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Most soundtracks for movie blockbusters are a mixed bag, and this one is no exception. The
Ali soundtrack is heavily weighted toward R&B, and on that front the album is a success, despite
R. Kelly's two horrendously saccharine power ballads. There's no denying the greatness of classic tracks like
Aretha Franklin's supremely melancholy "Ain't No Way" and
Al Green's live rendition of "A Change Is Gonna Come," and David Elliot continues the old-school theme, with a warm and bluesy remake of "Bring It On Home to Me."
Alicia Keyes's "Fight" channels the '70s vibe of James Brown's Funky People, and the fabulous
Angie Stone breaks it down and keeps it moving with "20 Dollars." Things go awry when it comes to the rock & roll selections.
Everlast's blues-rock posturing on "The Greatest" is irksome, and the Watchtower Four's remake of the classic Bob Dylan song "All Along the Watchtower" (done best by Jimi Hendrix) is a travesty. Topnotch contributions by cello virtuoso Martin Tillman, former
Dead Can Dance vocalist
Lisa Gerrard, and Afropop superstar
Salif Keita help balance things out.
--Rebecca Levine