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39 of 42 people found the following review helpful:
5.0 out of 5 stars
Duh.....What's Up.....Silver Lining is Gold., June 27, 2002
Reviewer: STEVE BASKIN from SPRINGDALE, AR USA Sometimes reviewers obviously write reviews after probably not listening to what they are reviewing. From some I've read here, that's the case. This is a solid CD. You will listen to each cut many times, enjoying it more and more each time you hear it. As a professional musician, I bought the CD thinking it would have one or two tunes to cover. As it turns out, I told our lead singer, she would love the first seven tunes. She called back and added two more! This CD is full , not partially full, but full of great song writing. At times, Bonnie sounds like the Staples such as the cut, "Time of Our Lives". "Valley of Pain" sounds like contemporary Christian. Contrary to "Valley of Pain", you'll need to listen to "Gnawing On It" at a lower volume around insightful children...the bari sax is perfect for the tune and Bonnie "guts it out". My favorite cut of the CD is "Wounded Heart", simply because it's such a nice ballad, well written and well performed. The opening cut, "Fool's Game" sounds much like Bonnie through and through as does "I Can't Help You Now". The blues cuts are great if you are a blues fan. To throw another curve ball, with a bit of slider, is "Monkey Business". If you like funky, Bonnie can be and is on this tune. Initially I thought she was singing a tune which she wasn't really suited for, when in fact, after listening to her sing it now many times, I've figured out what a talented singer Bonnie is in that she really can get funky. I used to think of Bonnie Raitt and her bands as good house bands, but after her last few CD's, I've decided she is definitely moving into legend status with me. This CD certainly helps her gain the respect of those not so in tune with her music. She surpasses my expectations, based on my past experiences of both listening and playing her music. I base my ratings/reviews on how many times I hit the fast forward button...I think after two listenings you will never hit the fast forward button again. Also, I can certainly see Grammy slidin' in for this CD. Buy it!
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31 of 33 people found the following review helpful:
5.0 out of 5 stars
"Silver Lining", soon to be Gold!, April 9, 2002
As I opened up Bonnie's 16th release after retrieving it from my mailbox, I suddenly realized I was more excited about getting this CD than I was a few weeks ago when my tax refund came in the mail! If you can relate to that kind of obsession with Raitt's music, then you are going to love this CD.Produced by Tchad Blake and Mitchell Froom, who also produced 1998's Fundamental", this CD takes you through many different styles of music and moods, which is something I have always loved about Bonnie's albums. If you are looking for a traditional blues album, then this CD might not be for you, but if you enjoy many different styles of blues mixed with sounds of the Big Easy, Funk, a little Caribbean tossed in for good measure, then hop on board and hang on baby! Of course Bonnie's wicked slide guitar is always on the menu. The interesting mix of song styles is attributed to the 15 guest artists and 5 guest vocalists who grace this release, in addition to her "house band" consisting of Hutch "The Touch" Hutchinson on bass, Ricky Fataar on drums, George Marinelli on guitar and the most recent addition of Jon Cleary on keyboards. I saw Jon with Bonnie's band back in September at the Puyallup Fair show and was impressed with his playing ability, which captured some of the early Littlefeat style of Billy Payne. Bonnie wrote or co-wrote 3 of the 12 songs on Silver Lining. The title track is a David Grey song, which is also on his 1999 release White Ladder. The CD jumps in headfirst with Track one - Fools Game, which has that Big Easy, Littlefeat groove to it. Track 10 - No Getting Over You, also continues the feel, with Bonnie and her incredible custom National Slide Guitar. Track 3 - I Can't Help You Now was the first single released prior to the albums release date and is getting a lot of airplay locally. Bluesman Roy Rogers co-wrote and plays slide on Track 5 - Gnawin' on it, which is a nasty, hot blues number. With lyrics like - "I got to get off early, I just got to get you home, Gonna show you, little woman, why a dog loves a bone", Bonnie is indeed in her element, and loving every minute of it. Other notable songs are the Motown-inspired Time of Our Lives (Track 4), and Monkey Business, (Track 6), written by Keyboardist Jon Cleary. This one lays down the funk the way only Bonnie can do it. Then Bonnie takes you through two gospel-inspired numbers, Valley of Pain and Hear Me Lord. Habib Koite and Bamada lend some very interesting sounds to the acoustic mix of Back Around (Track 11). This is one of those releases that will quickly become a favorite. It is very obvious that Bonnie had a lot of fun putting this one out.
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16 of 16 people found the following review helpful:
5.0 out of 5 stars
7 days and holding, April 25, 2002
My then sister-in-law traded me her new Bonnie Raitt album for my Rita Coolidge. Too bluesy she said. That was 1973. I was hooked. Bonnie's albums define sections of my life. Homeplate: My youngest daughter was born. The Glow: I sobered up a year later. And so it goes. I loved the decidedly non-commercial aspects of her work. Then she gained popularity with her pop flavored Grammy winners. Good for her. Her talent deserves recognition. But,her most popular albums are my least favorite of her work, though I still like them. I can't believe 30 years have gone by. Well... I judge an album's appeal by the number of days it stays on my car player. I commute two hours a day. A seven day cd is exceptional. Steve Earle got it with Transcendental Blues. Willie with Milk Cow Blues. Bonnie's Silver Lining is at 7 days and holding. I love that woman's voice, her phrasing, her guitar playing and the guys who pick with her. Bonnie fans will dig this cd. Folks who still like melody, lyrics, and emotional phrasing will like this cd, as well. I like every cut on this album, though Back Around has an appeal for me that is most visceral. This is one of those recordings that makes me feel as though I got my money's worth. Believe me, I have lots of recordings that makes me feel as though I didn't.
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