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5 of 5 people found the following review helpful:
4.0 out of 5 stars
more Mickey Hart than Kodo, but it rocks, July 12, 2002
There are no "pan pipes" here. This is glorious, inventive, adventurous stuff from some of the planet's premiere percussionists.The structure and tunes seem to be much more heavily influenced by Mickey Hart than by Kodo's traditional approach. Nevertheless, this is new for Kodo, but not a total break. Anybody who thinks that Kodo should stick to its "time honored traditions" doesn't really know Kodo very well. An important part of their raison d'etre is to bring the world closer together through percussion, which they have done through both concerts and recordings. In Japan, they often play with avant garde jazz musicians (Yamashita, Hino, Umezu) as well as percussionists from Hawaii, Senegal, Brazil, and more -- and even the occasional American gospel singer (Lacey Wright). This year's "Earth Celebration" guests were Airto Moreira and friends, who appear on "Mondo Head". If you want a taste of the international fusion, the absolutely over-the-top must-have CD is "Gathering" -- raw, exciting, exhausting, occasionally imperfect, and unlike anything you've ever heard before. It's too bad they don't bring this sound to the U.S. more often. Mickey Hart's "newage" (rhymes with "sewage") liner notes aside, the best of this album is absolutely electric. If you had asked me if taiko and tablas could be combined in this way, I'd have told you no, but they pull it off with incredible finesse. If you can have only one Kodo CD, get "Gathering". If you can have two, add one stocked with straight-up taiko (maybe "Ubu-Suna"; "Live at the Acropolis" leaves me a little cold for some reason). If you can have three, buy this album, and listen to it again and again -- there's always a deeper layer. Listen in the car, listen on your home stereo, listen with the bass turned up -- it sounds different and fresh every time.
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