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"If you judge me tonight, judge me by the songs I write," Dan Bern sings in "Black Tornado," thus serving notice that he's sick of the comparisons to various iconic songsters. Bern has never suffered from a lack of ambition, tackling pop culture and personal foibles alike with fervor and an utter disregard for taboo. Bern takes on similar subjects here, but backed by a five-piece folk-rock combo and warmly produced by Chuck Plotkin (the
Dylan and
Springsteen vet who presided over Bern's
1993 debut), he strips away the sophomoric gags and cloying cleverness that have plagued his past. Only the title track falls for the easy, ironic cop-out (key lyric: "OK, I guess, whatever"). Cuts like "Turning Over" ("I can't find me one new leaf worth turning over") and "Albuquerque Lullaby" ("Don't let your heart get broken by this world") come off heartfelt and unforced. And while much of
New American Language finds Bern mellowing into a newfound maturity, he's still happy to poke holes in hype and hypocrisy. "Toledo" offers wry tribute to "The Church of the Holy McDonald's," while the freewheeling "Alaska Highway" sucker-punches everyone from
Eminem to God.
--Anders Smith Lindall
Product Description
'New American Language' captures Bern in full-band mode, leading a propulsive five-piece through his finest set of songs yet. The combo injects a manic energy into the songs that makes their unique take on Americana come alive. These songs careen from one coast to the other, like the van he coaxes to each festival and show, finding new angles, new niches, and new modes of expression along the way. (Messenger Records)