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Virtual XI
 
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Virtual XI [ENHANCED] [ORIGINAL RECORDING REISSUED] [ORIGINAL RECORDING REMASTERED]

Iron Maiden
3.1 out of 5 stars  See all reviews (60 customer reviews) More about this product

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Futureal 2:56$0.99 Buy Track
listen  2. The Angel And The Gambler 9:52$0.99 Buy Track
listen  3. Lightning Strikes Twice 4:50$0.99 Buy Track
listen  4. The Clansman 8:59$0.99 Buy Track
listen  5. When Two Worlds Collide 6:17$0.99 Buy Track
listen  6. The Educated Fool 6:44$0.99 Buy Track
listen  7. Don't Look To The Eyes Of a Stranger 8:03$0.99 Buy Track
listen  8. Como Estais Amigos 5:31$0.99 Buy Track


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Virtual XI + The X Factor + Dance of Death
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  • The X Factor ~ Iron Maiden

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Product Details

  • Audio CD (March 26, 2002)
  • Original Release Date: March 24, 1998
  • Number of Discs: 1
  • Format: Enhanced, Original recording reissued, Original recording remastered
  • Label: Sony
  • ASIN: B000063DGM
  • In-Print Editions: MP3 Download
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (60 customer reviews)
  • Amazon.com Sales Rank: #13,145 in Music (See Bestsellers in Music)

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60 Reviews
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Average Customer Review
3.1 out of 5 stars (60 customer reviews)
 
 
 
 
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35 of 38 people found the following review helpful:
2.0 out of 5 stars One of Maiden's lows, May 15, 2003
After the introduction of vocalist Blaze Bayley, they recorded X Factor in 1995 and got mixed results from fans. The band continued with Virtual XI in 1998, which is now considered one of the worst albums in Maiden's career. Here's the lowdown:

Futureal - This opening track is not bad at all. A good, solid rocker. I think it opens the album well.

The Angel and the Gambler - The hit off of this album, but unfortunately, it isn't that great at all. Not really Blaze's fault, but the chorus is weak.

Lightning Strikes Twice - The best track on the album. This one's a midtempo rocker/"gloom and doom" ballad hybrid. It's pretty good and Murray's blistering solo is brilliant.

The Clansman - The big epic of the album. I have absolutely no complaints with this song and Blaze's vocals are excellent.

When Two Worlds Collide - This song is just bizarre to me. After hearing the previous two tracks, Blaze just doesn't sound good here at all. I wonder if perhaps this was last minute?

Educated Fool - Ugh, the weakest song on the album. Kind of has a galloping structure, but doesn't quite come off well.

Don't Look to the Eyes of a Stranger - Not bad, but Blaze's vocals kind of derail this one. He's certainly not a bad vocalist, but he sings this one rather lowkey. You have to wonder if Steve Harris wrote this one with Bruce in mind.

Como Estais Amigo - The ballad of the album. The instrumentation is quite good and Blaze's vocals are good, but this one has some poor lyrics in my opinion.

The problem with this is not Blaze's fault. Virtual XI maintains the sound of Maiden (which X Factor didn't), but X Factor seemed tailor made to fit Blaze's singing style. Had Bruce sung this one and some of the songs been tweaked a little, this COULD HAVE been one of the best Maiden albums ever. Sadly, most of the songs seem to have been writing for Bruce's singing talents (because of his high vocal range) which Blaze can't achieve. I don't believe Blaze is bad at all, though... check out his own band, Blaze. I just get the feeling that this album seems rushed and perhaps there was a lot of creative headbutting over this (Blaze left the band shortly after this album's release). Overall, I don't recommend this one. Only get it if you are a DIE-HARD Maiden fan, especially since this CD hasn't been enhanced (to my knowledge).

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8 of 9 people found the following review helpful:
1.0 out of 5 stars Last shred of dignity, April 19, 2005
The X Factor was bad enough, but Virtual XI cannot be viewed as anything other than a slightly heavier version of the Caddyshack soundtrack.

Luckily, there aren't too many songs here...

Futureal: "Sometimes it feels like a game of deadly hide and seek." Try not to laugh. It's a song about cyberspace and people preferring the virtual world over reality; pure silliness, despite good intentions.

The Angel and the Gambler: Sounds like something off of John Carpenter's Big Trouble in Little China soundtrack, only not as cool. Steve should have changed the lyrics to something more suitable for Blaze's tenure in Maiden
"Don't you think I'm a singer?
Don't you think I'm a singer?
Don't you think I can sing a song?"
Repeat another 67 times.

Lightning Strikes Twice: starts off okay, with a lone atmospheric guitar, then degenerates into a bizarre power metalish song about the mystery of weather.

The Clansman: Maiden's tribute to Mel Gibson is nothing more than a parody of their past epics. Couldn't they have done a song about the Road Warrior...with Paul Dianno on vocals instead? Or at least Bruce.

When Two Worlds Collide: Inspired by the movie Deep Impact. If that isn't enough to make you skip the track, it has one of the worst choruses and most inane lyrics ever committed to a song about the apocalypse.

The Educated Fool: If you can remember this song, you're too much of a Maiden fan.

Don't Look into the Eyes of a Stranger: Evidently this is a song about Steve's inability to make eye contact. The intro is especially ridiculous.

Como Estas Pendejos: Maiden tries to write a socially significant war song on an album chock full of nonsense. It's an admirable effort but in the end it's a crippled tune.

Aside from the goofball lyrics and Blaze's awful belching, the album also graces us with Steve's horrid production. One of the band members said that they tried to make the guitars sound futuristic, in keeping with the theme of first track...well if 'futuristic' means 'out of tune,' 'retro 70s,' or 'completely lacking in authority,' then they achieved that sound. To put it simply, the songs just sound silly and childish; there's no other way to put it. Nicko sounds bored as well. Blaze...well, he's moved on to other things.

Unless you're a completist or demented, avoid this album.
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10 of 12 people found the following review helpful:
5.0 out of 5 stars Quit bashing bayley, February 27, 2006
Alright in this review I'll not only(dare I say it)praise blaze for his efforts in maiden I.E. x factor and virtual XI I'll also leave a note for all you "so called" Maiden fans out there.
First off I'd like to say that I think bayley's vocals are solid and he was just what they needed at the time, blaze brings a darker element to maiden and I think it's a great thing, yes I will admit here that Bruce is the best one but don't overlook bayley, he brought some very solid material to the band.
Secondly quit dissing Janick gers, apparently I must be hearing a whole different set of albums then some of you are cause in my opinion Janick is an awesome guitarist who's helped to write some very good material, hell I was happy to hear that he would be working with adrian in the later albums.
Lastly if you don't like all the albums after seventh son of a seventh son then quit listening to them and save us "true fans" the headache of all your bitching, you say if your a true fan then you'll only like the 80's stuff, well I contest that, I say if your a "true fan" then you stick by the band now matter what, being a fan means you love the band for what the band is not for what you think it should be.

in my opinion maiden will always rule the heavy metal airwaves, viva la maiden.
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Most Recent Customer Reviews

1.0 out of 5 stars yikes....
this album (and lineup) is a turd. No ones fault really. Just bad writing, bad singing and the total "doesnt sound like maiden since bruce left" thing. Read more
Published 5 months ago by D. Charles

5.0 out of 5 stars A Great 90's Effort From Iron Maiden!
In 1998 Iron Maiden came back with their eleventh studio recording appropriately called "Virtual XI". Read more
Published 6 months ago by Chappa

5.0 out of 5 stars BLAZE FAREWELL
no this is not your ordinary maiden , but still some great songs. listening to it now,i really like this alot more since it's release. Read more
Published 6 months ago by MRT

1.0 out of 5 stars What the hell???
"Futureal" and "The Clansman" are the only 2 songs worth anything on this dreadful CD, and only when performed live with Bruce Dickinson on vocals. Read more
Published 8 months ago by Darth Zappya

3.0 out of 5 stars My Favourite after SSoaSS
...in fact, this is the only Maiden album I still listen to on a regular basis - it has aged very well for me. I think it is their most cohesive post-Seventh Son output. Read more
Published 10 months ago by Gino

2.0 out of 5 stars Rock Bottom for Maiden
Every bands has it's highs and lows. And this was the lowest point of their career. I know because when Maiden came supporting this album, they could only play clubs and bars... Read more
Published 11 months ago by Albert Rodriguez

4.0 out of 5 stars Iron Maiden "lite"
I think this CD has the most mixed reviews of any I've seen!

The thing about Iron Maiden in the 90's was that - they weren't Iron Maiden in the 80's! Read more
Published 11 months ago by Matthew Schwarz

4.0 out of 5 stars (3.5)"What Is Real?Futureal"
After vocalist Bruce Dickinson left Iron Maiden,and in 1994 Blaze Bailey was the chosen one to replace him. Read more
Published 14 months ago by Tommy Morais

4.0 out of 5 stars Great album ruined by haphazard production.
I bought this album, like most of the other Iron Maiden albums (er..cds), the day it came out. I was excited and took it home, and ironically was not dissapointed. Read more
Published 18 months ago by Mattowarrior

5.0 out of 5 stars Virtual xi
The Second album with blaze bailey that joined iron maiden for a while.

Its a great album!
Published on September 3, 2007 by Mireille Manino

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