
Seven years and two Mike Scott solo albums since the Waterboys' previous album, Scott's decision to resuscitate the name of the band that made him famous feels like the decision of a man who is determined to stop running from something at which he excels. The second of his solo albums, 1998's Still Burning, was infused with the epic scope that had characterized the Waterboys at their best; A Rock in the Weary Land feels like a logical progression. There is little trace of the Irish-folk influence that occupied Scott for much of the early 1990s; this is what Scott calls "the big music"--surging rock ballads built from Zeppelinesque drums, backing choirs, strings, and what sounds like dozens of guitars. At its peaks, as on the title track and "We Are Jonah," this CD is vintage Waterboys, which is to say it's altogether exhilarating. --Andrew Mueller

Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

4.0 out of 5 stars Waterboys-Worthy, September 5, 2001

By	Bruce Novotny (Oxnard, CA United States) - See all my reviews

The top contender for 2001 Surf Shop Album of the Year honors, "A Rock in the Weary Land" is every bit worthy of the Waterboys name.

After two solo albums (one great, one less so), Mike Scott has made another Waterboys record, but Anthony Thistelthwaite is missing, and so are most other names familiar from past renditions of the band. It's a new band and a new sound. "Sonic rock" they call it, and if the Waterboys you're familiar with is the late-80s Fisherman's Blues era, be prepared for a shock. This album's roots can be traced to '93's Dream Harder but it's even a leap from that album's measured cacophony. Over-produced and thickly layered by design, "A Rock in the Weary Land" takes some repeated listening to let its music percolate under the skin. Once that happens, brilliance and wisdom and passion take wing in the form of great songs. "Let It Happen" is one of the best Waterboys tracks ever, as are "Is She Conscious?" and "The Charlatan's Lament".

Mike Scott's been on a journey, a spiritual one, and he's been good enough to invite us along. At times he sounds like a candidate for Christian Rock radio, but then his cynicism resurfaces, or his devotion to Pan, or some other unwholesome uttering. Or he cries out something like:

"Emerging from under notions of god
In tears and in wonder I wander abroad".

It's an active, probing journey, by a pilgrim unwilling to overlook the divine possibilities of any powerful force - love, hate, a great wild storm, sex or rock and roll.

This isn't a sunny document of optimism; the songs are hard-edged and every triumph is hard-won. And balanced by deceit, or meanness of spirit, or folly, I might add. But the music carries it all and leaves no doubt that, though Mike Scott may be a poet, and may be a pilgrim (he is both) he is most surely what he's supposed to be when he writes rock songs, and records and performs them. Thanks, Mike, for sharing the journey.

4 of 4 people found the following review helpful:

3.0 out of 5 stars It's not the same "big music," but it's worthy, October 12, 2001

By	Brad Haws (East Earl, PA USA) - See all my reviews

I, like so many other reviewers, also miss the Waterboys "big music" sound of the "Pagan Place," "This Is The Sea," and "Fisherman's Blues" days. And if that's what you're looking for here, you're unlikely to find it. However, you will find "big music," of a more guitar-driven, synth-echoing sound. Mike Scott still knows how to capture emotion with the bigness of his sound - with or without the violin, sax, and troubadours of yesteryear. "Let It Happen," "We Are Jonah," "My Love Is A Rock . . .," and "Crown" especially pay homage to Scott's ability to bring feeling to his sound.
He also succeeds in making a concept album. If one reads the liner notes and then proceeds with the music, the mood is captured of life and musical odyssey through years of ups and downs, ins and outs, goods and bads. But in the end the victory is triumphantly proclaimed with "Crown" and "My Lord, What A Morning." I sense that I've been allowed a taste of Scott's musical journey. I really feel that with the flow of the disc.
So it's pretty good . . . but . . . it's also pretty strained at points. "The Charlatan's Lament" and "Crown" in particular seem to take too long to get to the creamy center. "Lucky Day/Bad Advice" does nothing for me, other than breaks the mood, flow, and enjoyment of the first 6 tracks and seems to introduce a continuation of other weaker moments on the album, until "Crown." "The Wind In The Wires" has something about it that recollects earlier Waterboys, but not in the "big music" way. "Malediction" is an argument for saying that this is a Mike Scott project and not a Waterboys output.
All in all, I must say that I've been listening to this CD exclusively for the past 2 weeks and I'm going to keep listening. But I still want Wickham and company back. Make it a 3 1/2 to 4 stars. It grows on you quickly once your realize that Scott, like the rest of us, should be allowed to grow, experiment, expand, and dabble where he wants to. Come in . . . 15 years is a long time ago. Let him try some other things and let's not hold it agains him.

4 of 4 people found the following review helpful:

5.0 out of 5 stars What is the "real" Waterboys?, September 29, 2001

By	Rob Damm (Brick, NJ USA) - See all my reviews

What do the "real" Wateboys sound like? Hard to pin down, really. From the moody, soulful rock band of the early 80s, to the Gaelic folk revivalists of late 80s-90s, and finally the sonic blitzkrieg of "Dream Harder" in '93... and then two Mike Scott solo albums (1 great, 1 not) and here we are in '01. I must admit, I was a bit suspicious of this release. It took a while to get to the US, it had a dumb cover, and it seemed like a pathetic last gasp for commerical viability to resurrect the The Waterboys name... but, suspicions are made to be banished! First of all, in the rare instance that "Dream Harder" is your favorite Waterboys record, do buy this right away. Stop reading. You'll love it. If however the "real" Waterboys for you are the acoustic-drenched troubadors of "Fisherman's Blues", you are going to need some convincing.

Mike Scott is back in Guitar God Mode-- even more so than on "Dream Harder"-- there are hooks, crunching, big fat hooks galore--- jumbo-size chords, surging feedback, beefy bass lines--- this is a ROCK band in full swing. When it comes to the vocals, this is where Mike really brings the pain-- God, he has never sung like this! It has to be his most passionate, nuanced performance. His throaty, gaelic wail defiantly rises above the cacophony. He sounds like a true believer! The last real Rock and Roll singer on earth... for the legnth of this album, at least, there is NO ONE I'd rather hear sing! The songs for the most point are great. Catchy, densely layered, tuneful and smart. Peppered with Scott's always complex, often ornate, occasionally opaque lyrical curiosities. From start to finish, it's a solid, rewarding listen. Great recording quality, great tunes, and at least one song, "We are Jonah" that instantly joins the ranks of the greates Waterboys songs. top-drawer release. Don't pass it up.