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15 of 16 people found the following review helpful:
5.0 out of 5 stars
Will Grow In Stature Over Time, January 4, 2002
It was easy not to notice this in theaters a decade ago, but time has been exceedingly kind to AFTER DARK & likely will continue to be. Already it stands as one of the 90s best films. Though its Southwestern locations (Indio, California was used) are both a bit too sparse and modern, in every other way this captures the ineffable aura of Jim Thompson's prose (and anyone who's actually READ "The Getaway" knows how utterly impossible a task translating his best effects to film really is). Director Foley has done a splendid job in setting a tone of dreamlike, sunburned melancholy and maintaining it throughout, aided immeasurably by fine performances by Rachel Ward & Bruce Dern and an absolutely riveting one by Jason Patric. I had faint hopes for this film before seeing it, due mostly to Patric in the lead; I was floored watching it, and all DUE to Patric's performance. Though a little young for the part, he captures perfectly the likable ambivalence and roiling inner pathology of the Jim Thompson Hero: you never stop feeling for the guy even as you know he will inevitably be compelled by his inner torments to do monstrous things before the story ends. Patric's complete immersion into "Kid Collins" steals a little thunder from one of Bruce Dern's most chillingly indelible portrayals of slime personified, "Uncle Bud". (Fans of Dennis Hopper's "Frank Booth" from BLUE VELVET would take to Uncle Bud immediately, I think.) More than any other film adaptation of Thompson, AFTER DARK -even more than THE GRIFTERS - embodies that peculiar cowtown existentialism of his that tells us we're each of us alone in a world where things start bad and only get worse, pretending we're sane the way kids pretend there's a Santa Claus. A film without an audience in 1990, but little by little, year by year, a growing and appreciative audience is building. See this movie.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Jim Thompson on film--and punchy!, September 14, 2006
Very nice piece of work with strong casting. How can you do better than have Bruce Dern play an ex-cop sleazeball? Or Rachel Ward as a dangerous femme fatale? Or Jason Patric as a semi-addled former boxer with smoldering sexuality?
Answer: you CAN'T. Yep, we're in Jim Thompson land--aka Desperation City, and each one of these three characters has some kind of desperation going on, as do just about all of Thompson's characters. This is neo-noir at its best; you reduce the story down to fundamental elements and have James Foley directing--a rock solid director--and you got yourself one humdinger of a flick.
So yeah, there's sex and violence and yeah, they both come out of Desperation. Oh yeah. The flashbacks of Patric (as Kevin Collins), a former boxer, when he was in the ring, add just the right element for cementing the story and its Thompsonesque flavor. So there's a planned heist and stuff, but the formula isn't important. What's important is the atmosphere, the acting, the emotional punch on display. And it's definitely here.
Great piece of work. Go for it.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
A great little film noir, February 20, 2007
Film noir focuses on desperate people doing desperate things. And that is exactly what this movie entails.
Others have gone over the plot here so I will not do that. I will say that all actors did exceedingly well in what can be very difficult roles to play. They all acted off each other in a believable manner.
Bruce Dern was never seedier than he is with this character. Jason Patric and Rachel Ward also excel at thier characters.
What is decieving here is the setting....somewhere in the southwest, desert area. Film noir is typically dark and shadowy but here there is lots of sunlight. It takes the focus off the setting and puts it on the plot, which I found to be an interesting twist and quite effective.
In the heat, the emotions bubble over. Lust, greed, deception, lies, mistrust and paranoia all play out in layer upon layer and is accented by Jason Patric's character very effectively.
For those who like film noir with a twist you will certainly like this little known gem. It is immediately captivating and magnetic. I don't know how I missed it on it's original release but certainly glad I caught up to it. Take a chance folks... you won't be disappointed.
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