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Angel Eyes

4.2 out of 5 stars 241 customer reviews

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And Then There Were None on DVD and Blu-ray
As the world teeters on the brink of World War II, 10 strangers are invited to isolated Soldier Island. Among them are young secretary Vera Claythorne (Maeve Dermody, Serangoon Road), soldier Philip Lombard (Aidan Turner, Poldark), General John MacArther (Sam Neill, Jurassic Park), spinster Emily Brent (Miranda Richardson, Parade’s End), and Judge Lawrence Wargrave (Charles Dance, Game of Thrones). With seemingly nothing in common, the guests wonder who their mysterious host may be. But the ominous reason for their visit soon becomes clear…and by the end of the night, the first of them is dead. Learn More
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Product Details

  • Actors: Jennifer Lopez, Jim Caviezel, Jeremy Sisto, Terrence Howard, Sonia Braga
  • Directors: Luis Mandoki
  • Writers: Gerald Di Pego
  • Producers: Andrew Stevens, Benjamin Sacks, Bruce Berman, Dawn Miller, Don Carmody
  • Format: Multiple Formats, Anamorphic, Closed-captioned, Color, Dolby, Subtitled, Widescreen, NTSC
  • Language: English (Dolby Digital 5.1)
  • Subtitles: English, Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated:
    R
    Restricted
  • Studio: Warner Home Video
  • DVD Release Date: October 16, 2001
  • Run Time: 102 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (241 customer reviews)
  • ASIN: B00005NRO0
  • Amazon Best Sellers Rank: #14,160 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Angel Eyes" on IMDb

Customer Reviews

Top Customer Reviews

By D. Roberts VINE VOICE on March 11, 2004
Format: DVD
Here is a surprisingly good movie that has a poignancy I didn't expect. It revolves around the fallout of a horrible traffic accident and the long-term effects it has on two lives. One is the police officer (Jennifer Lopez) at the scene and the other is one of the many victims (James Caviezel). The accident causes their lives to be bound in a way that neither of them could have imagined.
JLO plays a tough cop who is afraid of getting emotionally attached to people whom she encounters in her austere profession. Caviezel is a nice-guy extraordinnaire who is always looking to give people a hand. In their own way, both characters are out to help people, albeit via different approaches.
The film does an excellent job of engaging an important but often ignored facet of today's society: domestic battery. It happens with egregious frequency these days, yet it continues to be a subject that is "swept under the rug." This DVD is bold in its presentation of what is a very touchy theme.
Although JLO is usually best known for her appearance, in this film she demonstrates some credible acting talent. That was a bit surprising for me as I've only seen a few JLO movies to date. But, surprising in a positive way!
If you like love stories / chick flicks, this one is highly recommended. If you want a love story with a few twists, this one is even better. Most of all if you want a movie that deals with current & relevant themes that effect today's society, this one is a can't miss.
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In the lifetime of every individual, there are defining moments which, when added together, equal the sum total of all the good times and bad that person has ever known. And from that whole list, there is probably one that stands out-- that one “special” moment, or the most significant-- one that was so good you’d like to relive it over and over again, or so bad that you’d like to erase it from your memory forever. In “Angel Eyes,” starring Jennifer Lopez and James Caviezel, director Luis Mandoki takes a look at the effects of such a moment in the life of Chicago Police Officer Sharon Pogue (Lopez), and again with a man who calls himself “Catch” (Caviezel); unrelated moments from their past, that are destined to play an even more significant role in their future, when circumstances bring them together on the streets of Chicago. ...
The mystery surrounding Catch is what drives this film, and Mandoki does an excellent job of presenting it. He creates an atmosphere that cloaks Catch in shadows, yet keeps him elusive, rather than sinister. Catch seems to float through life, calm and strangely prepossessing, yet detached and ambiguous. ...
As Sharon, Jennifer Lopez gives arguably her best performance since 1998’s “Out Of Sight,” in which she also played a cop. After her turn in “The Cell,” which wasn’t bad, and the forgettable fluff of “The Wedding Planner,” it’s good to see her in a challenging role, something she can really sink her teeth into. Which she does, and beautifully.
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Format: DVD
"Angel Eyes" is an excellent character study that is not likely to have much mass appeal. It requires a very patient viewer due to its deliberate pacing and subtle presentation. The great majority of viewers want to be actively entertained when they go to the movies and this is not that sort of film. Viewing this film is more like trying to navigate a ship through a fog. You have to stay alert and try to figure things out as you go.
The story by Gerald De Pego is well written, presenting two very flawed characters that spend the entire story struggling to overcome a considerable amount of emotional baggage. I give director Luis Mandoki extremely high marks for his presentation. Mandoki takes his time and unfolds the story gradually with great nuance. He takes great care to make sure to avoid being obvious. Despite the fact that it is readily apparent that Catch (James Caviezel) is the same man that Sharon (Jennifer Lopez) helped in the car wreck in the opening scene (no spoiler here, they almost spoon feed this to you on the movie jacket) everything else needs to be discovered.
Mandoki artfully introduces characters in a consistently nebulous way. When we meet a new character we are not exactly sure during the beginning of the scene to whom we are being introduced and why he or she is important. It is as if we are overhearing a conversation between two people and we are trying to figure out how they know one another. The viewer is forced to think (a risky concept with today's fast-food-cinema mentality). Mandoki constantly supplies us with vague information, making us ask ourselves, "Okay, how does this fit in." It makes the film much more intriguing.
My only criticism of Mandoki is that he tries to do too much with Sharon's family relationships.
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