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Director Gordon Chan, who launched his career in the 1980s with sharply observed social comedies such as
The Yuppie Fantasia, moved on to documentary-inflected police procedurals, a gritty Hong Kong subgenre pioneered by Johnny Mak (
The Long Arm of the Law) and Kirk Wong (
Rock 'n' Roll Cop). Like many younger HK directors, Chan may also have been influenced by the icy-cool Japanese gangster films of Takeshi Kitano (
Sonatine). This 1998 entry, Chan's best since
The Final Option (1994), is about the redemption of a slobbish veteran cop, played by grizzled Anthony Wong, whose pasty face looks slept in. Knee-deep in corruption and taking bribes with both hands, Wong finds, to his dismay, that the straight-arrow morality of his new young boss (Michael Wong) may be contagious. The film is as much a romantic melodrama as an action film, leisurely and observational, full of eccentric slacker detectives and feral dimwitted gangsters with nicknames like Man-Dick and Pushy Pin. The fight sequences are shot close in, hand held, with vertiginous swoops and swerves, for a claustrophobic sense of terror.
--David Chute