Most Helpful Customer Reviews
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222 of 227 people found the following review helpful:
5.0 out of 5 stars
THE DEFINITIVE FILM ON THE LIFE OF CHRIST!, August 3, 2002
After more than two decades, JESUS OF NAZARETH remains the greatest motion picture on the life of Jesus Christ -unsurpassed and second-to-none. Beautifully directed by Franco Zeffirelli (best known for his 1968 version of Romeo and Juliet) and featuring a constellation of the greatest international actors: Sir Lawrence Olivier, Rod Steiger, Anne Bancroft, Ernest Borgnine, James Earl Jones, Anthony Quinn (among others, oh my!), this six-hour magnum opus has given flesh and humanity to the people and events of the Gospel narratives like no other movie before or since.The film begins with the events prior to the Anunciation and Nativity, through the life of Christ, leading up to the Crucifixion and Resurrection, from Joseph's betrothal to Mary (played by Olivia Hussey, best known for her role as Juliet in the aforementioned film.) to the Empty Tomb on Easter Sunday. First-rate production allows us to observe with great detail the customs and daily life in first-century Judaea. The backdrop of Roman oppression and Jewish discontent is masterfully shown and successfully correlated to Jesus' ministry, in particular the political maneuvering of the cunning Herod (wondrously played by Peter Ustinov) and its effects on messianic expectation. Many persons mentioned only in passing or alluded to in the gospels such as Caiaphas and Pontius Pilate are portrayed with great credibility, allowing us to understand the historical figures' motives and intentions more fully. Among the numerous superlative performances, surely the most notable is that of Robert Powell in his role as the Nazarene, whose performance subtly captures the humanity of the Son of God, neither adding human weakness where none is present (vis-a-vis The Last Temptation of Christ), nor resorting to docetic immutability (Greatest Story Ever Told). Indeed, one senses that Jesus is fully aware of who He is in this film. In terms of scope, detail and production, this film is a must-see, setting a standard of excellence which unfortunately has not been met since. JESUS OF NAZARETH makes for great viewing not only for the seasoned Christian but for seekers and those interested in an intelligent approach to the life of Christ. SUPERB.
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190 of 203 people found the following review helpful:
5.0 out of 5 stars
The best Jesus movie ever made, February 28, 2000
To date, "Jesus of Nazareth" is most certainly the best Jesus movie ever made. Director Franco Zeffirelli presents the story of Jesus Christ in a very authentic manner. This film sticks pretty much to the script, the Holy Bible. This historical account of Jesus starts before the birth of Christ and runs through His life, His substitutionary death for all our sins on the cross, and His reappearance afterward. Much time is spent on our Lord's three-year long mission preaching and performing miracles as an adult on earth, and many scenes are genuinely touching, leaving not a dry eye in the audience. We've first seen this movie when it was released back in the late 70s, and since then we've watched it a few dozen times. The nearly six and a half hours running time are not a bother for those interested in the life of Christ. This picture comes across as a very well funded production and much care has been given to detail. We're certain that most viewers will be touched, aided by Robert Powell's realistic performance and portrayal of our Savior Jesus Christ. This movie will make you think about your personal relationship with God, while you'll enjoy an exceptionally well-made motion picture.
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60 of 61 people found the following review helpful:
5.0 out of 5 stars
The greatest version of the greatest story ever told, February 24, 2004
Prior to its debut on NBC in April 1977, "Jesus of Nazareth" was the subject of considerable controversy after director Franco Zeffirelli suggested his interpretation of Jesus would veer wildly from previous screen versions of the Gospels. Suspecting Zeffirelli, to say nothing of co-screenwriter Anthony Burgess of "Clockwork Orange" fame, had downplayed or even denied Jesus' divinity, some prominent religious leaders condemned the film, sight unseen, for its alleged blasphemy. One sponsor (General Motors) bowed out, and another stepped in (Proctor and Gamble, years before the company fought off unsubstantiated charges that its logo was Satanic). "Jesus of Nazareth" aired as scheduled, in two parts on two successive Sunday evenings, earning high ratings and praise from critics of all faiths."Jesus of Nazareth" is, hands down, the finest dramatic retelling of the life of Jesus to date. As George Stevens did with his 1965 fiasco, "The Greatest Story Ever Told," Zeffirelli recruited an all-star cast, but whereas Stevens could only have hired John Wayne to play a Roman Centurion because the Duke's name would look nice on the posters, Zeffirelli chose his stars because they were gifted actors perfect for their roles. One doesn't ooh and aah at the sight of Rod Steiger, Anthony Quinn, or Laurence Olivier, but rather marvel at how well they believably bring Pontius Pilate, Caiaphas, and Nicodemus to respective life. As good as they are, the most impressive performance may come from a less illustrious "name," James Farentino, who makes for a very commanding Peter. It could be argued that the film is too pretty at times (this is, after all, the work of the man who made 1968's lushly romantic "Romeo and Juliet"), bringing to mind the kind of postcard depiction that Mel Gibson's "Passion of the Christ" attempts to counter, but the script and performances thankfully lack the dry solemnity that often drains any semblance of life from most dramatic interpretations of the Bible. Robert Powell's Jesus doesn't merely "quote" passages from the New Testament but speaks the words of Jesus as those words might have been spoken for the first time. The crucifixion, though not as brutal and bloody as it probably was, also seems to be portrayed more realistically than usual, with Jesus carrying only the beam of his cross to Calvary which history seems to suggest was more likely the case. Maurice Jarre's score is sometimes moody and always reverent without being pompous, and despite its length, the story never drags. "Jesus of Nazareth" is an outstanding achievement, all the more impressive when one considers it was produced for television.
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