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92% buy the item featured on this page: Evolution $7.49 |
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4% buy Galaxy Quest $6.99 |
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1% buy Tin Man (Two-Disc Collector's Edition) $15.99 |
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1% buy Children of Men (Widescreen Edition) $9.99 |
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Theatrical Release Information Granted, that's not always a bad thing. As latter-day ghostbuster equivalents, Duchovny, Orlando Jones, and Seann William Scott make a fine comedic trio, and Julianne Moore is equally amusing as a clumsy scientist and Duchovny's obligatory love interest. Despite the meddling of clueless military buffoons, they join forces to eradicate a wild variety of rapidly evolving alien creatures that arrived on Earth via meteor impact, and the extraterrestrial beasties (courtesy of effects wizard Phil Tippet and crew) are outrageously designed and marvelously convincing. For anyone who prefers lowbrow humor, Evolution will prove as entertaining as Ghostbusters (or at least Galaxy Quest), while others may lament Reitman's shameless embrace of crudeness. One thing's for certain: after seeing this movie, you'll gain a whole new appreciation for Head & Shoulders shampoo. --Jeff Shannon
From The New Yorker
It starts as a fifties war-of-the-worlds pastiche: an alien life-form arrives in a meteor and quickly mutates, threatening to destroy Arizona as we know it. But the life-form has a hidden weakness, and only two junior-college science teachers (David Duchovny and Orlando Jones) can stop it. As they investigate, the two men become a joshing white-black buddy team, a low-grade version of the partnership between Tommy Lee Jones and Will Smith in "Men in Black." The lousy jokes they exchange undercut the tension and destroy what might have been an interesting idea: that the organism, energized by the earth's atmosphere, will recap the process of evolution from a single-cell organism to primate in only a few days. Played for laughs, the idea just seems an odd way of launching a multitude of bugs, dinosaurs, and apes into houses and shopping malls. The movie itself mutates from one thing to another, throwing in beer slobs for the frat-house crowd, fart jokes for the preteens, and so on. Directed by Ivan Reitman, who used to know what he was doing. -David Denby
Copyright © 2006 The New Yorker
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