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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Fifty Stars - A Must Have Classic For All Metal Fans, November 2, 2001
Saxon "Killing Ground." The best metal album of 2001 and a CD full of ear candy. While some mature acts rehash their old material or sell their souls by changing with the times in order to stay in the business, Saxon proves what remaining true to yourself can do, produce quality music with no compromises. And it's about time they got their due. Saxon once again shows why they've been around for 30 years, as they could do in their sleep what many younger acts wish they could do with all their guitar effects and studio tricks, deliver the goods. This band is not getting older, it's getting better. These guys have been around since the New Wave of Heavy Metal was new, which was in the late 1970's and early 1980s. They have changed personnel, but have never changed their attitude, their ability to play their instruments, or their ability to deliver excellent albums. "Killing Ground" is most arguably their best effort, rivaling the classic feel of "Crusader," "The Power and the Glory," and "Innocence is no Excuse," while still sounding modern. I've followed this band since I discovered "The Eagle Has Landed" in 1980, and have always liked what they've done, which is to play high quality metal with a unique mixture of both crunch and melody. This album has all that and has managed to update the sound to a slightly "grunge" feel, which works really well without selling out. Biff Byford is better than ever, his vocal range having expanded to encompass AC/DC like throat histrionics while maintaining his trademark blood curdling screams. The production is both clean and sober as well as in your face, allowing you to hear all the instruments without straining, but keeping them well within the spotless mix. And even though the songs are standard Saxon fare, they all work. There isn't a bad tune on this album, which is not likely to move from my CD drive for a long time. The offerings range from the excellent and war inspired "Killing Ground," to the party anthem "Hell Freezes Over." "Dragon's Lair", "Coming Home," and "You Don't Know What You've Got," are all excellent songs featuring double lead harmonic guitars and bone crushing rhythm sections, while "The Court of The Crimson King," is a fantasy wonderland brought to life, replete with rich vocal harmonies and guitar synthesizers. "Shadows on the Wall," is a new departure for the band successfully fusing the traditional metal style with aspects of grunge. But despite the mix, the song is tastefully done and does not take away the band's merit, nor make this a cheap attempt by a mature metal Super Group to capitalize on new trends. Destined for the classic bin. "Killing Ground" is a must own for any true metal fan.
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