If I Had a Song: The Songs of Pete Seeger, Vol. 2

Various Artists (Artist)

Product Details

• Audio CD (October 9, 2001)
• Original Release Date: October 9, 2001
• Number of Discs: 1
• Label: Appleseed Records
• ASIN: B00005Q6OF
• In-Print Editions: MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
• Amazon.com Sales Rank: #21,680 in Music (See Bestsellers in Music)

  Popular in these categories: (What's this?)

  #17 in	Music > Alternative Rock > New Wave & Post-Punk > Urban Folk
  #48 in	Music > Alternative Rock > Indie & Lo-Fi > Jangle Pop
  #58 in	Music > Children's Music > Folk Music

Editorial Reviews

Amazon.com

Political militancy so rarely results in more than topical art; thus it's amazing how well Pete Seeger's talking blues, kiddie jingles, angry anthems, and fragile adages to peace have aged. This single-disc successor to Appleseed's double disc Where Have All the Flowers Gone boasts a finer musical diversity, but is ultimately as uneven as the previous tribute. Even after 50 years, performers haven't begun to exhaust Seeger's catalog, and so it's puzzling that Moxy Früvous would waste tape on the forgettable "Maple Syrup Time," that Billy Bragg and Eliza Carthy would see any point to another version of "If I Had a Hammer," or that Kim and Reggie Harris (with Magpie) would push the sing-along folksiness of "Old Devil Time" to the point of parody. The better the song, however, the better the performance. John Wesley Harding (backed by Peter Buck and Scott McCaughey) rocks "Words, Words, Words" straight into the psychedelic garage, Jackson Browne and Joan Baez surround themselves with Cuban musicians for a memorable "Guantanamera," Steve Earle casts his bitter, bloodshot eye deep into the heart of "Walking Down Death Row," and Eric Andersen, his voice an icy whisper, turns the pure lyricism of "Snow Snow" into the album's most harrowing and memorable moment. --Roy Kasten

Folk & Acoustic Music Exchange

"This is a wonderful collection that features contemporary artists, as well as lesser-known folk artists."

See all Editorial Reviews

Customer Reviews

Most Helpful Customer Reviews

19 of 19 people found the following review helpful:

4.0 out of 5 stars The Working Class We Have With Us Always. . ., December 30, 2001

By	Jack Pugh (Cheyenne, WY United States) - See all my reviews

Townes Van Zandt once said that there's two kinds of music: blues and zippety-doo-dah. Pete Seeger's music never was zippety-doo-dah.

Seeger's finely-tuned sensibilities for the endless complications of the lives of the poor and near-poor, as well as for the trades- and craftspeople of America, has given us some of the most lyrically powerful music of our time. If this album contained certain different songs it would be an easy five star work.

It's still very good. Steve Earle's version of "Walking Down Death Row", Dar Williams' and Toshi Reagon's rendering of "Oh Had I a Golden Thread", Eric Andersen's "Snow, Snow", the McGarrigle Sisters' "Little Boxes", and "You Sing It to Me Too" by Guardabarranco are all outstanding interpretations of Seeger's work.

For 45 years I've loaded a lunch bucket and hauled myself off to work at one job or another. Most of that time I've had a Pete Seeger song or two running around my brain, helping me remember who the good guys are. Pete Seeger somehow knows what that's like.

This album is a fine tribute to a good man, one who never wavered in the good but futile fight for social and economic justice. Carry it on, Pete.

4.0 out of 5 stars The Folk Historian Still Standing Tall , March 5, 2009

By	Alfred Johnson (boston, ma) - See all my reviews (REAL NAME)

Some of the points concerning the review of this volume of the three volume CD set honoring the music of Pete Seeger were previously made in a review of " Pete Seeger: The Power of Song, American Masters Series, PBS, 2006". They apply here equally as well.

Does anyone from the "Generation of '68" who was interested in folk music, and there were legions of us, really remember the first time we heard that thrilling voice of Pete Seeger (generally then accompanied by a banjo). Probably for me it was in some variation of The Weavers' version of Lead Belly's "Goodnight, Irene" but I am really not sure. That deep but nevertheless gentle voice first came at us over the radio or on a record player (A what? I hear the younger set saying-well, old fogies, fill them in later). Not television, however, as this is one folksinger that was banned in Boston, as the old expression went.

Why? Was it because Pete sang randy, racy songs and thus offended the moral scruples of the community? Hell no. Just for the simple act of political expression of not telling the various `distinguished' Congressional committees down in old Washington in the 1950's whether he was or was not a communist. Kid's stuff now but then it meant your life and livelihood if you gave the wrong answer, or worst, no answer. This information is just a little background to demonstrate why, if any other reason was necessary, old Pete (now 89) was being honored in 2001with a three volume CD set of his most enduring works performed by a virtual who's who of old and new folkies, including Joan Baez, Jackson Browne, Arlo Guthrie, Billy Bragg and the late Dave Carter and Tracy Grammer. It was, moreover, nice to hear something produced to pay homage to the man while he still breathes.

The above paragraph is just my little valentine to the work of the man. Make no mistake Pete stands, and has most always stood, for a different political perspective than mine but one must cut cultural workers a certain amount of political slack when it comes to their craft. I take issue with his concept of thinking globally and acting locally. The reverse is necessary- think locally and act globally. But what can one say negatively about this man's musical good news.

A short list of my favorites here- "Oh, Had I A Golden Thread", "Turn, Turn, Turn (his adaptation), "Last Train to Nuremberg" (a powerful anti-war song written during the Vietnam anti-war struggle in the same mode as Dylan's "Masters Of War"), Malvina Reynolds' "Little Boxes" and "Old Devil Time" just begins to do justice to the man. Best of all, Appleseed Records seems to be carrying out the tradition of Yazoo Records and Smithsonian/Folkway Records in providing copious liner notes to accompany their CDs. It was nice to read Pete's take on the genesis of his various musical efforts that were included here. Oh well, enough of the valentines, except one thing. Something is definitely out of joint with the times when, as was shown in the American Masters documentary mentioned above, Pete was being feted by then President Clinton at the White House for good citizenship. Pete, where did you go wrong?

5.0 out of 5 stars Old tunes, new voices, September 11, 2007

By	madbee (Colorado) - See all my reviews

If you like Pete Seeger's music, I think you will love this CD. It has a nice assortment of songs done by a variety of musicians. I find myself listening to this a lot because it puts a fresh sound on many old songs I love. Good for singing in the car.