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40 of 44 people found the following review helpful:
5.0 out of 5 stars
A CHARMING ROMANTIC COMEDY - VIVA VENICE!, August 23, 2001
Forget flurrying pigeons, St. Mark's, Florian's tables, all the standard fare usually delivered by films set in Venice. Silvio Soldini's deftly masterful "Bread and Tulips" is instead an ethereal Venezia, a triptych of shadows, echoes and lights that evoke a city of workers, narrow stone studded streets, mini bridges and interlocking canals. It is a place that Rosalba (Licia Maglietta) cannot resist. She is an under estimated, unappreciated middle-age housewife and mother of two teenage sons who is on a family vacation to the Adriatic coast. When Rosalba exits the ladies room during a rest stop she sees the back bumper of the tour bus as it trundles down the road without her. Her husband is Mimmo (Antonio Catania), a self-centered boor who dallies with his mistress and oversees a plumbing business in Pescara. She immediately contacts him by cell phone and is lambasted for being left behind. She agrees to wait there, but evidently ready for a vacation of her own choosing she makes her way to Venice. After her evening arrival she has dinner at a modest trattoria where she meets Fernando (Bruno Ganz), an Icelander, a despondent waiter who is prone to suicide attempts. (He keeps a noose handy). Ganz's artfully understated portrayal of Fernando is superb. When Rosalba allows that she is short on funds Fernando invites her to share his lodgings, where she is greeted each morning with a note from him as well as breakfast on a tray. Eventually, she finds work with an elderly florist and becomes friends with her neighbor, Grazia (Marina Massironi), a wide-eyed, other worldly masseuse. The emergence of Rosalba as a confident woman is a joy to watch as her eyes dance and features soften with radiant allure. When Mimmo's mistress refuses to iron his shirts, he hires Costantino (Giuseppe Battiston), an unemployed wanna be detective to track down his wife. Costantino's arrival in Venice provides some of the film's better comic moments as he searches for a hotel and Rosalba. When Costantino is able to trace Rosalba to her room, he meets Grazia and falls under her spell. Love's rocky path has more twists and turns when Costantino confesses why he really came to Venice. Apparently conscience stricken Rosalba returns to her nonchalant sons and indifferent husband. Fernando is left more mournful than ever with only a note and a bouquet of tulips. Or, is he? "Bread and Tulips" is a charming romantic comedy that leaves one sighing contentedly, hoping for a trip to Venice and maybe even breakfast on a tray.
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