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31 of 39 people found the following review helpful:
2.0 out of 5 stars
Was This Necessary?, December 28, 2001
First off, I must clearly note that none of the material on this collection is of two-star standard...Well, perhaps the lackadaisical new track that opens the set. But none of the previously released material is below Kaas' usual elegance. As a collection, however, this album in its entirety is--and as a huge fan I do apologize--a big snoozer. Second, I must admit that I am not a French speaking listener. However, that shouldn't really make a difference since I've been so captivated by her entire past catalog of original material without ever understanding a word of those. What I find wrong with this release is that it stylistically doesn't stray out of the ballad territory. Very apparently missing from this package is diversion. I suspect that even a listener who understands Kaas' native tongue would have a tough time keeping awake for its 75 minute duration. As are so many other single-artist collections, this release was out in time for idea-pressed holiday shoppers and lacks the same attentive details those countless other packages lack--single remix versions (except for the single version of one track, which is same version on the American release of the album from which it hails), and informative liner notes. Where are the hit remix versions of "Reste Sur Moi", "Les Linges De Nos Mains", and "Quand J'ai Peur De Tout"? Their absence, as well as more impressive and diverse album cuts, make this a passable purchase. If you are interested in discovering Patricia Kaas I highly suggest her last three studio albums. Each is an improvement of its predecessor with each album still standing strongly on its own. This is not the place to start, nor are the two new tracks worth collectors or completists making a spot in their library for this release. Again, was this necessary?
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Let me introduce you ..., January 13, 2004
I really liked this CD the first time I listened to it -- Patricia Kaas' versatile voice and passionate singing were enough for me. Since then, I've heard more of Ms. Kaas' body of work and I agree with some of my fellow reviewers here, that the best new music she's made (especially Piano Bar!) are often better than this is. Of course, by virtue of it being a compilation disk, it's no surprise that there is nothing here that isn't already available on other collections. Which is why I recommend Best of 1987-2001 as an introduction to this talented French singer. That's the role the CD played for me, and I think there is a diverse enough collection of Ms. Kaas' styles and moods to give any listener a good idea about whether he or she is interested in hearing more. Anyone who starts out picking a different CD from Ms. Kaas' extensive body of work may get what in the end is a superior collection, but it will show her work only from one specific angle, from a single point in time. If you are already familiar with Ms. Kaas and her addictive music and are considering this CD, then look elsewhere. But if you are interested in introducing yourself to this music -- or if you are looking for a gift for someone you would like to introduce the music to -- then I think this is your best choice.
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12 of 14 people found the following review helpful:
5.0 out of 5 stars
The best!, May 24, 2002
By A Customer
Guess music is a completely subjective matter. I just think this is her best. Love the latest Piano Bar album also. Not really convinced of her blues stuff. But the French stuff is her thing. Read somewhere says she's the French Madona. What an insult! Last time I checked, Madona still couldn't sing! Please...
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